Attar in Progress: An Officer Falls in Love with a Prince

March 2nd, 2013 § 2 comments

I’ve been mak­ing steady progress work­ing on Ilahi Nama, and I thought it might be inter­est­ing to post some of what I’ve done so far. The lat­est poem of which I have fin­ished the first draft, for exam­ple – just about all of the poems in Ilahi Nama are nar­ra­tive – con­cerns a beau­ti­ful prince with whom an offi­cer falls in love. Through a series of cir­cum­stances, the offi­cer and the prince are taken cap­tive by an enemy king­dom and put in the same cell, where they develop a rela­tion­ship so inti­mate that, as the poem’s speaker puts it, “it’s not [the] storyteller’s place to reveal.” Even­tu­ally, the two king­doms make peace, but one of the terms of that peace is that the prince should marry the daugh­ter of his for­mer cap­tive, which he does.

Absorbed in the pomp and cir­cum­stance of his mar­riage, the prince puts the offi­cer out of his mind for a time, but he even­tu­ally remem­bers his for­mer cell­mate and sum­mons him for an audi­ence. The offi­cer, how­ever, is over­whelmed by the prince’s majesty. He can­not imag­ine him­self wor­thy of that splen­dor, and he dies. As he explains to the prince:

“In the prison cell we shared, my king,
I did not feel your majesty.
Today, after forty days and forty
nights of sep­a­ra­tion, I saw you
for the first time, and all around you
from east to west, swirled the uproar
and con­fu­sion of the royal court.
Before you parted from me, like that,
I was accus­tomed to you, like that
I was at peace; but this I can’t
endure. Wear that lovely gar­ment
and I will love you once again;
but if these robes are yours; if this
splen­dor is where you will remain,
how will I find the strength to embrace
the truth of who you are?” He had
no more to say. Then, with a hun­dred
lamen­ta­tions, his soul ascended,
pure, at his appointed time, to heaven.

The point of the story – though I am giv­ing it here in a sim­plis­tic and reduc­tive form – is that if you want to be wor­thy of enlight­en­ment and union with God (which the prince’s majesty rep­re­sents), you need to believe that you are wor­thy, which the offi­cer clearly did not. What I most wanted to share with you, how­ever, was my draft of the begin­ning of the poem, which describes the prince’s beauty. There are some rough spots still, but I thought peo­ple might find it intrigu­ing, since the poem as a whole is clearly an exam­ple of a Sufi teach­ing poem which uses the occa­sion of a man falling in love with a man to explore what it means to achieve union with God:

A cer­tain prince, a shim­mer­ing piece
of moon, once graced this earth. Jeal­ous
of his beauty, the sun left its place
to wan­der the sky in rags. Face–
to-face with him, the sun shook
uncon­trol­lably, like an epilep­tic
at the new moon. Inscribed on his fore­head,
as in musk on sil­ver, the let­ters jim
and mim, and when those let­ters twisted
and curled, he cap­tured the king­dom of Jam.
With those eye­brows, he played the part
of the moon’s cham­ber­lain. The heart
he hunted, and the liver, fell
prey to his eye­lashes. A sin­gle
glance at the bay horse of his eyes
sent Temp­ta­tion for its sad­dle—
the per­fect rider for such a horse—
and what good game their hunt brought in!
His lips were honey and sugar,
but each lip was also sweeter
than either of those. When the bee
girded its loins to make the honey,
the sugar cane did the same for the sugar.
Two rows of thirty corals
shone between his car­nelians like pearls.
From the sev­enth heaven, the stars gazed down,
and any­one who looked upon
his face, if he had a life,
would place that life before him, a sac­ri­fice.
Love for this moon-like prince had turned
an officer’s heart upside down
and led his mind astray. A pain
with­out cure, and so with­out end,
filled him: his soul was not wor­thy
of his beloved. In agony,
he nonethe­less suf­fered secretly,
and no one ever knew he bled
more under this grief’s tyranny
than any suf­ferer ever did.

 

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