Shakespeare’s Sonnet XXXV: No more be grieved at that which thou hast done

No more be grieved at that which thou hast done:
Roses have thorns, and sil­ver foun­tains mud,
Clouds and eclipses stain both moon and sun,
And loath­some canker lives in sweet­est bud.
All men make faults, and even I in this,
Authóriz­ing thy tres­pass with com­pare,
Myself cor­rupt­ing salv­ing thy amiss,
Excus­ing thy sins more than thy sins are:
For to thy sen­sual fault I bring in sense—
Thy adverse party is thy advo­cate—
And ‘gainst myself a law­ful plea com­mence.
Such civil war is in my love and hate,
That I an ácces­sory needs must be
To that sweet thief which sourly robs from me.

I did not know this son­net until I heard Keb’ Mo’s ver­sion on the album When Love Speaks. What the bard had to say about infi­delity and the pain of for­give­ness, amongst other things, deserves more time than I have to give it here, but you should def­i­nitely give a lis­ten to the song: Shakespeare’s Son­net XXXV.

The Good Men Project Publishes “For My Son, A Kind of Prayer”

I am really happy that The Good Men Project has cho­sen to pub­lish a new of poem of mine called “For My Son, A Kind of Prayer.” Too often, I think sites like that ignore the poten­tial for poetry to speak truth to the cul­tural con­ver­sa­tions we have about all kinds of issues, in this case gen­der, sex­ual vio­lence, het­ero­sex­ual male priv­i­lege and other related issues. At least I hope that’s what this poem does. Here’s the begin­ning – and please be aware that the poem does con­tain graphic descrip­tions of sex­ual vio­lence against both men and women:

Just before his mother
pushed him through her­self
hard enough to split who she was
wide enough for him to enter the world,
I touched the top of my son’s head;
and after he was born,
the mid­wife — her name,
I think, was Vivian—
held my wife’s umbil­i­cal cord
in a loop for me to cut, which I did,
free­ing our new boy’s body
to enter the name
we had wait­ing for him;
and then Vivian laid him
against the curve of his mother’s body,
giv­ing him to the breast
he would for years
define his world by;
and once that first taste of love
was firmly lodged within him,
she bun­dled him tight,
placed him in my arms
and, while I sang his wel­come
in a far cor­ner of the room,
turned to assist the doc­tor
sewing up my wife’s
birth-torn flesh.

Bits & Pieces: Lines That Didn’t Make the Cut — Remembering Claudia

The first in an occa­sional series of posts about what I end up edit­ing out of the poems I am work­ing on.

The revi­sion process leaves every writer with bits and pieces of work that no longer belong to the poem or story or what­ever where they first appeared. Some­times these scraps and frag­ments grow to become full fledged works on their own; some­times they get grafted onto other works-in-progress; but, as often as not, they end up in a file where the writer rarely, if ever, looks at them again. I went dig­ging into my file recently, look­ing for some­thing that I knew would fit in a poem the begin­ning and end of which I was hav­ing a very hard time con­nect­ing. As I read through bits and pieces I’d put in there, I began to real­ize that, for me, the lines that don’t make the cut as I revise a poem tend to be those in which I am either explain­ing to myself what I am try­ing to say or try­ing to force the lan­guage to go in a direc­tion it just doesn’t want to go. The lines in this post fall into the lat­ter category:

and if you imag­ine
that night as a film of my life,
then a thun­der­clap or dis­so­nant chord
would call the moment to your atten­tion:
lay­ers of mean­ing packed hard
in the still image you’d carry home
of what it means to me to remem­ber
that where the large oak
we put chairs beneath
for our sum­mer con­certs
now spreads its shade,
I played when I was nine
tackle foot­ball with Claudia.

In the poem this was orig­i­nally part of I was writ­ing about an evening when I went down to the gar­den which sits in the cen­ter of the eight-building co-op where I live to walk off some anger. Thun­der­clouds gath­ered over­head just a few min­utes after­wards and the rain that fell as I made my way around the con­crete path that marks the garden’s perim­iter felt like small hail­stones on my skin. This gar­den holds a lot of mem­o­ries for me. My grand­par­ents lived in the build­ing next door to mine for nearly fifty years, and we vis­ited them almost every Sun­day from as early as I can remem­ber until I went away to col­lege. When I was a lit­tle boy, not much more than five or six, I made friends with a red-haired girl named Clau­dia who lived in the build­ing across the way. She was – and I find myself won­der­ing if peo­ple still use this term – a tomboy, and one of our favorite things to do was play foot­ball on what was then a dirt field between the back of her build­ing and the back of my grand­par­ents’. I don’t remem­ber being invited to her house or that she ever came to my grand­par­ents’ place when I was there. Our friend­ship was the kind that lit­tle kids often have; we saw each other when we saw each other; and since she knew I would be there almost every Sun­day, she would just head down to the gar­den to see if I was there; or some­times I would get there first and wait for her.

Any­way, in the mid­dle of what I thought was going to be my last lap around the gar­den, a bolt of light­ning lit that field up, lush with grass after all these years and with a gor­geous, almost moun­tain­ous tree dom­i­nat­ing the cen­ter. (A cou­ple of sum­mers ago, a hawk made itself at home there.) In that flash, I sud­denly remem­bered the last con­ver­sa­tion I had with Clau­dia. We’d been friends for about five or six years by that time, so we were eleven or twelve. It was Shab­bat – I’m not sure why we were vis­it­ing my grand­par­ents on a Sat­ur­day – and so Clau­dia and I were both in shul, hang­ing around out­side the sanc­tu­ary where the adults were busy pray­ing. She was wear­ing a pink frilly dress, which sur­prised me because I’d never before seen her dressed “like a girl,” and she was hud­dled with a group of girls I didn’t know. I tried a cou­ple of times to talk to her, to get her to come with me to the places in the syn­a­gogue where, when we’d met there in years past, on Rosh HaShana for exam­ple, we’d spend time together until ser­vices were over, but she kept brush­ing me aside. Finally, I asked her point blank if she wanted to come out to play after lunch. (Nei­ther my fam­ily nor hers was strictly obser­vant.) “No,” she told me, “sports and climb­ing trees are for boys. I’m grow­ing up now, and I am not a boy.” As far as I recall, she and I never spoke to each other again.

The poem ended up being about some­thing else, but this mem­ory still makes me very sad.

Wilma’s Orphans: A Canine Orphanage

So I need to do a lit­tle per­sonal plug­ging here. My mother, Wilma, runs Wilma’s Orphans, a not-for-profit (501c3) dog res­cue here in New York. Stu­dents from the New York Insti­tute of Tech­nol­ogy Mul­ti­me­dia Work­shop did a video pro­file of her that I think is pretty cool. If you’re look­ing to adopt a dog, or would be inter­ested in mak­ing a dona­tion, please check out her web­site. There’s also con­tact infor­ma­tion in the video:


Fragments of Evolving Manhood: Notes Towards a Discussion of Male Self-Hatred

In his recently pub­lished book, Kayak Morn­ing, Roger Rosen­blatt writes:

The lit­er­a­ture involv­ing fathers and daugh­ters runs to nearly one thou­sand titles. I Googled. The Tem­pest. King Lear. Emma. The Mayor of Cast­er­bridge. Wash­ing­ton Square. Daugh­ters have a power over fathers, who are usu­ally por­trayed as aloof or mad. The father depends on his daugh­ter and he is often iso­lated with her – the two of them part­nered against the world. It is a good choice for writ­ers, this pair­ing. It may be the ideal male-female rela­tion­ship in that, with romance out of the pic­ture, the idea of father and daugh­ter has only to do with feel­ings and thoughts. Unal­loyed. Intel­li­gent. A girl may speak the truth to her father, who may speak the truth to her. He anchors her. She anchors him.

Rosenblatt’s book explores his grief at the untimely death of his own daugh­ter, Amy, and this pas­sage, in the form of a short-hand lit­er­ary analy­sis, mourns the rela­tion­ship he had with her – a rela­tion­ship that, for him, was about a kind of truth-telling that hap­pens between men and women when the pos­si­bil­ity of romance does not exist. Rosenblatt’s grief is his own, and I would not pre­sume to sug­gest that his rela­tion­ship with his daugh­ter was any­thing other than what he says it was. His asser­tion, how­ever, that the father-daughter pair­ing is a “good choice for writ­ers” because it allows us to deal with issues between the sexes solely in terms of feel­ings and thoughts, with­out the messi­ness of romance, gave me seri­ous pause. It’s not that I think he has mis­char­ac­ter­ized the father-daughter rela­tion­ships in the works that he cites – it’s been long enough since I read any of them that I sim­ply do not remem­ber – but because, in a male dom­i­nant cul­ture, and we still live in such a cul­ture whether we like it or not, the father-daughter rela­tion­ship is never about feel­ings and thoughts in the abstract. The daughter’s body and how she uses it – in sex, in mar­riage – and how that use reflects on the father’s body as a man, and on his rep­u­ta­tion and the rep­u­ta­tion of his fam­ily, is always already con­tested ground.

I doubt most peo­ple in the United States see the father-daughter rela­tion­ship explic­itly in these terms any more, though there are sub­cul­tures here – think, also, the Chris­t­ian insti­tu­tion of purity balls–where it is still a father’s duty to man­age his daughter’s sex­u­al­ity until she is appro­pri­ately married. In my own life, where fathers have been con­spic­u­ously absent, these atti­tudes have man­i­fested them­selves most obvi­ously in the assump­tions peo­ple make about my rela­tion­ship with my sis­ters. Or, more specif­i­cally, about what my rela­tion­ship with my sis­ters should have been when we were younger. I am think­ing specif­i­cally of how most peo­ple react when I tell them about the time when I was twenty-two and I walked in on my sis­ter, who is six years younger than I am and who should have been in school, in fla­grante delicto with her boyfriend. A fully detailed telling of the story is for another time, because it is funny. For now, but suf­fice it to say that when I finally found the boyfriend, he was hid­ing in my sister’s closet try­ing des­per­ately to dis­ap­pear behind the shirts and other hang­ing clothes he was pulling around him­self. It was very hard not to laugh at him, but I didn’t. I just sent him home, and I will never for­get the look of sur­prised relief and grat­i­tude on his face when he real­ized that I was not going to beat him up. He even asked me, “You mean you’re not going to beat me up?” When I said no, he said thank you and left.

Most peo­ple to whom I have told this story, and it doesn’t seem to mat­ter how old or young they are, have been as sur­prised as he was that I did not beat him up; and when I have asked them why – since the idea of beat­ing him up never even occurred to me – they always give the same answer. “She was your lit­tle sis­ter,” they say. “It was your job to pro­tect her.”

When I ask them what they think she needed pro­tec­tion from, they tell me, “From guys like that.” And when I ask them why I should have assumed my sister’s boyfriend was “like that,” since he was a nice guy whom she’d been see­ing for a while, a guy I liked, a guy she clearly trusted, they tell me, “Okay, so maybe you didn’t have to beat him up, but you should at least have put the fear of God into him, just to keep him honest.”

Hon­est about what? I ask.

“Well,” they say, “you wouldn’t want your sis­ter to get a rep­u­ta­tion, would you? You wouldn’t want him, or any­one he told, to think your sis­ter was just giv­ing it away, right?” And then most, but not all, leave the next ques­tion unasked: “You wouldn’t want your sis­ter to think it was okay just to give it away, would you?”

Clearly, it was not her boyfriend from whom my sis­ter and her rep­u­ta­tion really needed protection.

But there you have it: Because I was her older brother, these peo­ple seem to think my sister’s emerg­ing sex­u­al­ity was my prob­lem, not out of con­cern for her health and safety – and even then it really wouldn’t have been my prob­lem – but because if I did not keep a watch­ful eye on her she might have acquired the rep­u­ta­tion of or, worse, actu­ally become a “slut.” Accord­ing to this logic, my respon­si­bil­ity towards my sis­ter is really not so dif­fer­ent from the respon­si­bil­ity felt by the fathers and broth­ers who mur­der their daugh­ters and sis­ters in so-called “honor killings” – and, just to be clear, there is noth­ing hon­or­able about them – because even the hint of female sex­ual impro­pri­ety is a stain on her and her family’s rep­u­ta­tion that only her death will remove. (Indeed, I am reminded of the doll I was given buy a lover so that I would remem­ber her when I left South Korea in 1989, after my stint as an Eng­lish teacher was over. The doll’s dress iden­ti­fied her as a Korean noble­woman, right down to the knife on a belt around her waist, that her real life coun­ter­part was sup­posed to have used to com­mit sui­cide in the event that she was raped.) Granted, no one has ever sug­gested that in my case the right course of action would have been to kill my sis­ter, but the idea that I should have beaten her boyfriend up is clearly as much about the mes­sage it would have sent to her about the need to “keep her legs closed” as it is about the belief that I should have let him know that keep­ing his life was con­tin­gent on his abil­ity to “keep it in his pants.”

A less vio­lent way for me to have got­ten this mes­sage across to my sis­ter, of course, would have been for me to explain to her that I knew “what guys are like” and that she, there­fore, had good rea­son not to trust her boyfriend’s motives for want­ing to be sex­ual with her, that, in fact, she shouldn’t trust them because, at heart, all guys are “like that.” Leave aside, for the moment, the fact that there really are guys who are “like that” and that it is pos­si­ble for an older brother to sniff this out about his younger sister’s boyfriend before his younger sis­ter does. Focus instead on where the author­ity comes from that I, in this script, expect my sis­ter to rec­og­nize and accept: the fact that I, too, am a guy, that I know, first-hand, the truth of what I am say­ing. More to the point, since being “like that” is, in this way of see­ing the world, in the very nature of guy­hood, being “like that” is part of whom I am too. In pro­tect­ing my sis­ter from her boyfriend, in other words, I am also pro­tect­ing her from another ver­sion of myself. Or, to put it per­haps more kindly, from a male imper­a­tive that I know her boyfriend feels because I have felt it too: the (tra­di­tional) male imper­a­tive to use women for sex as a way of prov­ing manhood.

There is, in other words, a level of self-hatred involved in the vio­lence I was, accord­ing to this logic, sup­posed to have done to my sister’s boyfriend, as I pro­jected onto him the part of who I am that I would never allow myself to express with my sis­ter. More­over, there is an irony embed­ded in this self-hatred, because not to feel it, not to see some­one like my sister’s boyfriend as a threat to her, and there­fore to myself, is to fail as a man. By way of con­trast, con­sider that if I’d been an older sis­ter, and strong enough to do so, no one would have thought for a moment that beat­ing my younger sister’s boyfriend up sim­ply because he was hav­ing sex with her was the thing I ought to have done. As a woman, it sim­ply would not have been my job to police my sister’s sex. As a man, how­ever, within this logic, that was pre­cisely my job and, to the degree that I didn’t do it, it was as a man that I failed. The peo­ple who ques­tion why I didn’t beat him up know this intu­itively. “What kind of a brother (read: man) were you?” they ask. In all hon­esty, I don’t know how to answer them, not because I don’t have an answer, but because it often feels to me like we are speak­ing dif­fer­ent lan­guages and I don’t know how to trans­late from mine to theirs.

A great deal of work has been done to expose the sex­ual dou­ble stan­dard for what it is, a way of con­trol­ling women’s sex­u­al­ity, and if you under­stand the story I have told and people’s reac­tion to it as being pri­mar­ily about my rela­tion­ship with my sis­ter, then it is clearly the dou­ble stan­dard that is at stake. On the other hand, if you under­stand the story as being about my rela­tion­ship to her boyfriend – man to man, so to speak – which means it is also a story about my rela­tion­ship with myself, then what is at stake is how that dou­ble stan­dard struc­tures men’s inter­nal expe­ri­ence of man­hood and mas­culin­ity, how it forces on men a divi­sion within our­selves between the man we are (tra­di­tion­ally, stereo­typ­i­cally) given per­mis­sion to be with women who are not our sis­ters or daugh­ters, etc. and the man whose man­hood depends on pro­tect­ing those women from what that per­mis­sion means. To be both those men at the same time, in an inte­grated way, seems to me impos­si­ble, mak­ing it a quin­tes­sen­tial exam­ple of self-hatred.

I don’t really have any­thing more to say about this right now. I just think it’s a start­ing point for what could be a very inter­est­ing discussion.

 

What I’ve Been Reading

I haven’t been post­ing as much I would like – some­thing that is, I hope, start­ing to change – but I have been read­ing, and so I thought I’d put up a list of the pieces that have inter­ested me for one rea­son or another:

  • It Is What It Is, by my friend Cas­san­dra, about her “round, high, and in your face [butt] — a brazen and rebel­lious per­son­al­ity that dares any­one, includ­ing me, to attempt to silence her. She invites stares, wel­comes gropes and rev­els in praise — she is not one to keep quiet.” Cassandra’s new to blog­ging, so if you have a chance, go over to Lady­Caz and let her know what you think.
  • That Dreaded Skirt, also by Cassandra.
  • The Best Birth Con­trol in the World is for Men: “The pro­ce­dure called RISUG in India (reversible inhi­bi­tion of sperm under guid­ance) takes about 15 min­utes with a doc­tor, is effec­tive after about three days, and lasts for 10 or more years.” But don’t look for it any time soon in the US, since it’s not a big money-maker for the drug companies.
  • Could This Male Con­tra­cep­tive Pill Make A Vas Def­er­ens In The Fight Against HIV?: “To cut right to the chase, it’s affec­tion­ately dubbed the “clean sheets” pill due to the fact that it inhibits release of any semen whatsoever…while still per­mit­ting the cir­cu­lar mus­cles to contract.…”
  • Eval­u­at­ing the Adjunct Impact: “Using large sam­ples of com­mu­nity col­leges, stud­ies find that as col­leges use more part timers, their stu­dents are less likely to grad­u­ate or trans­fer to four-year insti­tu­tions. And another study finds that as part-time use goes up, insti­tu­tional aver­ages in class par­tic­i­pa­tion (for all fac­ulty mem­bers) go down.”
  • What Adjunct Impact?: Cites stud­ies that con­tra­dict the stud­ies cited in the pre­vi­ous article.
  • Com­ple­tion at What Price?: “[T]he debut report…takes on the “com­ple­tion agenda” and its heavy empha­sis on work­force devel­op­ment [at com­mu­nity col­leges], a fix­a­tion that the report said threat­ens aca­d­e­mic qual­ity and stu­dent access, as well as social mobility.
  • The Dis­pos­able Pro­fes­sor Cri­sis: “[A]s grow­ing num­bers of insti­tu­tions turn to con­tin­gent (or adjunct) fac­ulty to cut costs, while keep­ing pay as low as pos­si­ble for the sup­port staff who keep cam­puses run­ning[,] stu­dents suf­fer… [T]he num­ber of avail­able ser­vices are reduced, class sizes increase, and edu­ca­tors are less able to pro­vide direct assis­tance and men­tor­ing to the stu­dents they are there to teach.”
  • ‘Danc­ing Boys’: A Tale of Sex­ual Exploita­tion: “The prac­tice of wealthy or promi­nent Afghans exploit­ing under­age boys as sex­ual part­ners who are often dressed up as women to dance at gath­er­ings is on the rise in post-Taliban Afghanistan, accord­ing to Afghan human-rights researchers, West­ern offi­cials and men who par­tic­i­pate in the abuse.”
  • Poetry, Medium and Mes­sage: “Here is a ques­tion that has been con­found­ing or even infu­ri­at­ing poets for eons. So what is your poem about?”
  • Cur­ried Lamb and Bar­ley Grain: A recipe I made recently that I really, really liked.
  • Cin­der­fel­las: The Long Lost Fairy Tales: In these tales, “Cin­derella is a woodcutter’s daugh­ter who uses golden slip­pers to recover her beloved from beyond the moon and the sun.”
  • Adri­enne Rich’s News in Verse: Katha Pol­lit on Adri­enne Rich’s death.
  • Sex­ting Ice Break­ers for Eng­lish Grad Stu­dents: “Maybe we should con­sider using a rhetor­i­cal device; though, to be clear, I am not sug­gest­ing that we rely on that rhetor­i­cal device every time we cowrite a paper.”
  • Ten Rea­sons Not To Sleep with a Poet: “8. Like other kinds of men, he will never under­stand the anguish of car­ry­ing a phone that does not ring. Unlike other kinds of men, he will seem to fall off the planet for weeks at a time, lost in a place — that god­damned place you know to be a space in his head and not an actual location.”
  • Cunt: The His­tory of the C Word: “In fact, the ori­gins of ‘cunt’ can be traced back to the Proto-Indo-European ‘cu’, one of the old­est word-sounds in recorded lan­guage. ‘Cu’ is an expres­sion quin­tes­sen­tially asso­ci­ated with fem­i­nin­ity, and forms the basis of ‘cow’, ‘queen’, and ‘cunt’. The c-word’s sec­ond most sig­nif­i­cant influ­ence is the Latin term ‘cuneus’, mean­ing ‘wedge’. The Old Dutch ‘kunte’ pro­vides the plo­sive final consonant.”
  • Women Pub­lish­ers in Iran: Fark­hon­deh Hajizadeh: “The process of grow­ing cen­sor­ship has reached a point that even the con­cept of cen­sor does not apply to it. In a time when we all seem to be liv­ing in glass houses and have noth­ing left to hide, such approaches to book pub­lish­ing is syn­ony­mous to a return to the Mid­dle Ages.”
  • Repeat After Me: A review of Lan­guage: The Cul­tural Tool by Daniel Everett, in which Everett claims to have found evi­dence to dis­prove the Chom­skian the­ory of lan­guage universals.
  • Do Col­lege Pro­fes­sors Work Hard Enough?: A professor-bashing op-ed from the Wash­ing­ton Post that is nonethe­less worth read­ing so that the rebut­tals (here, here (the most bal­anced of them), here, here, here) will all make sense.
  • What Do Pro­fes­sors Do All Week?: Intro­duc­tory post to a series in which one pro­fes­sor logged the time he spent on work-related activ­i­ties dur­ing one seven-day week. It’s worth read­ing the entire series; the links are at the bot­tom of the post I am link­ing to here.
  • Why Are You Here?: Chi­ma­manda Ngozi Adichie on brand­ing, char­ity, and class in Nigeria’s schools.
  • Nathalie Han­dal — Haiti: Poet Nathalie Han­dal on edu­ca­tion in Haiti one year after the earthquake.

Fragments of Evolving Manhood: from “Unlearning the Equation”

Trig­ger warn­ing for descrip­tions of sex­ual abuse.

Some time ago, an essay I wrote called “Why I Am a Fem­i­nist Man” was pub­lished at The Scav­enger. The essay was a first pass at illu­mi­nat­ing the con­nec­tion in my life between the sex­ual abuse I sur­vived when I was a teenager and my embrace of fem­i­nism. Well, I have been revis­ing the essay, first because it needed it and, sec­ond, because I am hop­ing to sub­mit for pub­li­ca­tion in a dif­fer­ent venue. “Unlearn­ing the Equa­tion,” the new title of the piece, para­phrases some­thing Adri­enne Rich wrote thirty some odd years ago in an essay, “Cary­atid: Two Columns,” which was orig­i­nally pub­lished in On Lies, Secrets and Silence:

The equa­tion of man­hood — potency — with the objec­ti­fi­ca­tion of another’s per­son and the dom­i­na­tion of another’s body, is the vene­real dis­ease that lives alike in the crimes of Viet­nam and the lies of sex­ual lib­er­a­tion (another cre­ation of the sixties) — as it lives in the imag­i­na­tions of pornog­ra­phers, in the fan­tasies of poets and pres­i­dents, pro­fes­sors and police­men, sur­geons and salesmen.

Here are a cou­ple of excerpts from “Unlearn­ing the Equation:”

The obvi­ous but also very dif­fi­cult answer [to the ques­tion of why I responded to a woman’s belit­tling and emas­cu­lat­ing rejec­tion of me with a fan­tasy in which I raped her] is that the struc­ture of rape was already part of what I con­sid­ered nor­mal behav­ior between men and women, was in fact the frame­work through which I under­stood the mean­ing of that behavior.… Statements like this one, because of the way they can be read to sug­gest that men are all inher­ently and irrev­o­ca­bly rapists, are one source of many men’s dis­com­fort with fem­i­nism. Yet women also inter­nal­ize the struc­ture of rape as part of their sex­u­al­ity. They live in this cul­ture no dif­fer­ently than we do, so how could they not? Still, no one tries seri­ously to deduce from this fact, at least not any­more, that women are all there­fore inher­ently and irrev­o­ca­bly vic­tims of rape. Indeed, one of the things con­tem­po­rary fem­i­nism has done for women — and, frankly, for men as well — is to expose just how fully and insid­i­ously the ide­ol­ogy of rape has been a struc­tur­ing force in female sex­u­al­ity, mak­ing it pos­si­ble for women to free them­selves from that struc­ture. Why would it be any dif­fer­ent for men? Why would free­dom from the way rape struc­tures how we see the world not be a wel­come change for us?

§

I received when I was grow­ing up two very dif­fer­ent kinds of instruc­tion in the ide­ol­ogy of rape. First and fore­most, the model of mas­culin­ity to which I was taught to aspire…insists on the dominant-submissive, active-passive dichotomy that rape embod­ies as the nat­ural order of all things sex­ual. Before the old man in my build­ing put his hands on me and forced his penis into my mouth, I knew with absolute cer­tainty which posi­tion in that dichotomy I was sup­posed to occupy. More­over, I knew at the uncon­scious level of know­ing that is the result of proper social­iza­tion that I could take this posi­tion more or less for granted. By the time I walked out of the old man’s apart­ment, how­ever, I knew with a sim­i­lar level of cer­tainty how wrong I’d been. This real­iza­tion may not have been con­scious at the time, but it has shaped my under­stand­ing of the world ever since: when the old man in my build­ing forced his penis into my mouth — because I am cer­tain that what I can­not fully remem­ber did indeed hap­pen — he demon­strated beyond any doubt that every­thing I’d been taught about the mean­ing of my gen­der and my dom­i­nant place in the sex­ual hier­ar­chy of my cul­ture had been a lie.

§

[F]eminism is the only pol­i­tics I know that explic­itly com­mits itself to…build[ing] a world in which the inhu­man­ity of sex­ual exploita­tion, along with every other inhu­man­ity that devolves from it, is no longer acceptable.

From an article in the New York Times on sex trafficking in Spain

The whole arti­cle is really dis­turb­ing, but this in par­tic­u­lar made me have to stop read­ing and take a deep breath. I don’t want to judge the fam­ily with­out know­ing the sit­u­a­tion – who knows whether the traf­fick­ers gave them lit­tle or no choice, for exam­ple – but that the world is a place where it is pos­si­ble just to imag­ine treat­ing anyone’s daugh­ter like this doesn’t sim­ply turn my stom­ach. It fills me, as I sit here wait­ing for my wife to get her new eye­glasses adjusted, with a help­less rage that makes me want to cry:

Some of the women are sold into the busi­ness by their fam­i­lies, Mr. Cortés said. The police came across one case in which Colom­bian traf­fick­ers were pay­ing one fam­ily $650 a month for their daugh­ter. She man­aged to escape, he said. But when she con­tacted her fam­ily, they told her to go back or they would send her sis­ter as a replacement.

Note also where the arti­cle men­tions a woman whose traf­fick­ers tat­tooed a bar code on her and the amount of money she owed them. Read the whole thing here.

“Light,” a Poem from “The Silence of Men,” Selected for LoveLifePoem’s Best of the Web

I’ll be hon­est. There was a time when I would have looked askance at this honor, though that time is far enough back in my youth that the pos­si­bil­ity of a web­site like LoveLife­Po­ems had not even been imag­ined. What would have both­ered me back then is the fact that the site is not lit­er­ary. Many of the poems pub­lished there, at least based on the sam­ple I have read, are ama­teur­ish, overly sen­ti­men­tal and cliché, pre­cisely the oppo­site of the qual­i­ties I was taught to value not just in my own work, but in the work along­side of which I wanted mine to be pub­lished. It is a kind of elit­ism I have long since dis­owned and that I find, frankly, offen­sive when I encounter it in oth­ers. It’s not that I have come to think that all poems are equal, that stan­dards of qual­ity are mean­ing­less when it comes to poetry – two argu­ments that I have heard many times over the years, mostly from peo­ple for whom writ­ing poetry is more a mat­ter of cathar­tic self-expression than the dis­ci­plined prac­tice of an art form. Rather, it’s that I have come to respect the fact that poems like the ones on LoveLife­Po­ems were, are and will be of use to peo­ple. Inde­pen­dently of their lit­er­ary qual­ity, these are poems that have, among other things, given com­fort, expressed love, long­ing and lust; helped peo­ple feel less alone in the world and sus­tained lovers across long dis­tances. They have, in other words, done what poetry has always done, given shape in lan­guage to per­haps the one need that defines us as human: the need to reach across the space that sep­a­rates us, even when we can­not touch, and make our­selves known, for it is in know­ing that we are, that we have been known that the first pos­si­bil­ity of love exists.

Who am I to deny the value of poems that do that just because they do not meet the lit­er­ary stan­dards of the moment? What greater honor is there to bestow upon a poet than to say that her or his poems have done that for you? So I am hon­ored, and hum­bled, that the edi­tors of LoveLife­Po­ems have cho­sen Light, from my book The Silence of Men, for their Best of the Web col­lec­tion. I hope you will go and read my poem and then stay to check out some of the work that is pub­lished there.