“Why I Am A Feminist Man” Published by The Scavenger

I have been away from any really sub­stan­tive blog­ging, or work on my other writ­ing projects, since my grand­mother died because I’ve been busy catch­ing up on every­thing that accu­mu­lated on my desk, work-related and oth­er­wise, while I was deal­ing with her death. I had hoped to start doing some writ­ing this past week­end, but we found out on Fri­day that the admin­is­tra­tion at the col­lege where I teach fired all 66 full-time fac­ulty on tem­po­rary lines, which is the equiv­a­lent of almost 10% of full-timers. Nine of those lines have since been restored, but, as you can imag­ine, the news was demor­al­iz­ing in the extreme, and so it will take me till the end of this week – tomor­row, actu­ally – to fin­ish with my grad­ing and all, and I will be able to get back to my own writ­ing next week. Mean­while, I am excited by the fact that the Aus­tralian online pub­li­ca­tion The Scav­enger has cho­sen to repub­lish my essay Why I Am a Fem­i­nist Man, which orig­i­nally came out on The Take­back.

Why I Love My Straight Boyfriend « Thought Catalog

From Why I Love My Straight Boyfriend « Thought Cat­a­log:

So what exactly does a con­tem­po­rary rela­tion­ship between a gay man and a straight man look like? I don’t know. This is a love affair and it looks like this. Every day we email and text back and forth about who we’re sleep­ing with, how we’re sleep­ing with them, and if we should con­tinue to do so (in his case it’s just one girl in Paris who he’s in love with). We email poems to one another (this is less gay than it sounds since we’re both poets, which is more gay than it sounds), we have event nights, non-event nights, and date nights where we get together for really expen­sive drinks we can’t afford and remix Chrissie Hynde with Camus and (oh my god) our feelings.

It’s really worth read­ing the whole thing.

Fragments of Evolving Manhood: Why I Am a Feminist Man

The first time the old man who lived in the apart­ment at the top of the stair­case said hello to me, he stopped for a moment as we passed in the court­yard and smiled as if he’d known me my whole life. The sec­ond time, he did the same thing. By the third or fourth time, a rit­ual of greet­ing had grown between us. When­ever we saw each other, he would smile and say hello first; I would smile, say the same thing back, and then, for a long silent moment, he would fix me with his gaze while I stood there, too hap­pily embar­rassed to move, wish­ing when he walked away that I’d done some­thing, any­thing, to pro­long our conversation.

I think of him as “the old man” because of how young I was when I met him — I was thir­teen — but he was prob­a­bly not much older than the forty-nine-years-old I am now, if that old, and so he was the per­fect age for me to see in him a pos­si­ble sur­ro­gate father. My par­ents had sep­a­rated when I was three; my step­fa­ther had recently left us; and I was des­per­ate for some kind of pater­nal atten­tion and approval. So I was thrilled when the old man one day in late sum­mer did not keep walk­ing after our usual exchange, ask­ing me instead, “When am I going to see you?”

I fig­ured he was lonely, like Mrs. Schecht­man had been when she lived in the apart­ment next to his, and the thought of vis­it­ing with him like I used to visit with her made me happy. “Soon!” I answered.

Not too long after­wards, I was on my way out of our build­ing to meet my friends. The old man hap­pened to be walk­ing down the stair­case lead­ing from his apart­ment to the front door, which we reached at the same time. As I went to turn the knob, he held the door shut with his left fore­arm, maneu­ver­ing me with his right till I stood face first in the cor­ner near the mail­boxes where the door frame met the wall. Cov­er­ing my body with his own, he ran his hands beneath my shirt and up the legs of my shorts; he groped my chest and belly, squeezed my butt, cupped my crotch, and he kept whis­per­ing hoarsely into my ear, over and over again, “When am I going to see you?”

I had no words for what he was doing, no train­ing such as young chil­dren get now in how to scream no! to scare off an attacker. All I could do was stand there till he was fin­ished; and when he was fin­ished, I ran. I don’t remem­ber how far or how long or in which direc­tion, but I ran as if I could leave my skin behind, as if run­ning would turn me into another per­son. When I stopped run­ning, in the small park across the street from the Lutheran Church, I sat a long time with the knowl­edge that my run­ning had undone noth­ing, that my body was still the body he’d touched.

Even if I’d wanted to tell some­one — and I didn’t — I was sure no one would believe me, so I pre­tended noth­ing had hap­pened. When the old man passed me the next day and said hello, I said hello back the way I always did, forc­ing myself not to see the ironic twist he added to his smile. After a cou­ple of more times, our hel­los began to feel nor­mal again, and I told myself that maybe it hadn’t hap­pened. Maybe he was just a lonely old man who liked to say hello, and as long as he stayed on his side of that hello, I felt — or, to be more accu­rate, I con­vinced myself that I was — safe.

Some weeks later, as I sat with my friends in front of our build­ing, the old man came home from food shop­ping and asked me to help him upstairs with the bags in his shop­ping cart. I wanted to say no, but I couldn’t. To do so would almost cer­tainly have raised ques­tions for my friends about why I was being so rude, and the last thing I wanted to do was explain myself to them. So I took the bag he pointed to and fol­lowed him up to his apart­ment, where he opened the door and motioned me in ahead of him. The bag was heavy, so I stepped inside, think­ing I’d leave it by the door and get out as quickly as I could, but he was too fast for me. As soon as the door shut behind him, he pushed the shop­ping cart to the side, took the bag from my arms and dropped it to the floor. The cans at the bot­tom landed with a crash that shook the whole apart­ment. Snaking his arms around my waist, he undid my belt and unzipped my pants, push­ing them down so they fell around my ankles. All I could do was stand there, frozen to the spot where my feet had stopped mov­ing. He took me by the hand and led me to the couch against the wall. He sat down. Look­ing up at me with a wide smile — I have the dis­tinct mem­ory that he’d taken out his two front teeth — his eyes, at what I imag­ine must have been the fear in mine, grew ten­der. “You’ve never had a blowjob before, have you?” When I shook my head no, his voice filled with con­cern. “But don’t you want me to love you?”

In the silence with which I responded, he took my penis in his hands — I remem­ber think­ing his fin­gers were like a cage — and he told me how good it was, how beau­ti­ful and big, and then his own pants were down, and I was sit­ting on the couch, and his penis, large and pur­ple, hung in front of my face. His voice came from some­where above me, urg­ing me to play with it, at least to touch it, and I don’t remem­ber if I did — no, at this point, my mem­ory goes white, like the blank space in a video of which a por­tion has been erased, though I can still feel his hands on the back of my head. Then I see myself walk­ing to the door, unlock­ing it, clos­ing it behind me, and some­how I am next in my bed, curled in the fetal posi­tion, where I stay until my mother calls me for dinner.

The next day, the old man saw me stand­ing by myself in front of our build­ing. He didn’t come close, just stood some dis­tance away and pleaded with me to go upstairs with him again. This time, he promised, would be dif­fer­ent. He would move more slowly, be more gen­tle. I said no, ignor­ing his fur­ther pleas until he left me alone, which he did for the rest of the time he lived in our build­ing. I still nod­ded in recog­ni­tion if I was with some­one when he saw me — I did not want any­one won­der­ing why I didn’t — but oth­er­wise I did my best to ignore him, and he seemed con­tent to ignore me as well. Even­tu­ally, he moved away, and what he’d done to me receded even fur­ther into the silence I’d wrapped it in, and I pulled that silence around me like a pro­tec­tive cloak. No one else ever had to know.

The fab­ric of my silence started to fray when, at nine­teen years old, I read Adri­enne Rich’s On Lies, Secrets and Silence. At the time, I was inter­ested in Rich as a poet; I knew noth­ing about her as a fem­i­nist. Indeed, fem­i­nism itself was barely on my radar as some­thing with a sub­stan­tive rel­e­vance to my life, and so I was sur­prised to find myself enthralled and ener­gized by the polit­i­cal and explic­itly woman-centered con­tent of what I was read­ing. Then I came to this pas­sage from “Cary­atid: Two Columns:”

[T]aught to view our bod­ies as our total­ity, our gen­i­tals as our chief source of fas­ci­na­tion and value, many women have become dis­so­ci­ated from their own bodies…viewing them­selves as objects to be pos­sessed by men rather than as the sub­jects of an existence.

As soon as I read those words, a small voice in my head began to speak. “But what about me?” it wanted to know. “What about what hap­pened to me?” I sought out other fem­i­nist texts and read vora­ciously, dis­cov­er­ing in the fem­i­nist analy­sis of men’s sex­ual vio­lence against women a vocab­u­lary for nam­ing what the old man in my build­ing had done to me as the vio­la­tion it was. More impor­tantly, though, being able to name what he did made it pos­si­ble for me to tell oth­ers, and when telling them did not bring the roof of the world crash­ing down around my head, I found the strength I needed to con­front my abuse more fully by going to coun­sel­ing. In a very real sense, then, I owe to fem­i­nism what­ever heal­ing I have achieved.

If I stopped here, even those of you totally opposed to fem­i­nism would prob­a­bly be nod­ding your heads. “Of course you’re a fem­i­nist. It makes per­fect sense.” Yet to stop here would be to reduce fem­i­nism to a kind of self-help ide­ol­ogy, implic­itly deny­ing that fem­i­nism is also a pol­i­tics. More to the point, it would be to gloss over the fact that com­mit­ting myself to those pol­i­tics has been part and par­cel of my healing.

Not too long after I first read Adri­enne Rich’s essay, I was work­ing as a sum­mer camp super­vi­sor in New York’s Hud­son Val­ley. The leader of a train­ing ses­sion we were required to attend told us he would use the word she as the generic pro­noun when dis­cussing how to deal with campers who might choose to tell us that they’d been sex­u­ally abused. Since most abuse hap­pened to girls, he explained, refer­ring to both boys and girls as vic­tims would give us a skewed pic­ture of real­ity, mak­ing it dif­fi­cult for us to respond appro­pri­ately. I felt like I’d been punched in the stom­ach. It wasn’t just that he so blithely dis­missed my expe­ri­ence. What he said seemed to imply that the sex­ual abuse of boys and the sex­ual abuse of girls were so rad­i­cally dif­fer­ent in nature that we could not talk about them in the same con­text. If that were true, it called into ques­tion every­thing I thought I’d been learn­ing from fem­i­nism, sug­gest­ing that the strength I’d been draw­ing from that learn­ing was based on a false premise.

My body rebelled at this idea. Each time I tried to tell myself that the ses­sion leader was right — because the weight of his exper­tise made it hard to think he wasn’t — I wanted to crawl out of my skin no dif­fer­ently than I had after the first time the old man in my build­ing touched me. Still, there was no deny­ing that the books I was read­ing said not one word about my expe­ri­ence. Girls and women were abused and exploited in those pages, not boys, and cer­tainly not men. I’d found myself in Rich’s essay, in other words, as well as in the other fem­i­nists texts I was read­ing, through a process of anal­ogy. To take another instance from “Cary­atid: Two Columns,” when Rich wrote about how the val­ues of our cul­ture “equat[e]…manhood…with the objec­ti­fi­ca­tion of another’s per­son and the dom­i­na­tion of another’s body,” I under­stood her to be describ­ing, with a chill­ing accu­racy, what the old man in my build­ing had done to me, even though she was talk­ing explic­itly about men’s sex­ual objec­ti­fi­ca­tion of women.

This anal­ogy only grew stronger as I began to see very pre­cise par­al­lels between the old man’s method of “seduc­ing” me — because that’s what I think he thought he was doing – and the meth­ods for get­ting women into bed that some of my male friends talked about using. I remem­ber, for exam­ple, a dorm room con­ver­sa­tion from when I was an under­grad­u­ate. The “stud” among us – call him Liam – was talk­ing about the kind of women with whom sex­ual suc­cess mat­tered to him the most. These were, he said, the women who resisted, the ones who made him work for it, forc­ing him to prove that he could bend them to his will — I think he actu­ally used those words — because get­ting them to have sex with him made him feel most like a man. As Liam described how he sized such women up, I sud­denly real­ized that the old man in my build­ing had sized me up as well, that he had to have been watch­ing me before the first time he said hello. I was a shy, awk­ward and needy kid, so he gave me the kind of atten­tion that would make me feel noticed and that I would there­fore want more of. Liam talked about this as the “stage of flat­tery.” Then, once the old man could see in me a grow­ing desire for his atten­tion, he must have assumed that I also desired (per­haps with­out real­iz­ing it) every­thing else he wanted to “give” me as well. Accord­ing to Liam, a woman who resisted at this stage really wanted sex but was afraid of being labeled “easy.” She needed to be “taken,” he said, so she could give up her self con­trol with­out feel­ing guilty. Fol­low­ing what I am sure was a sim­i­lar logic, the old man used the force he thought was nec­es­sary to push me past the fear he believed was keep­ing me from express­ing my true desire. How else to explain the ques­tion he asked me before my mem­ory goes blank, “But don’t you want me to love you?”

Iron­i­cally, this par­al­lel between the two men was com­fort­ing. It affirmed for me that there was no rea­son to believe my expe­ri­ence of abuse dif­fered in any essen­tial way from the expe­ri­ence of a girl or woman whom a man had sim­i­larly vio­lated. The ses­sion leader had to have been wrong. Yet there was also no avoid­ing the fact that the fem­i­nists I was read­ing placed me as a man in the same cat­e­gory as the two men I have been talk­ing about. Here, again, from “Cary­atid: Two Columns,” is Adri­enne Rich:

Rape is the ulti­mate out­ward phys­i­cal act of coer­cion and deper­son­al­iza­tion prac­ticed on women by men. Most male readers…would per­haps deny hav­ing gone so far: the hon­est would admit to fan­tasies, urges of lust and hatred, or lust and fear, or to a “harm­less” fas­ci­na­tion with pornog­ra­phy and sadis­tic art.

I was fas­ci­nated by pornog­ra­phy; I had fan­tasies that com­bined lust and fear; and it was impos­si­ble to miss the cyn­i­cal accu­sa­tion in Rich’s use of the word “per­haps.” More tellingly, though, and damn­ingly, I had to admit that when Liam explained what it took for him to feel sex­u­ally like a man, I could not help but mea­sure myself against the stan­dard he set. I didn’t have a girl­friend at the time, and I wasn’t hav­ing sex, and I’d be lying if I said that didn’t some­times make me feel inad­e­quate. How­ever, it was only after I met a woman who rejected me because I was not “man enough” in pre­cisely Liam’s terms that I began to under­stand how fully the sex­ual val­ues to which he sub­scribed were also val­ues I had in me, whether I wanted them or not.

I met “Ling” through one of her suit­e­m­ates, “Denise,” who sat next to me in the class I was tak­ing on Shakespeare’s come­dies. The three of us spent an after­noon talk­ing and jok­ing in the library when we were sup­posed to be study­ing, and we hit it off so well that soon I was walk­ing across cam­pus a cou­ple of times a week to hang out with them and “Naomi,” the third woman with whom they lived. Some­times, if I stayed too late, I’d sleep on the couch in their suite and go back to my own dorm in the morn­ing. One such night, Ling and I stayed up talk­ing on that couch. I don’t remem­ber a sin­gle thing we said except for the fact that she told me about her expe­ri­ence emi­grat­ing as a young girl from China to the United States, but I know I felt good as I walked back to my dorm the next morn­ing. I liked Ling a lot, and I hoped that our talk­ing might lead to a roman­tic relationship.

The day after that, I saw Ling on cam­pus walk­ing with Naomi past the library. I called out to them and ran over to say hello. Instead of say­ing hello back, how­ever, they started mock­ing me, call­ing me “lit­tle boy” and “cow­ard.” I couldn’t imag­ine they were doing any­thing other than jok­ing with me, so I started to laugh with them. When I tried to ask Ling how she did on the test she’d had that morn­ing, though, the two women backed away, laugh­ing even harder and hold­ing up their hands to tell me I shouldn’t come any closer. I was con­fused. I called that night, but Denise told me Ling wasn’t there and that it would prob­a­bly be a good idea if I didn’t call again. Ling had been very insulted that not once dur­ing the time we were talk­ing on the couch did I even try to kiss her. I called a cou­ple of more times after that, hop­ing I’d be able to tell Ling how much I really did like her, but the one time I got her on the phone she was so clearly not inter­ested in talk­ing to me that I stopped call­ing. I nei­ther saw nor spoke to her again.

I was heart­bro­ken. More than that, though, I was angry and ashamed. I replayed the whole night over and over in my mind, try­ing to fig­ure out which raised eye­brow or touch on my arm or sig­nif­i­cant gaze I should have under­stood as Ling’s cue that it was time for me to kiss her. I just could not see what she clearly thought should have been obvi­ous. I tried to imag­ine how the night might have gone dif­fer­ently, cre­at­ing a sce­nario in which I leaned over and kissed Ling gen­tly at the edge of her mouth, as if I’d been aim­ing for her cheek and missed. She sat back, looked at me for a long moment, and then, of course, kissed me in return. Each time I played this scene in my head, how­ever, my anger and shame only increased. I still didn’t under­stand how I was sup­posed to have known that Ling wanted me to kiss her. As my sense of inad­e­quacy grew, the sting of Ling’s mock­ery grew as well, and I started to think that maybe I was indeed no bet­ter than the weak, cow­ardly and inef­fec­tual lit­tle boy she and her friend had told me that I was.

Once again, though, my body rebelled, and a nau­sea rose in me. Instead of mak­ing me want to crawl out of my own skin, though, this nau­sea was accom­pa­nied by a rage that pro­pelled me past Ling’s skin and into her body. Now, in the scenes I played in my head, I saw myself “tak­ing her” the way Liam had described “tak­ing” women who were afraid of seem­ing too “easy,” except I didn’t real­ize I was fol­low­ing Liam’s script. Then, once, as I imag­ined myself putting my hands on either side of Ling’s face to hold her still while I kissed her, I had a sense mem­ory of the old man in my build­ing putting his hands on the back of my head to pull my mouth towards him. I was mor­ti­fied. I spent the rest of that day alone, try­ing every­thing I could think of to twist what I had imag­ined into a shape that was not what it was: pre­cisely the kind of rape fan­tasy that Adri­enne Rich had writ­ten about. The fact that Ling might truly have wanted me to “take her” — whatever “tak­ing” might have meant to her — was beside the point. What mat­tered was that I’d imag­ined myself “tak­ing her” out of rage, to prove I was a man, not in response to any­thing I knew about Ling’s actual feel­ings or desires. In Rich’s words, I had “equat[ed my]…manhood…with the objec­ti­fi­ca­tion of another’s per­son and the dom­i­na­tion of another’s body.”

I swore I would do every­thing in my power to unlearn that equation.

At the heart of my fem­i­nism, then, is a para­dox. On the one hand, as a sur­vivor of male sex­ual vio­lence, I stand with women against the cul­ture of man­hood which pro­duces that vio­lence and which the vio­lence in turn per­pet­u­ates. On the other hand, as a man, I am — I have no choice but to be — impli­cated in that vio­lence. The chal­lenge with which fem­i­nism con­fronts me is to make sure that I never allow myself to stand on the same side as my abuser. Meet­ing this chal­lenge has not been easy. It is often uncom­fort­able to call other men out on their sex­ism; and it can be sim­i­larly uncom­fort­able when some­one calls me out on mine. Per­haps the most dif­fi­cult thing, how­ever, has been resist­ing the temp­ta­tion to wear my sex­ual abuse as a badge of dif­fer­ence, as if hav­ing been forcibly pen­e­trated by another man — because I am con­vinced that what I can­not fully remem­ber did in fact hap­pen — had some­how emp­tied me of the man­hood I was try­ing to prove in my fan­tasy with Ling, the same man­hood that Liam val­ued so highly and that is at the root of male sex­ual violence.

Because I have been coerced into the posi­tion that this kind of man­hood usu­ally reserves for women, in other words, it is easy to feel that my rela­tion­ship to this man­hood is essen­tially the same as a woman’s. Yet what­ever else may be true about the fact that I was sex­u­ally abused, the social and cul­tural con­text in which that abuse exists does not por­tray either the boy I was or the man I am as a sex­ual object in the way that it per­va­sively por­trays women. Nor am I sub­jected to the daily depre­da­tions of misog­yny and dis­crim­i­na­tion, indi­vid­ual and insti­tu­tional, that women expe­ri­ence because of their sta­tus as sex­ual objects. Finally, because I am a het­ero­sex­ual man, there is no escap­ing the fact that both the plea­sure this objec­ti­fi­ca­tion is designed to deliver and the advan­tages it is sup­posed to con­fer are meant quite explic­itly for me.

It is, in other words, as if there are two voices speak­ing within me: the voice of the man who is try­ing to own up to and change the cul­ture of male sex­ual vio­lence and the voice of the man who, as that culture’s vic­tim, feels like he has noth­ing to own up to. Inte­grat­ing these two voices has been the defin­ing chal­lenge of my life, per­son­ally, pro­fes­sion­ally and cre­atively. I called my first book of poetry The Silence of Men because I was break­ing the silence in my life that had resulted from keep­ing these two voices sep­a­rate. More, I hoped my poems would speak to and for men whose lives were shot through with a sim­i­lar silence. Writ­ing essays like this one also lets each of the men inside me have his say, allow­ing me to speak about what the old man in my build­ing did to me, while still doing jus­tice to the com­plex rela­tion­ship between who I am because of what he did and the man I have been taught I am sup­posed to be.

Fem­i­nism showed me how to con­nect the old man’s inhu­man­ity to the inhu­man­ity of what I have been taught; and fem­i­nism is the only pol­i­tics I can name that explic­itly com­mits itself to a world in which that kind of inhu­man­ity is no longer accept­able. That is why I am a fem­i­nist man.

Cross posted from The Take­back.

Videos I’ve Been Watching: On The Holocaust, On “New Data on the Rise of Women”

Some videos I think are worth watching.

First, The Daily Show on at least one Fox Net­work host’s insis­tence that no one on that net­work ever com­pares peo­ple on the left to the Nazis for rhetor­i­cal effect:

The Daily Show With Jon Stewart Mon — Thurs 11p / 10c
24 Hour Nazi Party People
www​.thedai​lyshow​.com
Daily Show Full Episodes Polit­i­cal Humor & Satire Blog</a> The Daily Show on Facebook

Sec­ond, a link to Yad Vashem’s Per­sian chan­nel–I could not find the embed data – which hope­fully will serve as a coun­ter­weight to the kind of infor­ma­tion cir­cu­lat­ing in Iran about the Holo­caust as shown in this video from the open­ing of a Holo­caust Car­toons Expo in August 2006:

And third, this TED video of a talk by Hanna Rosin, author “The End of Men,” pub­lished in The Atlantic Monthly, “which asserts that the era of male dom­i­nance has come to an end as women gain power in the postin­dus­trial economy.”


An Interesting Comment from The Takeback

I have been read­ing through The Take­back and really lik­ing a lot of what I read. In response to Iris Llevar’s post, Edit­ing Out Vio­lent Mas­culin­ity, Jim made a com­ment that I think is worth dis­cussing, both because of his resis­tance to the word “feminism” – which I don’t really agree with, but which is a lot more nuanced than much of the resis­tance to the term I have heard from other men – and because of what he says about fram­ing men’s con­fronta­tion with our own priv­i­lege. I am quot­ing the com­ment in full, but it’s also worth going to read Llevar’s post.

As a guy, I try to appre­ci­ate it when some­one points out my “male blind­ness,” even if it’s some­times hard to hear. Although I used to iden­tify as a fem­i­nist, I’ve started to feel like there’s some prob­lems with that label. I think a lot of issues, like domes­tic vio­lence, are both women’s and men’s issues, and “fem­i­nism” kind of makes it seem like it’s about the women alone. Part of the rea­son it’s hard to hear about “male blind­ness,” as a man is because it can force one to accept that a) they have been liv­ing a priv­i­leged life, b) they may no longer be able to enjoy those priv­i­leges guilt-free, and c) they have to fig­ure out a new way to be. That all can be tough. I don’t want to equate that effort with the strug­gle of women in abu­sive rela­tion­ships in any way, but I think that there needs to be a way to frame and rein­force the jour­ney from misog­y­nist to bet­ter male. If a woman leaves an abu­sive rela­tion­ship, she’s a hero. If a guy stops being abu­sive, it’s good, but there’s no neat cul­tural nar­ra­tive to describe that and nor­mal­ize that. This is a prob­lem I think, and it’s a prob­lem among men, and there’s a part of this that’s an issue among men only. I just feel like the term “fem­i­nist” has a lot of bag­gage asso­ci­ated with it, and while I admire and respect many fem­i­nist thinkers, I don’t know if that label really cap­tures the col­lab­o­ra­tion between men and women on mak­ing work and love the way I want it to be.

The Takeback: Meditations on Masculinity, Politics and Culture

The Take­back is the name of a new blog the focus of which is, as what my friend Ralph calls “the colonic” says, “A Med­i­ta­tion on Mas­culin­ity, Pol­i­tics and Cul­ture.” I am one of the con­trib­u­tors, though the only thing that’s up there right now is my bio. The edi­tors – and this is an edited blog, which is excit­ing; I like work­ing with edi­tors – are insist­ing that we all use han­dles. Mine is Eagle Beak, a nick­name I am reclaim­ing from my teen years, when my peers taunted me for hav­ing such a big, Jew­ish nose. This is from The Takeback’s About Us page:

Our Creed

The Take­back is a col­lec­tive of diverse-minded, like-hearted males who each look at pop­u­lar cul­ture (music, faith, lit­er­a­ture, pol­i­tics, etc.) through a pro-feminist or male lib­er­a­tionist lens.  We see cul­ture as both the prob­lem of and the solu­tion to oppres­sion, and The Take­back as a tool to reex­am­ine soci­etal norms and shift the con­ver­sa­tion to empower those of all gen­der identities.

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Our Man­i­festo

Take Back vt. /tak bak/  1. to make a retrac­tion of (with­draw).  2. To regain own­er­ship of (reclamation)

To Abne­gate.  For­swear.  Recant.  Renounce.  Repu­di­ate.  Abjure.

The Take­back is most sig­nif­i­cant because it car­ries dual mean­ings.  In one instance, it means to retract some­thing after thought­ful con­sid­er­a­tion.  Mas­culin­ity, or more specif­i­cally an abhor­rent ver­sion of hege­monic mas­culin­ity, is respon­si­ble for dis­rupt­ing the flow of com­mon­al­ity, com­mu­nity, and con­nect­ed­ness.  We can never fully take back (with­draw) all we’ve done to oppress the voices of oth­ers, but we can start to own up to our part.

Simul­ta­ne­ously, take back­ing also implies a regain­ing of some­thing lost or stolen.  Alter­na­tive voices, like those heard in this blog, have only existed on the mar­gins.  It’s time that we take back (reclaim) a mas­culin­ity that has been hijacked by those seek­ing to con­trol mar­gin­al­ized peo­ple, espe­cially women and gen­der non-conforming peo­ple.  But, we must always acknowl­edge the power of our words and our respon­si­bil­ity to use them for empow­er­ing oth­ers.  That is why we started The Take­back.

The Take­back is a med­i­ta­tion on the sig­nif­i­cant and the super­flu­ous, the crit­i­cal and the con­trived, the tan­ta­liz­ing and the trite.  This is not your daddy’s blog (unless you are in ele­men­tary school).  We are advo­cates, artists, sol­diers, coun­selors, ath­letes, politi­cians, entre­pre­neurs, par­ents, and teach­ers.  We are social crit­ics, arm chair-anthropologists, believ­ers, skep­tics, free agents, free thinkers, street nerds, poets, and shame­less self-promoters.

As we attempt The Take­back, we expect the push back.  No sub­ject is off the table.  Music.  Pol­i­tics.  Fic­tion.  Sports.  Reli­gion.  Music.  Per­sonal expe­ri­ence.  Fam­ily.  Con­sumerism. (oh, did we men­tion music?)  All we ask for is civil dis­course.  We want you to be amused, informed, aghast, per­plexed, per­suaded, and con­victed.  More impor­tantly, we also want you to chal­lenge, dis­cuss, reflect, and change.  We invite you to par­tic­i­pate in The Take­back.

I encour­age you to check it out.

Fragments of Evolving Manhood: Korea 4

I was lean­ing against the entrance to the Shin­chon sub­way sta­tion watch­ing peo­ple turn the cor­ner into the Semaeul Shi­jang, the out­door mar­ket where I bought rice each week and where my friend Mr. Kim had bar­gained one of the ven­dors down from the price she was going to charge me for a blan­ket because I was migook saram, an Amer­i­can, to what she would nor­mally charge a Korean. I’d just fin­ished lunch, a bowl of kim­chi chi­gae, and I had no place to be, so I just stood there, enjoy­ing the sun, smil­ing at the peo­ple who could not help but stare at my very con­spic­u­ous west­ern pres­ence and laugh­ing with the chil­dren who, when they passed by, also couldn’t help them­selves. “Migook saram! Migook saram!” they would yell out and point, as if I were some rare ani­mal they’d sighted, or as if a char­ac­ter from one of their favorite sto­ry­books had come to life. One group of kids, about four or five of them – maybe they were sib­lings – stopped right in front of me, but when they called out to their mother, who was a cou­ple of steps ahead of them, and also to every­one else who was pass­ing by, and to as far beyond our imme­di­ate vicin­ity as their voices would reach, that I was an Amer­i­can, I gave in to a mis­chie­vous­ness I’d been con­tem­plat­ing for some time and, instead of nod­ding and smil­ing, looked from side to side, gave them an excited, quizzi­cal look and asked, “Odio?” Where? If only I’d had my cam­era with me. The look of sur­prise that froze their faces when they heard me speak Korean is some­thing I  wish I’d been able to capture.

A few min­utes after they left, laugh­ing and wav­ing and call­ing out anyige­seyo, good­bye, an old woman wear­ing tra­di­tional Korean cloth­ing passed by. She had a cig­a­rette in her mouth, glasses on her nose and her hair was pulled back into a tight bun. She walked with her hands clasped behind her; and her back was bent, as if she were car­ry­ing some­thing heavy; and, as if she were lost in deep con­tem­pla­tion, she took slow, delib­er­ate steps, clearly not in a rush and clearly assum­ing that peo­ple would make way for her. She got about four of those steps past where I was stand­ing and stopped. She lifted her head and I could see that she was mut­ter­ing some­thing to her­self. Then she turned around, her mouth still mov­ing, and walked straight towards where I was stand­ing. She stopped in front of me, looked me up and down, mut­ter­ing what I thought at first was gib­ber­ish, since it sounded like nei­ther Korean nor Eng­lish, but after fif­teen sec­onds or so, I began to make out words like “tall,” “hand­some,” “strong” and then “American.”

She moved a lit­tle closer and put her hand on my bare fore­arm, a ges­ture to which I had become accus­tomed from rid­ing the sub­way. Kore­ans often have less body hair than white peo­ple and so the hair on my arms and on my chest, which was vis­i­ble if I was wear­ing an open-necked shirt, was a con­stant source of fas­ci­na­tion. Wher­ever I went on the train, older Korean women – who, because they live in a cul­ture where age is ven­er­ated, can do pretty much what they want – would sit next to me and stroke the hair on my arms, smil­ing and chat­ting ami­ably with me as they did so. This woman, how­ever, when she was fin­ished with my fore­arm ran her hand up to my bicep and gave a quick squeeze; then she laid her other hand flat against my stom­ach and moved it down quickly to cup and pat my crotch through my jeans, smil­ing and nod­ding her head as if she were eval­u­at­ing me and was pleased at what she was finding.

This all hap­pened so quickly that I had no time to react, and since she was stand­ing directly in front me, there was no way for me to get away from her with­out push­ing her, and she was so small and so frag­ile look­ing, and I did not want to make a scene, so I con­tin­ued to stand there; and then she was look­ing up at me, still smil­ing, and her eyes were bright, with­out pre­tense, though they held also an imp­ish mis­chie­vous­ness, and she asked me in a slightly accented Eng­lish, “Are you Amer­i­can?” Sur­prised that I was able to under­stand her, I hes­i­tated for half a sec­ond before answer­ing, and she put her hand on my arm and asked again, “Are you an American?”

“Yes,” I said, and she tight­ened her grip on my arm just a lit­tle bit. “Why you here alone? Come with me. Room-café around the cor­ner; I will pay for you.” She reached into her pocket and pulled out a very thick wad of bills.

“No, thank you,” I said. “I am wait­ing for a friend.”

“But it’s no good you out here alone,” she insisted, giv­ing another gen­tle tug on my arm. “Really, I will pay,” and she again showed me the money in her hand.

Room-cafes were just what they sounded like: cafes with pri­vate rooms where men went to be “enter­tained” in ways not so dif­fer­ent from the way Mr. Park and I had been enter­tained in Miari. I knew which room-café the old woman was talk­ing about since I’d walked past it many times on my way in and out of the mar­ket, though I’d never gone in. It was called Sing-Sing. Once, when I was com­ing home very late at night, after the café had closed, the women who worked there were sit­ting out­side, smok­ing and chat­ting – some of them were eat­ing kim bop–when one of them, a tall woman in a tight neon green dress, with nail pol­ish and eye­liner to match, called out to me, “Hey! You like what you see?” Her com­pan­ions laughed. I smiled and kept walking.

The old woman held up her wad of money one more time. “No,” I answered again. “Maybe next time” – the polite thing to say – “I really need to be here to meet my friend.”

She let go of my arm, but she didn’t walk away. “Are you a sol­dier?” She sounded just like the woman who’d chased me on Chong-no.

“No, I’m a teacher.”

“A teacher!” The woman’s face lit up as she put her money back in her pocket. “Teach me some Eng­lish while you wait your friend?” She took my hand and started to walk towards the mar­ket. The change in her man­ner and her tone – she was polite and def­er­en­tial, in stark con­trast to the almost demand­ing tone she took in her insis­tence that I let her take me to the room-café – also reminded me of the woman who’d chased me on Chong-no, and my curios­ity got the bet­ter of me, so I let her lead me where she wanted to go. She stopped to point at the dif­fer­ent fruits on a stand that we passed – apples, grapes, pears, oranges – and asked me the words for them in Eng­lish; then we stood in front of a cart on which the mer­chant had very care­fully arranged alarm clocks, blowdry­ers, hair curlers, elec­tric shavers and other small home appli­ances. After that, it was a cloth­ing stall, where she asked me the words for pants, shirt, belt and under­wear. Finally, she picked up a pack­age of women’s socks. “Will you buy these for me?” she asked.

“Sure,” I said, tak­ing them from her. I hadn’t for­got­ten about the money in her pocket, but I’d started to like her, and I wanted to do some­thing nice for her. I also felt sud­denly a lit­tle bit like one of those young men in the fairy tales who meets and is tested by the old hag, who is really a witch or sor­cer­ess in dis­guise, who, depend­ing on the story, either rewards the young man’s kind­ness or pun­ishes his cru­elty. So I paid the 1,200 or so won that the socks cost and handed them over to the woman. She turned the pack­age over and over as if she no longer rec­og­nized what it was, and I real­ized that she had expected me to say no. “Do you smoke?” she asked.

“No.”

“Good! Do you drink?”

“Some­times, but not very much.”

“Good! Come sit here with me.” She pointed to an empty space on the steps in front of a closed store. ” You know, I lived in Amer­ica. Once. In Cal­i­for­nia. Dur­ing the war. Sol­diers call me mamasan.” She didn’t say which war, but I guessed it was the Korean war, and I knew from the lit­tle bit of hang­ing out I’d done in Itae­won, the part of Seoul where the Amer­i­can army was sta­tioned, that if the sol­diers had called her mamasan, it meant she’d been a madame.

We talked a lit­tle while longer. She asked me about my life back in the United States, about where I lived and worked in Seoul, about the kinds of Korean foods I liked. She told me she had a daugh­ter with whom she lived and she asked if I would like to have din­ner with them that night. By now, I was com­pletely dis­armed, and I thought it would be a very inter­est­ing expe­ri­ence, and so I said yes. She stood up imme­di­ately and started lead­ing me away from the mar­ket. I had a brief moment of anx­i­ety when I real­ized I had no idea where she was tak­ing me, but I set that aside and walked qui­etly beside her for about five min­utes or so, until she looked at me out of the cor­ner of her eye and smiled slyly. “Maybe next time, you and I enjoy in bed together,” she said.

I walked in silence for a few more steps as I tried to decide whether or not she was jok­ing with me and how to respond if she was; but then I real­ized it didn’t mat­ter. I no longer felt safe going with her to a part of Seoul with which I was unfa­mil­iar and so I decided to “remem­ber” a call I was expect­ing that night from my mother in Amer­ica. I needed to be home to get the call, I explained, because my mother and I had some impor­tant busi­ness to dis­cuss. The old woman looked dis­ap­pointed. She took out the socks I’d bought for her, removed the card­board back­ing from the pack­age and wrote down her phone num­ber. “When you want, you call me. We have din­ner. Okay?”

“Okay,” I said. We told each other good­bye and I started walk­ing back in the direc­tion from which we’d come. I turned once to look at her again, but the street had become sud­denly crowded and I couldn’t see her. I looked at the piece of card­board. She’d writ­ten “din­ner” and then a phone num­ber, and then “Love, Mamasan.”

I didn’t want to go back to my apart­ment right away, so I walked instead to the Lotte World depart­ment store. I knew some of the peo­ple who’d worked on the indoor amuse­ment park and roller coaster that every­one was talk­ing about, and I’d been mean­ing to check it out for some time. Since I hate roller coast­ers, though, I did not ride it. Instead I wan­dered around the store a bit, until I found on one of the top floors a large foun­tain around which peo­ple were sit­ting. I bought myself a straw­berry ice cream and took a seat at the water’s edge, eat­ing slowly and think­ing about the old woman whose phone num­ber I had in my pocket.

I was star­ing off into space, not look­ing at any­thing or any­one in par­tic­u­lar, but a woman sit­ting with her daugh­ter on her lap on the other side of the foun­tain must have thought I was look­ing at them because she nod­ded her head and smiled. I nod­ded and smiled back, just to be polite, and the woman’s daugh­ter left her lap almost imme­di­ately and started walk­ing towards me. When she reached the spot where I was sit­ting, she climbed with­out a word into my lap and sat there gaz­ing silently at my face for about ten or fif­teen sec­onds. Then, still with­out speak­ing, she reached behind me for the water in the foun­tain, trust­ing the arm I raised to keep her from falling. When she sat back down, she opened one of my hands, palm up, and held her fin­ger­tips above it, let­ting the drops she’d gath­ered drip onto my skin. When the last drops had fallen, she climbed down to return to her mother, never once glanc­ing back in my direc­tion. The mother stood up, took her daughter’s hand, smiled at me, nod­ding one more time, and then led the girl into the ele­va­tor, which car­ried them down into the rest of their day.

My day took me next to din­ner in the restau­rant where I first prac­ticed read­ing hangul, the Korean alpha­bet, by order­ing each time I ate there a dif­fer­ent item from the menu that was posted on the wall. Two of my col­leagues, Tom and Gavin, were already eat­ing when I walked in. They invited me to join them, which I did, and we decided that we’d meet later that night at the Gilbert Stand­bar, which was also in the Semaeul Shi­jang, a few doors down from the room-café the old woman had offered to take me to. I arrived at the Gilbert about fif­teen min­utes late, but my friends were not there, and so I sat by myself at Ms. Park’s sta­tion – she insisted on Ms. and not Miss – ordered a beer and some fruit and set­tled in to wait. My friends never showed up, but that night at the Gilbert turned out to be, in some ways, a fit­ting end­ing to a day in which an old woman grabbed my crotch in pub­lic and a lit­tle girl who was a com­plete stranger sat in my lap and dripped water on my palm.

A stand­bar is what we would call today, here in the US, a karaōke bar, though since this was in the late 1980s, before dig­i­tal tech­nol­ogy made karaōke juke­boxes pos­si­ble, the music to which patrons paid to sing along was live, pro­vided some­times by an entire band and some­times by a sin­gle key­board or piano player. As far as I know, the term stand­bar – I don’t think it’s much in use any­more; a google search turned up prac­ti­cally noth­ing – comes from the fact that there are bar sta­tions, or “stands,” arranged around the room at which sit the host­esses whose job it is to enter­tain the cus­tomers, who are almost always men. This enter­tain­ment includes pour­ing drinks, serv­ing food, going up on stage to sing when their cus­tomers do and danc­ing blues, slow danc­ing. The women are also often avail­able for sex – though, as it was explained to me by my Korean friend, if the sug­ges­tion for sex comes from the woman, you don’t have to pay for it.

The one or two stand­bars to which my Korean friends had taken me reminded me of a cross between the more extreme excesses of the disco era and the stereo­typ­i­cally sleazy Asian “girly bars” that are so famil­iar from the early James Bond movies. The Gilbert, how­ever, was more of a neigh­bor­hood place. There were no disco balls or flash­ing lights; the host­esses dressed very casu­ally – jeans and a but­ton down shirt, for exam­ple – as opposed to the tighter, glitzier often more reveal­ing out­fits the host­esses wore in other stand­bars; and there was, in gen­eral, a much more laid back atmos­phere. In fact, my col­leagues and I learned after we’d been going there for a while that it was the place where the men and women who worked at other sex trade estab­lish­ments came to relax.

This dif­fer­ence, of course, was one of degree not kind. The same things that went on at other stand­bars went on at the Gilbert, only more qui­etly and dis­cretely; and, most impor­tantly to me and my friends, no one made a spec­ta­cle out of us because we were west­ern­ers. The host­esses were not con­stantly ask­ing us for (wink, wink, nudge, nudge) “pri­vate Eng­lish lessons;” the other patrons were not con­stantly com­ing up to us to buy us drinks or prac­tice their Eng­lish. We were able, in general, just to hang out, drink a few beers and sing a few songs, just like reg­u­lar customers.

Ms. Park was the host­ess at whose sta­tion we always sat, and, over time, she and I became friendly. My Korean was bet­ter than that of my col­leagues, and so I could make very sim­ple con­ver­sa­tion, about the weather, for exam­ple, or food; about our jobs – she was very funny when describ­ing the men who’d sat at her sta­tion whom she didn’t like– and a lit­tle bit about my life in the US. She told me very lit­tle about her­self, though we did talk about books; she liked to read and she was fas­ci­nated by the fact that I was a poet. She intro­duced me once to a man who did not come to the Gilbert reg­u­larly, but whom she seemed to know pretty well, telling me he too was a poet. He gave me a copy of one of his books, though I lost it a long time ago, and I can­not now remem­ber his name.

Over time, I began to real­ize that when­ever Ms. Park danced blues with me – just because I would have been per­fectly happy not to dance with her did not exempt her from doing her job – she stayed in my arms a few beats longer than the end of the song, which is what hap­pened on this night, but then, she stayed there even longer, gaz­ing at me and grin­ning a sat­is­fac­tion she offered to share when she asked if she could come to my apart­ment after work. I wanted her in that moment as well, and so I said yes. I gave her my address and phone num­ber and we went back to her station. Waiting for us, how­ever, was a thin, bald­ing man in a crum­pled gray busi­ness suit and thick-framed nerdy glasses. As soon as Ms. Park sat down, he com­manded her to fill my glass, not from the bot­tle of inex­pen­sive beer that I’d ordered, but from the bot­tle of Chivas that he had in his hand. This kind of behav­ior was out of char­ac­ter for the Gilbert, as was the fact that he did not ask Ms. Park drink with us, and I was imme­di­ately uncom­fort­able. I looked at Ms. Park, but her face was frozen in her best customer-service smile, betray­ing noth­ing of what she might be feeling.

The thin man toasted me as if she weren’t there, waited till my class was empty and then pointed at Ms. Park with a fin­ger that was unusu­ally thick, given how skinny the man was. “Do you like her?” he asked, not deign­ing even to glance in her direction. Because I knew where the con­ver­sa­tion was headed, I did not answer him and told Ms. Park that I wanted more kol­bengi. She got up and went into the kitchen, and I tried as hard as I could, while she was gone, to let the thin man know I was not inter­ested in talk­ing to him by focus­ing my atten­tion on the very drunk, immac­u­lately groomed silver-haired man try­ing to sing John Denver’s “Coun­try Road” with­out falling over onto the host­ess who was stand­ing under his shoul­der to prop him up.

The man with the Chivas bot­tle did not take the hint, how­ever, and he fell silent as well, sit­ting with closed eyes until Ms. Park returned with my food. Once she was sit­ting down again, he leaned over and said qui­etly in my ear, “Isn’t she pretty? Don’t you like her?” When I still didn’t answer and kept my eyes focused on the silver-haired man, who was now stum­bling back to his seat, my unin­vited and unwel­come com­pan­ion put his hand on my arm and said more loudly, “She has beau­ti­ful labia.”

Still I said noth­ing; still I would not look at him.

“Don’t you under­stand?” He was not quite shout­ing as he pulled from his pocket a wad of bills almost as thick as the one the old woman had pulled out of her pocket ear­lier in the day. “Korea is a par­adise for men! Here!” He waved the money in my face. “You can have her if you want.”

I real­ized at this point that I had to say some­thing, but I also under­stood that what­ever I said had to be cal­cu­lated not to esca­late the sit­u­a­tion, and so instead of say­ing what I wanted to say – some ver­sion of “Stop talk­ing about her like that and get the fuck away from me!” – I said instead some­thing that would get him to leave me alone, while allow­ing him to save face, “Maybe next time. Tonight, I am very tired and I just want to drink by myself.”

My words had the desired result. He looked at me, looked for the first time at Ms. Park, gave a snort of dis­gust and walked back towards his table just as his friends were com­ing over to pull him away.

For the rest of that night, Ms. Park refused to meet my gaze, but each time I went to the Gilbert after that, and in all the time before I left Seoul, she con­tin­ued to dance with me the same as always; even as I watched her belly swell gen­tly and then flat­ten out again over the course of three or so months, she danced with me a lit­tle closer and a lit­tle longer than the other men; and some­times I saw flashes of the smile she gave me when she asked if she could come to my apart­ment, but she never brought that pos­si­bil­ity up again, and nei­ther did I. And we talked just as we always had, though she was more reveal­ing about her­self than she had been before, telling me often about the man who’d promised to marry her. All he needed, she said, was enough money to buy a place for them to live, and she said he’d told her that he didn’t care if his mother dis­owned him. She was the woman he wanted.

I have no idea if this man really existed, though I hope he did, and I hope he kept his promise and that Ms. Park was able to stop work­ing at the Gilbert and be, sim­ply, hap­pily, his wife. I hope she has chil­dren and that they have brought her great plea­sure. I hope all this, but I know the odds are against it being true, that she is more likely to have had a very dif­fi­cult life; and so right now, as I remem­ber Ms. Park, what I choose to remem­ber is how deeply she smiled when she asked if we could be together, not because of any­thing hav­ing to do with the sex that didn’t hap­pen, but because I could see in that smile that the thought of being with me made her happy and it’s more painful than I want to feel right now to remem­ber her any other way.

Fragments of Evolving Manhood: Korea 3

“Just meet me down­stairs in 30 minutes” was all my friend Mr. Park would say when I asked what he had in mind. It was Fri­day night and I had, actu­ally, been plan­ning to spend it alone, but I was so happy to hear from my friend that I changed my mind. Mr. Park and I hadn’t seen each other in almost a month, and Their Eyes Were Watch­ing God, which I was very close to finishing, would keep for another day or so. When I slid into the front seat of Mr. Park’s car a lit­tle more than a half hour later, he was all smiles and mys­tery. “I am going to make your night,” was all he would say. He put on some Korean pop music and started to drive.

Soon after we got off the high­way – we were in an area of Seoul to which I had never been before – we pulled into a large park­ing lot. I could see three large houses, each with a lit porch. When I asked where we were, all he would say was, “Miari,” and he motioned with his head for me to fol­low him. As we got closer to the houses, I saw that the porches were filled with women wear­ing ham­boks, the tra­di­tional Korean dress. Each house had its own color, pur­ple, green and yel­low. Mr. Park led me towards the pur­ple house, and as soon as he stepped up onto the wooden floor of the porch, one of the women jumped up to greet him, throw­ing her arms around his shoul­ders and plac­ing a happy kiss on his cheek. She looked very young – I found out later she was eigh­teen – and she led him by the hand, chat­ter­ing loudly and glee­fully in Korean I could not under­stand at all, behind an older woman who showed us to the room where we would spend the evening.

Very sparsely fur­nished, with just a low table, some floor mats for us to sit on and a space heater, the room was painted an indus­trial yel­low that was crack­ing in some places, and the tiles on the floor might have come from a hos­pi­tal or a high school cafe­te­ria. As my friend and his com­pan­ion made them­selves com­fort­able on the mats on one side of the table, he nod­ded to one of the mats on the other side. As I took my place oppo­site them, the older woman who’d brought us to the room, smil­ing side­ways at me with what I can only describe as glee­ful mis­chief in her eyes, placed a plat­ter of fruit and some beer between us. Mr. Park’s com­pan­ion, who told me her name was Ms. Ham, opened the bot­tle and poured, first for Mr. Park and then for me. She asked me in a slightly accented, not-too-stilted Eng­lish where I was from, how long I’d been in Korea, what I was doing there and a lit­tle bit about my life back home. Then, with a sly tilt of her mouth and one eye on Mr. Park, she asked me, “Do you like to fuck?”

Her tone was so matter-of-fact, so appar­ently with­out guile, that I answered with only the slight­est hes­i­ta­tion. “Some­times,” I answered. “Do you?”

“Some­times.”

Just then, there was a knock on the door. Mr. Park said some­thing in Korean and then turned to me. He explained that they had brought a woman for me and that if I did not think she was pretty enough, I could send her back and they would bring another one more to my lik­ing. Not know­ing what else to do, I nod­ded my head. Mr. Park said some­thing else in Korean, the door opened and the same older woman stood their with my companion.

“Is she pretty enough?” Mr. Park asked me.

“Yes,” I said, hav­ing decided that I would answer this way whether I thought she was pretty or not.

He nod­ded his head at the older woman, who backed out and closed the door. My part­ner bowed slightly – her name was Ms. Cho – took a seat to my right and imme­di­ately refilled my beer. It turned out that she spoke no Eng­lish and so Ms. Ham con­tin­ued in her role as mis­tress of cer­e­monies. Spear­ing a piece of fruit with a tooth­pick and plac­ing it del­i­cately in my friend’s mouth, then nod­ding to Ms. Cho to do the same with me, she looked directly at me and said, “Tonight we will enjoy each other.” A good place to start, she sug­gested, was with a song. “Do you sing?” she asked me.

“A lit­tle.”

“Will you sing for us?”

I sang Sum­mer­time, and then she sang a Korean folk­song, and then Mr. Park sang, and my part­ner did as well, and in between the songs we drank and ate, and the women flirted with us, puck­er­ing their lips for us to kiss them, run­ning their hands up the insides of our thighs and, in Ms. Cho’s case, reach­ing into my shirt to stroke my nip­ple. When Ms. Ham saw me give a lit­tle gasp of plea­sure, she smiled and asked if I’d ever had sex with a Korean woman. I told her no – which was true at the time – and she told me that she’d heard Amer­i­can men liked Korean women because their vagi­nas were so tight. She’d never been with an Amer­i­can man, she went on, and she won­dered if what she’d heard was true, that we all had excep­tion­ally large penises. Would I, she wanted to know, take my pants off so she could see for herself?

Just then, Mr. Park said some­thing in Korean that I couldn’t under­stand. I assumed he had seen that Ms. Ham’s ques­tion had made me uncom­fort­able and told her to ease up a bit because she stopped talk­ing, got up and turned on the space heater. We drank a lit­tle more as the room got warmer. Then, Mr. Park spoke Korean again and Ms. Ham began to get undressed. Ms. Cho sat frozen by my side. Ms. Ham stopped undo­ing the top of her ham­bok, gave Ms. Cho a look of what I can only describe as com­pas­sion­ate urgency and with a nod of her head urged my part­ner to fol­low her exam­ple. Ms. Cho turned her head quickly to look at me and then locked her eyes on the ground. I started to protest that it was not really nec­es­sary for them to get undressed, but Mr. Park leaned for­ward a lit­tle bit and spoke again, this time rais­ing his voice, and I didn’t need to under­stand what his words meant to know they had con­tained a threat.

“You’ll have to excuse her,” he said as Ms. Cho joined Ms. Ham in dis­rob­ing, nei­ther woman look­ing up as they did so. He nod­ded towards Ms. Cho who was now sit­ting naked with her back to the wall, hug­ging her knees to her chest with one arm so her breasts were cov­ered, while plac­ing the crum­pled fab­ric of her ham­bok in front of her that noth­ing else was exposed either. “She’s only six­teen and has been here just a few months.”

Now it was my turn to freeze. If she was that young, the odds were she’d been traf­ficked. It was, of course, entirely pos­si­ble that the same was true of Ms. Ham, but Ms. Ham had been play­ing her role so nat­u­rally and with such good humor, and she and Mr. Park – who clearly was one of her reg­u­lars – seemed so gen­uinely to like each other, that the pos­si­bil­ity she’d been brought to Miari against her will had not crossed my mind. I was angry, con­fused and not a lit­tle bit dis­gusted with myself. The only thing I could think to say was that I wanted to leave, and I stood up, ready to walk out by myself if necessary.

Mr. Park stood up as well and reached across the table to touch my arm. “Richard, please sit down and let me explain.” Reluc­tantly, since I real­ized that even if I did walk out, I had no idea where I was or where I would go, I did as he asked. The women breathed an obvi­ous sigh of relief.

If we left now, Mr. Park told me, not only would the women not get paid for the night, but they would likely be blamed for our leav­ing, which meant they would also be pun­ished and have to pay a fine, or per­haps even be beaten. I sug­gested at least that we ought to let them put their clothes back on, but he explained fur­ther that when the “show girl” came in a lit­tle bit later, if the girls were not naked, she would report them and the same con­se­quences would very likely apply. I sat back down – what else, really, could I do – unable in my guilt even to look at the child still cow­er­ing next to me.

For­tu­nately, in that it relieved me of hav­ing to fig­ure out what to do or how to behave, the show­girl came in almost imme­di­ately after I sat down. Smil­ing and with­out any intro­duc­tion, she hiked up the skirts of her ham­bok, took an egg from the tray she had placed on the edge of our table when she entered, and inserted it into her vagina. She kept it there for about ten sec­onds, caught it in her hand as she let it fall out and in one, smooth, obvi­ously very prac­ticed motion, cracked it on the edge of my class and stirred it into my beer with a wink, insist­ing I should drink it “for sta­mina.” I half-expected her to try to make that hap­pen by rais­ing a glass and toast­ing me, but with­out even the small­est pause for dra­matic effect, she picked a bottle-opener up from the tray, wrapped the han­dle in some cloth, inserted it where she had put the egg, and used it to open two fresh bot­tles of beer, which she poured for Mr. Park and myself into the two clean glasses that were also on the tray. (Ms. Ham very unob­tru­sively removed the glass with my beer-egg mix­ture in it to the other end of the table.) Once again, I was expect­ing a toast, but, again, with­out paus­ing, the show­girl picked up from the tray a long stick, wrapped one end of it, just as she had done the bot­tle opener, and put that end into her vagina. Then, using a match to light the other end, which was cov­ered in some kind of flam­ma­ble mate­r­ial, she hiked her­self over to Mr. Park and lit his cig­a­rette with the flame dan­gling from her gen­i­tals. (I don’t smoke, or she would have done the same for me.) Finally, she dipped a cal­lig­ra­phy brush in ink, wrapped and inserted it as she had done the other two imple­ments, asked me my name and how to spell it, and then used her vagina to write “Richard” in script on a long piece of butcher block paper she’d brought for the purpose.

We applauded, but she barely stopped to acknowl­edge that we were acknowl­edg­ing her. She gath­ered her things quickly and effi­ciently – I guess she had other shows to per­form that night – and left as uncer­e­mo­ni­ously as she came, except that she made sure to place the paper with my name on it directly in front of me so I would know to take it home as a sou­venir. After that, the high­light of the evening clearly fin­ished, Mr. Park and I sat with Ms. Ham and Ms. Cho for a few more min­utes, chat­ting about I don’t remem­ber what, and then Mr. Park nod­ded his head. We stood up, said good­bye and walked out – leav­ing the paper with my name on it where it was – while the women got up to put their clothes back on and clean the room.

In the car, Mr. Park was all smiles. He asked me if I’d ever seen any­thing like that before, and I answered truth­fully that I hadn’t. A small look of vic­tory passed across his face when I said that, and I knew why. On more than one occa­sion, when he and I and some of his friends had been hang­ing out in a cof­fee shop or hotel café try­ing to fig­ure out what to do, either he or one of his friends had said, “I think Richard wants to have sex tonight,” and I had always said no, that I wasn’t in the mood, adding, so as not to offend the man who had made the offer, that maybe we would do go next time. I knew that my refusal was a source of dis­ap­point­ment for Mr. Park, and maybe for his friends as well, for whom the offer to take me to have sex was a ges­ture of real friend­ship, just like it had been for Mr. Lee. Get­ting me to expe­ri­ence Miari had been Mr. Park’s way of show­ing me that he and his friends had been right all along, that I really did want to have sex, that all I had to do was give myself per­mis­sion to enjoy what Korea had to offer in this way, and I am sure he believed that “next time” I would gladly go with him and his friends to have the sex for which he was hop­ing, I am sure, that my visit to Miari had whet­ted my appetite.

More than that, though, I think Mr. Park’s smile meant that he felt he’d put me in my place, proved to me that I was not as dif­fer­ent from him and his friends as I pre­tended to be, though I imag­ine that he would have used the words bet­ter than rather than dif­fer­ent from if you’d asked him – because I think they under­stood my con­stant refusal of their offers to take me to places like Miari as, in my mind any­way, an asser­tion of my own moral supe­ri­or­ity. Yet I’d never thought of myself that way. It was true that I always turned down their offers to take me some­where to have sex, but I would have been lying had I told you that I was not tempted, very tempted, to say yes, especially dur­ing the period when I did not have a lover in Korea and the lone­li­ness and I felt miss­ing my girl­friend back in the States was par­tic­u­larly acute. I said no, in other words, not because I thought I was morally supe­rior to Mr. Park and his friends, but because no mat­ter how much I might have been tempted to give myself over to the plea­sures of paid female com­pan­ion­ship, I did not want to allow myself to give in to that temp­ta­tion in a sit­u­a­tion where the avail­abil­ity of the com­pan­ion­ship they offered to buy for me depended in no small mea­sure on the coer­cion of women like Ms. Cho and terms of employ­ment such as those under which she and Ms. Ham worked.

Would I have said yes to them if the sit­u­a­tion were dif­fer­ent? I hon­estly don’t know, though of course I did, tac­itly, say yes to Mr. Park when I didn’t ask him to turn around and take me home after I real­ized what kind of place Miari was. In truth, I almost did, but I also did not want to embar­rass or insult him. He was my friend and I knew he believed he was doing me a favor by bring­ing me some­where he thought I was either too embar­rassed or ashamed or oth­er­wise hung up about to go myself. To be fair to me, cul­tural dif­fer­ences being what they are, I did not know if our friend­ship would have sur­vived my telling him to take me home (though now I real­ize it prob­a­bly would have), but it was also my desire not to insult him, not to make a scene, that allowed me to pre­tend I really had no choice but to fol­low him into the house. Mak­ing my friend­ship with Mr. Park the issue, in other words, allowed me not to have to face the fact that I was curi­ous about what would hap­pen, that I did won­der what it would be like to be served by women whose job it was, as Mr. Lee had said, “to please a man.”

I am not sure that I had any spe­cific expec­ta­tions of what the expe­ri­ence would be like, but I know I did not expect it to be alien­at­ing in the way that it was. Espe­cially after I found out how young Ms. Cho was, but also before, there were moments when I had the feel­ing that I was hov­er­ing over the room, watch­ing my body say and do things that did not belong to me. I remem­ber hav­ing this expe­ri­ence specif­i­cally when Ms. Ham tried to get me to take off my pants and then, again, after the women had got­ten undressed, when I had to face Ms. Cho as she refilled my beer glass after Mr. Park ordered her to do so. I’d like to say these expe­ri­ences were alien­at­ing because they forced me to be some­one I wasn’t, some­one I didn’t want to be, and yet – despite the at least par­tial truth that expla­na­tion holds – there had also been moments ear­lier in the evening when I’d felt exquis­itely cen­tered in myself, when the sex­ual ban­ter, the seduc­tive glances, Ms. Cho’s touch, and her will­ing­ness to let me touch her, all became the sources of plea­sure and, as impor­tantly I think, of fun that it was their func­tion to be.

Those moments of cen­tered­ness revealed to me the pos­si­bil­ity of a sex indus­try that does not exploit the peo­ple who work in it in the ways that Ms. Cho, Ms. Ham, the show­girl and all the other women who worked in Miari were being exploited, but so what? The exis­tence of that pos­si­bil­ity does not change the fact of my par­tic­i­pa­tion in their exploita­tion. More to the point, it does not change the fact that, as a man, there was almost no way I could escape par­tic­i­pat­ing in their exploita­tion, not only because Miari and other places like it existed for my ben­e­fit whether I  vis­ited the or not, but also because, as I said at the end of Part 2, to have male friends – or at least to have the male friends that I had – was inevitably to patron­ize the sex indus­try, because even when these men did not go to such places to have sex, they went to bond over the bod­ies of the women they paid to be their companions.

On another night, for exam­ple, two other friends of mine, Mr. Kim and Mr. Jung, invited me out to a disco not far from where I lived. As soon as we entered, a greeter spoke with them briefly and led us away from the dance floor to an almost invis­i­ble cor­ner table. Soon after we sat down, a waiter appeared with a plat­ter of fruit, some bot­tles of beer and three women – Ms. Jo, Ms. Yoo, and Ms. Hwang – whom he pre­sented very for­mally, lin­ger­ing to make sure we found his choices accept­able. Ms. Hwang and Ms. Yoo took their seats next to Mr. Kim and Mr. Jung respec­tively, while Ms. Jo made her­self com­fort­able next to me. The ini­tial dis­cus­sion was in Korean spo­ken much too fast for me to fol­low, which Ms. Jo tried to make up for by pay­ing atten­tion to me phys­i­cally. She made appre­cia­tive noises as she ran her hands over my biceps; she teased with her fin­gers at the hair on my arms and my chest and kept tick­ling her palms by rub­bing them against my beard, gig­gling like a young girl as she did so. Then, Mr. Jung looked up from some­thing he was say­ing to Ms. Yoo and, indi­cat­ing Ms. Jo with a nod of his head, said, “She’s pretty, isn’t she? You know, she isn’t wear­ing panties.”

Before I could even think how to respond, Miss Hwang laughed and whis­pered into Mr. Kim’s ear some­thing that broad­ened the grin on his face into a fell-fledged smile. “She shaves her­self,” he told me. “Do you want to feel it?”

Every­one was laugh­ing, includ­ing Ms. Jo, and I was blush­ing, but when I looked into their eyes, I could see they were not try­ing to embar­rass me. Rather they wanted me to know that this was why we were all there, to flirt and to play, and that if I wanted to go fur­ther, to do what came “nat­u­rally” with a woman like Ms. Jo at my side, that was why we were there too.

At that moment, the DJ began a set of slow music, what the Kore­ans call “blues,” a chance for cou­ples to dance close, touch­ing each other pub­licly in ways their cul­ture oth­er­wise frowns upon – or at least frowned upon when I was there. Ms. Jo smiled invit­ingly and led me to the dance floor, where she at first held her body a respectable dis­tance from mine. As we found each other’s rhythm, how­ever, and began to move more smoothly to the music, she drew closer, and I inhaled her scent, allow­ing myself to relax against the shape her body made against mine. I was, I sud­denly real­ized, achingly lonely, miss­ing my life and my lover in New York City more than I had thought. Ms. Jo was beau­ti­ful, com­pli­ant, extremely eager to please and ineluctably there. Of its own accord, my body began to reach for hers, but while I could see in the smile she gave as she felt me harden against her that she would have taken my money to take me into her body, her eyes were empty, reveal­ing in her parted lips and almost per­fectly white teeth noth­ing more than the mask of trained acqui­es­cence that her job required her to wear. The obvi­ous absence in her face of any real desire for me made my own desire for her feel shameful.

I could have had Ms. Jo any­way, of course – no one who meant any­thing to me would ever have had to know – but to do so would have been to do more than pur­chase a woman. It would have been to sell out the com­plex­ity of my lone­li­ness. Pros­ti­tu­tion wasn’t the issue for me at that moment; inti­macy was, the way the “par­adise” of men’s enti­tle­ment depends for its exis­tence on the warp­ing of our sep­a­rate­ness, the yok­ing of male het­ero­sex­ual desire so exclu­sively to women’s bod­ies that the inte­rior emo­tional and psy­cho­log­i­cal com­plex­ity of any given man’s desire can be reduced in a heart­beat to the need for a woman’s body into which to release himself. Ms. Jo, or any of the other Ms. Jo’s who might have stood in her place, had been mine to pay for even before she sat down beside me. I took her hand and led her back to our table, made excuses to friends about sud­denly not feel­ing well, and walked out alone, rel­ish­ing my soli­tude in the touch of the cool night air.

ETA: Click here for an arti­cle from March 2000 about a cam­paign to clean Miari up.

Fragments of Evolving Manhood: Korea 2

I’d been in Korea for two weeks when I decided it was time to ven­ture on my own into Seoul’s urban land­scape. One of my col­leagues had taken me the pre­vi­ous week­end to Chong-no for some noo­dles, a visit to Pagoda Park, where the Korean Inde­pen­dence Move­ment got its start in 1919, and then a browse in the Kyobo Book­store, which was then and is still Korea’s largest book-selling estab­lish­ment. Since I already knew how to get there by sub­way, I decided that would be a good place to start explor­ing. So there I was, walk­ing down the crowded main street, try­ing hard to enjoy the Sat­ur­day after­noon sun while keep­ing my eyes locked straight ahead so I could ignore the stares my West­ern face attracted, and I almost tripped over the man in front of me when, right in front of the Pagoda Park entrance, a woman called out “Hello! Hello!” to me in Eng­lish. She looked about my age, twenty-six or so, but the creases that appeared around her eyes and at the cor­ners of her mouth when she smiled as I stopped to acknowl­edge her made her seem much older. Her long black hair was disheveled, and I could see her hands were cal­lused. Wear­ing a thin pur­ple dress that hugged the curves of her body and leather san­dals with no socks, she was def­i­nitely out of place among the men in busi­ness suits and the women better-dressed than she was, but I was so relieved to have found some­one who spoke Eng­lish that, to me, it was every­one else who looked as if they didn’t belong.

“Hi!” I said. “Were you talk­ing to me?”

“I love you,” she answered. “I love you.” She took the first two fin­gers of her right hand and pushed them slowly in and out of her mouth. I turned and walked quickly away.

Run­ning to keep up with me, the woman appeared at my side. “Are you alone?”

“Yes.”

“Where are you going?”

“I’m just walking.”

“Just walk­ing?”

“Yes.”

Upon hear­ing this, she wrapped her arm around my waist, laid my arm con­fi­dently along the con­tour of her hip, looked up at me with a smile I can only describe as angelic, and said, “You, me, fuck-fuck, all night, real cheap!”

I smiled back – what else could I do? – took her arm from my waist, said, “No, thank you,” and set off more quickly in the same direction.

“No t’ankyoo!” Her voice was high-pitched and mock­ingly flir­ta­tious as caught up with me, put her arm back where she thought it belonged, and offered again to fuck me all night, any way I wanted, for “real cheap.” When I again said no, she started nudg­ing me with her hip towards the side of a nearby office build­ing, mim­ic­k­ing me all the while, “No-o! Please go awa-ay!” I pushed back just hard enough to make her let go of me and turned down the first side street I came to, almost falling over an old man sit­ting on the pave­ment, his stock of nail clip­pers and other assorted knick­knacks spread out neatly on the pave­ment in front of him. She was still behind me, how­ever, so I turned left and made two quick rights, des­per­ately hop­ing I was walk­ing in a cir­cle that would lead me back to the main street. I don’t know how many dif­fer­ent streets I took try­ing to lose her, but each time I looked over my shoul­der, she was behind me, half run­ning, half walk­ing, and still promis­ing me the night of my dreams.

Finally, I’d had enough. I stopped as if to catch my breath and she jumped at the oppor­tu­nity. She wound her arm yet one more time around my waist and started to recite frac­tured ver­sions of the titles of pop songs that were old twenty some odd years ago when this all took place. “Every­body need some­body. Are you lonely this night? I fall in love with you, mend your bro­ken heart! Help you make it through the night!” With each new line, she tried to embrace me with her other arm, which I kept push­ing away, until I grab­ber her wrist and pulled her into a small alley between the two near­est build­ings. At first, her face lit up with tri­umph and antic­i­pa­tion, but then, as she felt the tight­ness of my grip – enough so she would know I was seri­ous, but not enough to hurt her – her eyes and mouth began to widen with fear. Tow­er­ing over her, I pushed the words out through clenched teeth, “Go away! Just leave me alone!” Then I started back in the direc­tion from which we’d come.

“Are you a sol­dier?” The voice behind me was self-effacingly polite. I stopped walk­ing. “No, I’m a teacher,” I said, and it was as if my answer trig­gered a switch in her brain, for her behav­ior changed instantly. With­out look­ing at me, she asked if I wanted to stop in a cof­fee shop for some­thing to eat. She offered to show me around Seoul, to help me learn Korean. She said some­thing about where she lived, or maybe she was ask­ing about where I lived, I wasn’t sure. All I could think was that she was not some­one I should trust, so I started walk­ing again, ignor­ing the new found polite­ness with which she con­tin­ued to fol­low me, until she slowed down, touched me on the lower back in a gen­tle, almost wist­ful farewell, and headed off in the oppo­site direction.

Mirac­u­lously, I was able to find the Chong-no sub­way sta­tion within a few min­utes. All through the ride back to my apart­ment, how­ever, that last, sex­less touch haunted me, mak­ing me won­der what I’d been run­ning from. I’d been assum­ing, of course, that the woman was a pros­ti­tute – cer­tainly she was will­ing to pros­ti­tute her­self – but it was also pos­si­ble that she’d been hun­gry and poor and des­per­ate, that she’d seen in me an oppor­tu­nity to put a decent meal in her stom­ach and did, was will­ing to do, what she thought was nec­es­sary to make that hap­pen. I wasn’t second-guessing my deci­sion not to go with her – I did not know Korean at all yet, and I cer­tainly did not know the cul­ture well enough to know what I would have been let­ting myself in for had I stopped to spend time with her, sex­u­ally or oth­er­wise – but I was won­der­ing what I’d been scared of, because the truth is that I’d run the way I did, in part any­way, because I was scared.

Not for my phys­i­cal safety, though I rec­og­nize there were any num­ber of ways she (and accom­plices, if she’d had them) could have been plan­ning to ambush or intim­i­date me into giv­ing her my money. Rather, I was fright­ened by the explicit and pub­lic and inescapably naked way in which she’d propo­si­tioned me. I didn’t want peo­ple to know I was the kind of per­son whom pros­ti­tutes approached like that, but what I learned on Chong-no, what I felt vis­cer­ally for the first time in my life, is that – what­ever else may be true about who I am – my body marks me as pre­cisely that kind of per­son. More to the point, my body is not some­thing I can run away from. I ran, in other words, not only because I didn’t want what the woman on Chong-no was try­ing to sell, but also because I didn’t want to face hav­ing to reject her, because the fact that I could reject her meant the priv­i­lege of hav­ing her was already mine.

Still, it would do jus­tice nei­ther to my expe­ri­ence nor to what the real­ity of that woman’s life prob­a­bly was, to stop here. For while it was, and most prob­a­bly still is, true that to be a man in Korea is to have access to the vast “play­ground” of the Korean sex indus­try, the indige­nous ver­sion of the play­ground exists almost entirely behind the doors of the estab­lish­ments where Korean sex-workers earn their liv­ing and is gov­erned by rules of deco­rum that ren­der the spec­ta­cle of a woman chas­ing a poten­tial cus­tomer down a crowded avenue in the mid­dle of a week­end after­noon all but unthink­able. In con­trast, accord­ing to fig­ures com­piled by the Embassy of the Repub­lic of Korea, dur­ing the time I was in Seoul, 18,000 South Korean women were reg­is­tered as “club women” for United States mil­i­tary bases. Spend just a few min­utes in an area where these women work – when I was there, Itae­won, where the 8th Army was sta­tioned, would have been the best exam­ple – and you’ll see that the way they do busi­ness has more in com­mon with the stereo­typ­i­cal 42nd Street street­walker than the typ­i­cal woman who works in a Korean-oriented sex estab­lish­ment. What I ran from when I ran from the woman on Chong-no, in other words, was only the priv­i­lege of being a man, but also what it meant to her that I was mi-gook saram, an Amer­i­can, and the way she propo­si­tioned and chased me needs there­fore to be seen as reflect­ing her expec­ta­tions of me and my cul­ture at least as much as it might reflect the val­ues of hers.

The tra­di­tion of the kisaeng, or cour­te­san, within which the Korean sex trade is most prop­erly under­stood, at least in his­tor­i­cal terms, has its roots in a way of life very dif­fer­ent from the one that gave rise to the street­walker. The tra­di­tional yang­ban, or Korean gen­tle­man, gov­erned his polyg­a­mous house­hold accord­ing to Con­fu­cian rules of deco­rum that deter­mined every­thing from the way he spoke and ate his meals to when, how often, and even how, he had sex. The kisaeng house pro­vided men with a refuge from this and the other pres­sures and respon­si­bil­i­ties of being the man of the house. Trained not only as host­esses, but also in lit­er­a­ture and the arts – Korea’s most famous woman poet, for exam­ple, Hwang Jin-hi, was a kisaeng how lived in the fif­teenth or six­teenth cen­tury – the kisaeng offered a stress-free evening of female com­pan­ion­ship and cama­raderie that would have been impos­si­ble within the strictly hier­ar­chi­cal rela­tion­ship a man had to main­tain between him­self and his wives. With­out explic­itly exclud­ing sex­ual favors from their ser­vices, in other words, the kisaeng were not engaged pri­mar­ily in sell­ing their bod­ies, a dif­fer­ence from west­ern pros­ti­tutes that it is impor­tant to keep in mind.

Much in Korean soci­ety, of course, has changed since the time of Hwang Jin-hi, and the very quick thumb­nail sketch of the kisaeng I have just given you nec­es­sar­ily sim­pli­fies the his­tory and the nature of what is in fact a com­plex Korean social insti­tu­tion.1 Nonethe­less, the cul­tural frame­work within which the Korean sex trade exists – or at least existed when I was there – still resem­bles that of the orig­i­nal kisaeng houses. Con­tem­po­rary Korean men go to room salons, stand bars, song-in dis­cos–they may be called by dif­fer­ent names now, but I imag­ine they still exist – and all the other places where women are avail­able at least as much to be enter­tained as to have sex. To social­ize with Korean men – this, too, I imag­ine has not changed much since I was there – is even­tu­ally to find one­self in such a place. A story or three about that expe­ri­ence com­ing in parts 3 and 4.

  1. Songs of the Kisaeng, a book of trans­la­tions of kisaeng poetry, offers a more fully fleshed-out but still acces­si­ble intro­duc­tion to the kisaeng, along with some insight into what the life of a kisaeng was like, at least as they depicted it in their art. []