The Takeback: Meditations on Masculinity, Politics and Culture

The Take­back is the name of a new blog the focus of which is, as what my friend Ralph calls “the colonic” says, “A Med­i­ta­tion on Mas­culin­ity, Pol­i­tics and Cul­ture.” I am one of the con­trib­u­tors, though the only thing that’s up there right now is my bio. The edi­tors – and this is an edited blog, which is excit­ing; I like work­ing with edi­tors – are insist­ing that we all use han­dles. Mine is Eagle Beak, a nick­name I am reclaim­ing from my teen years, when my peers taunted me for hav­ing such a big, Jew­ish nose. This is from The Takeback’s About Us page:

Our Creed

The Take­back is a col­lec­tive of diverse-minded, like-hearted males who each look at pop­u­lar cul­ture (music, faith, lit­er­a­ture, pol­i­tics, etc.) through a pro-feminist or male lib­er­a­tionist lens.  We see cul­ture as both the prob­lem of and the solu­tion to oppres­sion, and The Take­back as a tool to reex­am­ine soci­etal norms and shift the con­ver­sa­tion to empower those of all gen­der identities.

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Our Man­i­festo

Take Back vt. /tak bak/  1. to make a retrac­tion of (with­draw).  2. To regain own­er­ship of (reclamation)

To Abne­gate.  For­swear.  Recant.  Renounce.  Repu­di­ate.  Abjure.

The Take­back is most sig­nif­i­cant because it car­ries dual mean­ings.  In one instance, it means to retract some­thing after thought­ful con­sid­er­a­tion.  Mas­culin­ity, or more specif­i­cally an abhor­rent ver­sion of hege­monic mas­culin­ity, is respon­si­ble for dis­rupt­ing the flow of com­mon­al­ity, com­mu­nity, and con­nect­ed­ness.  We can never fully take back (with­draw) all we’ve done to oppress the voices of oth­ers, but we can start to own up to our part.

Simul­ta­ne­ously, take back­ing also implies a regain­ing of some­thing lost or stolen.  Alter­na­tive voices, like those heard in this blog, have only existed on the mar­gins.  It’s time that we take back (reclaim) a mas­culin­ity that has been hijacked by those seek­ing to con­trol mar­gin­al­ized peo­ple, espe­cially women and gen­der non-conforming peo­ple.  But, we must always acknowl­edge the power of our words and our respon­si­bil­ity to use them for empow­er­ing oth­ers.  That is why we started The Take­back.

The Take­back is a med­i­ta­tion on the sig­nif­i­cant and the super­flu­ous, the crit­i­cal and the con­trived, the tan­ta­liz­ing and the trite.  This is not your daddy’s blog (unless you are in ele­men­tary school).  We are advo­cates, artists, sol­diers, coun­selors, ath­letes, politi­cians, entre­pre­neurs, par­ents, and teach­ers.  We are social crit­ics, arm chair-anthropologists, believ­ers, skep­tics, free agents, free thinkers, street nerds, poets, and shame­less self-promoters.

As we attempt The Take­back, we expect the push back.  No sub­ject is off the table.  Music.  Pol­i­tics.  Fic­tion.  Sports.  Reli­gion.  Music.  Per­sonal expe­ri­ence.  Fam­ily.  Con­sumerism. (oh, did we men­tion music?)  All we ask for is civil dis­course.  We want you to be amused, informed, aghast, per­plexed, per­suaded, and con­victed.  More impor­tantly, we also want you to chal­lenge, dis­cuss, reflect, and change.  We invite you to par­tic­i­pate in The Take­back.

I encour­age you to check it out.

Fragments of Evolving Manhood: Korea 4

I was lean­ing against the entrance to the Shin­chon sub­way sta­tion watch­ing peo­ple turn the cor­ner into the Semaeul Shi­jang, the out­door mar­ket where I bought rice each week and where my friend Mr. Kim had bar­gained one of the ven­dors down from the price she was going to charge me for a blan­ket because I was migook saram, an Amer­i­can, to what she would nor­mally charge a Korean. I’d just fin­ished lunch, a bowl of kim­chi chi­gae, and I had no place to be, so I just stood there, enjoy­ing the sun, smil­ing at the peo­ple who could not help but stare at my very con­spic­u­ous west­ern pres­ence and laugh­ing with the chil­dren who, when they passed by, also couldn’t help them­selves. “Migook saram! Migook saram!” they would yell out and point, as if I were some rare ani­mal they’d sighted, or as if a char­ac­ter from one of their favorite sto­ry­books had come to life. One group of kids, about four or five of them – maybe they were sib­lings – stopped right in front of me, but when they called out to their mother, who was a cou­ple of steps ahead of them, and also to every­one else who was pass­ing by, and to as far beyond our imme­di­ate vicin­ity as their voices would reach, that I was an Amer­i­can, I gave in to a mis­chie­vous­ness I’d been con­tem­plat­ing for some time and, instead of nod­ding and smil­ing, looked from side to side, gave them an excited, quizzi­cal look and asked, “Odio?” Where? If only I’d had my cam­era with me. The look of sur­prise that froze their faces when they heard me speak Korean is some­thing I  wish I’d been able to capture.

A few min­utes after they left, laugh­ing and wav­ing and call­ing out anyige­seyo, good­bye, an old woman wear­ing tra­di­tional Korean cloth­ing passed by. She had a cig­a­rette in her mouth, glasses on her nose and her hair was pulled back into a tight bun. She walked with her hands clasped behind her; and her back was bent, as if she were car­ry­ing some­thing heavy; and, as if she were lost in deep con­tem­pla­tion, she took slow, delib­er­ate steps, clearly not in a rush and clearly assum­ing that peo­ple would make way for her. She got about four of those steps past where I was stand­ing and stopped. She lifted her head and I could see that she was mut­ter­ing some­thing to her­self. Then she turned around, her mouth still mov­ing, and walked straight towards where I was stand­ing. She stopped in front of me, looked me up and down, mut­ter­ing what I thought at first was gib­ber­ish, since it sounded like nei­ther Korean nor Eng­lish, but after fif­teen sec­onds or so, I began to make out words like “tall,” “hand­some,” “strong” and then “American.”

She moved a lit­tle closer and put her hand on my bare fore­arm, a ges­ture to which I had become accus­tomed from rid­ing the sub­way. Kore­ans often have less body hair than white peo­ple and so the hair on my arms and on my chest, which was vis­i­ble if I was wear­ing an open-necked shirt, was a con­stant source of fas­ci­na­tion. Wher­ever I went on the train, older Korean women – who, because they live in a cul­ture where age is ven­er­ated, can do pretty much what they want – would sit next to me and stroke the hair on my arms, smil­ing and chat­ting ami­ably with me as they did so. This woman, how­ever, when she was fin­ished with my fore­arm ran her hand up to my bicep and gave a quick squeeze; then she laid her other hand flat against my stom­ach and moved it down quickly to cup and pat my crotch through my jeans, smil­ing and nod­ding her head as if she were eval­u­at­ing me and was pleased at what she was finding.

This all hap­pened so quickly that I had no time to react, and since she was stand­ing directly in front me, there was no way for me to get away from her with­out push­ing her, and she was so small and so frag­ile look­ing, and I did not want to make a scene, so I con­tin­ued to stand there; and then she was look­ing up at me, still smil­ing, and her eyes were bright, with­out pre­tense, though they held also an imp­ish mis­chie­vous­ness, and she asked me in a slightly accented Eng­lish, “Are you Amer­i­can?” Sur­prised that I was able to under­stand her, I hes­i­tated for half a sec­ond before answer­ing, and she put her hand on my arm and asked again, “Are you an American?”

“Yes,” I said, and she tight­ened her grip on my arm just a lit­tle bit. “Why you here alone? Come with me. Room-café around the cor­ner; I will pay for you.” She reached into her pocket and pulled out a very thick wad of bills.

“No, thank you,” I said. “I am wait­ing for a friend.”

“But it’s no good you out here alone,” she insisted, giv­ing another gen­tle tug on my arm. “Really, I will pay,” and she again showed me the money in her hand.

Room-cafes were just what they sounded like: cafes with pri­vate rooms where men went to be “enter­tained” in ways not so dif­fer­ent from the way Mr. Park and I had been enter­tained in Miari. I knew which room-café the old woman was talk­ing about since I’d walked past it many times on my way in and out of the mar­ket, though I’d never gone in. It was called Sing-Sing. Once, when I was com­ing home very late at night, after the café had closed, the women who worked there were sit­ting out­side, smok­ing and chat­ting – some of them were eat­ing kim bop–when one of them, a tall woman in a tight neon green dress, with nail pol­ish and eye­liner to match, called out to me, “Hey! You like what you see?” Her com­pan­ions laughed. I smiled and kept walking.

The old woman held up her wad of money one more time. “No,” I answered again. “Maybe next time” – the polite thing to say – “I really need to be here to meet my friend.”

She let go of my arm, but she didn’t walk away. “Are you a sol­dier?” She sounded just like the woman who’d chased me on Chong-no.

“No, I’m a teacher.”

“A teacher!” The woman’s face lit up as she put her money back in her pocket. “Teach me some Eng­lish while you wait your friend?” She took my hand and started to walk towards the mar­ket. The change in her man­ner and her tone – she was polite and def­er­en­tial, in stark con­trast to the almost demand­ing tone she took in her insis­tence that I let her take me to the room-café – also reminded me of the woman who’d chased me on Chong-no, and my curios­ity got the bet­ter of me, so I let her lead me where she wanted to go. She stopped to point at the dif­fer­ent fruits on a stand that we passed – apples, grapes, pears, oranges – and asked me the words for them in Eng­lish; then we stood in front of a cart on which the mer­chant had very care­fully arranged alarm clocks, blowdry­ers, hair curlers, elec­tric shavers and other small home appli­ances. After that, it was a cloth­ing stall, where she asked me the words for pants, shirt, belt and under­wear. Finally, she picked up a pack­age of women’s socks. “Will you buy these for me?” she asked.

“Sure,” I said, tak­ing them from her. I hadn’t for­got­ten about the money in her pocket, but I’d started to like her, and I wanted to do some­thing nice for her. I also felt sud­denly a lit­tle bit like one of those young men in the fairy tales who meets and is tested by the old hag, who is really a witch or sor­cer­ess in dis­guise, who, depend­ing on the story, either rewards the young man’s kind­ness or pun­ishes his cru­elty. So I paid the 1,200 or so won that the socks cost and handed them over to the woman. She turned the pack­age over and over as if she no longer rec­og­nized what it was, and I real­ized that she had expected me to say no. “Do you smoke?” she asked.

“No.”

“Good! Do you drink?”

“Some­times, but not very much.”

“Good! Come sit here with me.” She pointed to an empty space on the steps in front of a closed store. ” You know, I lived in Amer­ica. Once. In Cal­i­for­nia. Dur­ing the war. Sol­diers call me mamasan.” She didn’t say which war, but I guessed it was the Korean war, and I knew from the lit­tle bit of hang­ing out I’d done in Itae­won, the part of Seoul where the Amer­i­can army was sta­tioned, that if the sol­diers had called her mamasan, it meant she’d been a madame.

We talked a lit­tle while longer. She asked me about my life back in the United States, about where I lived and worked in Seoul, about the kinds of Korean foods I liked. She told me she had a daugh­ter with whom she lived and she asked if I would like to have din­ner with them that night. By now, I was com­pletely dis­armed, and I thought it would be a very inter­est­ing expe­ri­ence, and so I said yes. She stood up imme­di­ately and started lead­ing me away from the mar­ket. I had a brief moment of anx­i­ety when I real­ized I had no idea where she was tak­ing me, but I set that aside and walked qui­etly beside her for about five min­utes or so, until she looked at me out of the cor­ner of her eye and smiled slyly. “Maybe next time, you and I enjoy in bed together,” she said.

I walked in silence for a few more steps as I tried to decide whether or not she was jok­ing with me and how to respond if she was; but then I real­ized it didn’t mat­ter. I no longer felt safe going with her to a part of Seoul with which I was unfa­mil­iar and so I decided to “remem­ber” a call I was expect­ing that night from my mother in Amer­ica. I needed to be home to get the call, I explained, because my mother and I had some impor­tant busi­ness to dis­cuss. The old woman looked dis­ap­pointed. She took out the socks I’d bought for her, removed the card­board back­ing from the pack­age and wrote down her phone num­ber. “When you want, you call me. We have din­ner. Okay?”

“Okay,” I said. We told each other good­bye and I started walk­ing back in the direc­tion from which we’d come. I turned once to look at her again, but the street had become sud­denly crowded and I couldn’t see her. I looked at the piece of card­board. She’d writ­ten “din­ner” and then a phone num­ber, and then “Love, Mamasan.”

I didn’t want to go back to my apart­ment right away, so I walked instead to the Lotte World depart­ment store. I knew some of the peo­ple who’d worked on the indoor amuse­ment park and roller coaster that every­one was talk­ing about, and I’d been mean­ing to check it out for some time. Since I hate roller coast­ers, though, I did not ride it. Instead I wan­dered around the store a bit, until I found on one of the top floors a large foun­tain around which peo­ple were sit­ting. I bought myself a straw­berry ice cream and took a seat at the water’s edge, eat­ing slowly and think­ing about the old woman whose phone num­ber I had in my pocket.

I was star­ing off into space, not look­ing at any­thing or any­one in par­tic­u­lar, but a woman sit­ting with her daugh­ter on her lap on the other side of the foun­tain must have thought I was look­ing at them because she nod­ded her head and smiled. I nod­ded and smiled back, just to be polite, and the woman’s daugh­ter left her lap almost imme­di­ately and started walk­ing towards me. When she reached the spot where I was sit­ting, she climbed with­out a word into my lap and sat there gaz­ing silently at my face for about ten or fif­teen sec­onds. Then, still with­out speak­ing, she reached behind me for the water in the foun­tain, trust­ing the arm I raised to keep her from falling. When she sat back down, she opened one of my hands, palm up, and held her fin­ger­tips above it, let­ting the drops she’d gath­ered drip onto my skin. When the last drops had fallen, she climbed down to return to her mother, never once glanc­ing back in my direc­tion. The mother stood up, took her daughter’s hand, smiled at me, nod­ding one more time, and then led the girl into the ele­va­tor, which car­ried them down into the rest of their day.

My day took me next to din­ner in the restau­rant where I first prac­ticed read­ing hangul, the Korean alpha­bet, by order­ing each time I ate there a dif­fer­ent item from the menu that was posted on the wall. Two of my col­leagues, Tom and Gavin, were already eat­ing when I walked in. They invited me to join them, which I did, and we decided that we’d meet later that night at the Gilbert Stand­bar, which was also in the Semaeul Shi­jang, a few doors down from the room-café the old woman had offered to take me to. I arrived at the Gilbert about fif­teen min­utes late, but my friends were not there, and so I sat by myself at Ms. Park’s sta­tion – she insisted on Ms. and not Miss – ordered a beer and some fruit and set­tled in to wait. My friends never showed up, but that night at the Gilbert turned out to be, in some ways, a fit­ting end­ing to a day in which an old woman grabbed my crotch in pub­lic and a lit­tle girl who was a com­plete stranger sat in my lap and dripped water on my palm.

A stand­bar is what we would call today, here in the US, a karaōke bar, though since this was in the late 1980s, before dig­i­tal tech­nol­ogy made karaōke juke­boxes pos­si­ble, the music to which patrons paid to sing along was live, pro­vided some­times by an entire band and some­times by a sin­gle key­board or piano player. As far as I know, the term stand­bar – I don’t think it’s much in use any­more; a google search turned up prac­ti­cally noth­ing – comes from the fact that there are bar sta­tions, or “stands,” arranged around the room at which sit the host­esses whose job it is to enter­tain the cus­tomers, who are almost always men. This enter­tain­ment includes pour­ing drinks, serv­ing food, going up on stage to sing when their cus­tomers do and danc­ing blues, slow danc­ing. The women are also often avail­able for sex – though, as it was explained to me by my Korean friend, if the sug­ges­tion for sex comes from the woman, you don’t have to pay for it.

The one or two stand­bars to which my Korean friends had taken me reminded me of a cross between the more extreme excesses of the disco era and the stereo­typ­i­cally sleazy Asian “girly bars” that are so famil­iar from the early James Bond movies. The Gilbert, how­ever, was more of a neigh­bor­hood place. There were no disco balls or flash­ing lights; the host­esses dressed very casu­ally – jeans and a but­ton down shirt, for exam­ple – as opposed to the tighter, glitzier often more reveal­ing out­fits the host­esses wore in other stand­bars; and there was, in gen­eral, a much more laid back atmos­phere. In fact, my col­leagues and I learned after we’d been going there for a while that it was the place where the men and women who worked at other sex trade estab­lish­ments came to relax.

This dif­fer­ence, of course, was one of degree not kind. The same things that went on at other stand­bars went on at the Gilbert, only more qui­etly and dis­cretely; and, most impor­tantly to me and my friends, no one made a spec­ta­cle out of us because we were west­ern­ers. The host­esses were not con­stantly ask­ing us for (wink, wink, nudge, nudge) “pri­vate Eng­lish lessons;” the other patrons were not con­stantly com­ing up to us to buy us drinks or prac­tice their Eng­lish. We were able, in general, just to hang out, drink a few beers and sing a few songs, just like reg­u­lar customers.

Ms. Park was the host­ess at whose sta­tion we always sat, and, over time, she and I became friendly. My Korean was bet­ter than that of my col­leagues, and so I could make very sim­ple con­ver­sa­tion, about the weather, for exam­ple, or food; about our jobs – she was very funny when describ­ing the men who’d sat at her sta­tion whom she didn’t like– and a lit­tle bit about my life in the US. She told me very lit­tle about her­self, though we did talk about books; she liked to read and she was fas­ci­nated by the fact that I was a poet. She intro­duced me once to a man who did not come to the Gilbert reg­u­larly, but whom she seemed to know pretty well, telling me he too was a poet. He gave me a copy of one of his books, though I lost it a long time ago, and I can­not now remem­ber his name.

Over time, I began to real­ize that when­ever Ms. Park danced blues with me – just because I would have been per­fectly happy not to dance with her did not exempt her from doing her job – she stayed in my arms a few beats longer than the end of the song, which is what hap­pened on this night, but then, she stayed there even longer, gaz­ing at me and grin­ning a sat­is­fac­tion she offered to share when she asked if she could come to my apart­ment after work. I wanted her in that moment as well, and so I said yes. I gave her my address and phone num­ber and we went back to her station. Waiting for us, how­ever, was a thin, bald­ing man in a crum­pled gray busi­ness suit and thick-framed nerdy glasses. As soon as Ms. Park sat down, he com­manded her to fill my glass, not from the bot­tle of inex­pen­sive beer that I’d ordered, but from the bot­tle of Chivas that he had in his hand. This kind of behav­ior was out of char­ac­ter for the Gilbert, as was the fact that he did not ask Ms. Park drink with us, and I was imme­di­ately uncom­fort­able. I looked at Ms. Park, but her face was frozen in her best customer-service smile, betray­ing noth­ing of what she might be feeling.

The thin man toasted me as if she weren’t there, waited till my class was empty and then pointed at Ms. Park with a fin­ger that was unusu­ally thick, given how skinny the man was. “Do you like her?” he asked, not deign­ing even to glance in her direction. Because I knew where the con­ver­sa­tion was headed, I did not answer him and told Ms. Park that I wanted more kol­bengi. She got up and went into the kitchen, and I tried as hard as I could, while she was gone, to let the thin man know I was not inter­ested in talk­ing to him by focus­ing my atten­tion on the very drunk, immac­u­lately groomed silver-haired man try­ing to sing John Denver’s “Coun­try Road” with­out falling over onto the host­ess who was stand­ing under his shoul­der to prop him up.

The man with the Chivas bot­tle did not take the hint, how­ever, and he fell silent as well, sit­ting with closed eyes until Ms. Park returned with my food. Once she was sit­ting down again, he leaned over and said qui­etly in my ear, “Isn’t she pretty? Don’t you like her?” When I still didn’t answer and kept my eyes focused on the silver-haired man, who was now stum­bling back to his seat, my unin­vited and unwel­come com­pan­ion put his hand on my arm and said more loudly, “She has beau­ti­ful labia.”

Still I said noth­ing; still I would not look at him.

“Don’t you under­stand?” He was not quite shout­ing as he pulled from his pocket a wad of bills almost as thick as the one the old woman had pulled out of her pocket ear­lier in the day. “Korea is a par­adise for men! Here!” He waved the money in my face. “You can have her if you want.”

I real­ized at this point that I had to say some­thing, but I also under­stood that what­ever I said had to be cal­cu­lated not to esca­late the sit­u­a­tion, and so instead of say­ing what I wanted to say – some ver­sion of “Stop talk­ing about her like that and get the fuck away from me!” – I said instead some­thing that would get him to leave me alone, while allow­ing him to save face, “Maybe next time. Tonight, I am very tired and I just want to drink by myself.”

My words had the desired result. He looked at me, looked for the first time at Ms. Park, gave a snort of dis­gust and walked back towards his table just as his friends were com­ing over to pull him away.

For the rest of that night, Ms. Park refused to meet my gaze, but each time I went to the Gilbert after that, and in all the time before I left Seoul, she con­tin­ued to dance with me the same as always; even as I watched her belly swell gen­tly and then flat­ten out again over the course of three or so months, she danced with me a lit­tle closer and a lit­tle longer than the other men; and some­times I saw flashes of the smile she gave me when she asked if she could come to my apart­ment, but she never brought that pos­si­bil­ity up again, and nei­ther did I. And we talked just as we always had, though she was more reveal­ing about her­self than she had been before, telling me often about the man who’d promised to marry her. All he needed, she said, was enough money to buy a place for them to live, and she said he’d told her that he didn’t care if his mother dis­owned him. She was the woman he wanted.

I have no idea if this man really existed, though I hope he did, and I hope he kept his promise and that Ms. Park was able to stop work­ing at the Gilbert and be, sim­ply, hap­pily, his wife. I hope she has chil­dren and that they have brought her great plea­sure. I hope all this, but I know the odds are against it being true, that she is more likely to have had a very dif­fi­cult life; and so right now, as I remem­ber Ms. Park, what I choose to remem­ber is how deeply she smiled when she asked if we could be together, not because of any­thing hav­ing to do with the sex that didn’t hap­pen, but because I could see in that smile that the thought of being with me made her happy and it’s more painful than I want to feel right now to remem­ber her any other way.

Fragments of Evolving Manhood: Korea 3

“Just meet me down­stairs in 30 minutes” was all my friend Mr. Park would say when I asked what he had in mind. It was Fri­day night and I had, actu­ally, been plan­ning to spend it alone, but I was so happy to hear from my friend that I changed my mind. Mr. Park and I hadn’t seen each other in almost a month, and Their Eyes Were Watch­ing God, which I was very close to finishing, would keep for another day or so. When I slid into the front seat of Mr. Park’s car a lit­tle more than a half hour later, he was all smiles and mys­tery. “I am going to make your night,” was all he would say. He put on some Korean pop music and started to drive.

Soon after we got off the high­way – we were in an area of Seoul to which I had never been before – we pulled into a large park­ing lot. I could see three large houses, each with a lit porch. When I asked where we were, all he would say was, “Miari,” and he motioned with his head for me to fol­low him. As we got closer to the houses, I saw that the porches were filled with women wear­ing ham­boks, the tra­di­tional Korean dress. Each house had its own color, pur­ple, green and yel­low. Mr. Park led me towards the pur­ple house, and as soon as he stepped up onto the wooden floor of the porch, one of the women jumped up to greet him, throw­ing her arms around his shoul­ders and plac­ing a happy kiss on his cheek. She looked very young – I found out later she was eigh­teen – and she led him by the hand, chat­ter­ing loudly and glee­fully in Korean I could not under­stand at all, behind an older woman who showed us to the room where we would spend the evening.

Very sparsely fur­nished, with just a low table, some floor mats for us to sit on and a space heater, the room was painted an indus­trial yel­low that was crack­ing in some places, and the tiles on the floor might have come from a hos­pi­tal or a high school cafe­te­ria. As my friend and his com­pan­ion made them­selves com­fort­able on the mats on one side of the table, he nod­ded to one of the mats on the other side. As I took my place oppo­site them, the older woman who’d brought us to the room, smil­ing side­ways at me with what I can only describe as glee­ful mis­chief in her eyes, placed a plat­ter of fruit and some beer between us. Mr. Park’s com­pan­ion, who told me her name was Ms. Ham, opened the bot­tle and poured, first for Mr. Park and then for me. She asked me in a slightly accented, not-too-stilted Eng­lish where I was from, how long I’d been in Korea, what I was doing there and a lit­tle bit about my life back home. Then, with a sly tilt of her mouth and one eye on Mr. Park, she asked me, “Do you like to fuck?”

Her tone was so matter-of-fact, so appar­ently with­out guile, that I answered with only the slight­est hes­i­ta­tion. “Some­times,” I answered. “Do you?”

“Some­times.”

Just then, there was a knock on the door. Mr. Park said some­thing in Korean and then turned to me. He explained that they had brought a woman for me and that if I did not think she was pretty enough, I could send her back and they would bring another one more to my lik­ing. Not know­ing what else to do, I nod­ded my head. Mr. Park said some­thing else in Korean, the door opened and the same older woman stood their with my companion.

“Is she pretty enough?” Mr. Park asked me.

“Yes,” I said, hav­ing decided that I would answer this way whether I thought she was pretty or not.

He nod­ded his head at the older woman, who backed out and closed the door. My part­ner bowed slightly – her name was Ms. Cho – took a seat to my right and imme­di­ately refilled my beer. It turned out that she spoke no Eng­lish and so Ms. Ham con­tin­ued in her role as mis­tress of cer­e­monies. Spear­ing a piece of fruit with a tooth­pick and plac­ing it del­i­cately in my friend’s mouth, then nod­ding to Ms. Cho to do the same with me, she looked directly at me and said, “Tonight we will enjoy each other.” A good place to start, she sug­gested, was with a song. “Do you sing?” she asked me.

“A lit­tle.”

“Will you sing for us?”

I sang Sum­mer­time, and then she sang a Korean folk­song, and then Mr. Park sang, and my part­ner did as well, and in between the songs we drank and ate, and the women flirted with us, puck­er­ing their lips for us to kiss them, run­ning their hands up the insides of our thighs and, in Ms. Cho’s case, reach­ing into my shirt to stroke my nip­ple. When Ms. Ham saw me give a lit­tle gasp of plea­sure, she smiled and asked if I’d ever had sex with a Korean woman. I told her no – which was true at the time – and she told me that she’d heard Amer­i­can men liked Korean women because their vagi­nas were so tight. She’d never been with an Amer­i­can man, she went on, and she won­dered if what she’d heard was true, that we all had excep­tion­ally large penises. Would I, she wanted to know, take my pants off so she could see for herself?

Just then, Mr. Park said some­thing in Korean that I couldn’t under­stand. I assumed he had seen that Ms. Ham’s ques­tion had made me uncom­fort­able and told her to ease up a bit because she stopped talk­ing, got up and turned on the space heater. We drank a lit­tle more as the room got warmer. Then, Mr. Park spoke Korean again and Ms. Ham began to get undressed. Ms. Cho sat frozen by my side. Ms. Ham stopped undo­ing the top of her ham­bok, gave Ms. Cho a look of what I can only describe as com­pas­sion­ate urgency and with a nod of her head urged my part­ner to fol­low her exam­ple. Ms. Cho turned her head quickly to look at me and then locked her eyes on the ground. I started to protest that it was not really nec­es­sary for them to get undressed, but Mr. Park leaned for­ward a lit­tle bit and spoke again, this time rais­ing his voice, and I didn’t need to under­stand what his words meant to know they had con­tained a threat.

“You’ll have to excuse her,” he said as Ms. Cho joined Ms. Ham in dis­rob­ing, nei­ther woman look­ing up as they did so. He nod­ded towards Ms. Cho who was now sit­ting naked with her back to the wall, hug­ging her knees to her chest with one arm so her breasts were cov­ered, while plac­ing the crum­pled fab­ric of her ham­bok in front of her that noth­ing else was exposed either. “She’s only six­teen and has been here just a few months.”

Now it was my turn to freeze. If she was that young, the odds were she’d been traf­ficked. It was, of course, entirely pos­si­ble that the same was true of Ms. Ham, but Ms. Ham had been play­ing her role so nat­u­rally and with such good humor, and she and Mr. Park – who clearly was one of her reg­u­lars – seemed so gen­uinely to like each other, that the pos­si­bil­ity she’d been brought to Miari against her will had not crossed my mind. I was angry, con­fused and not a lit­tle bit dis­gusted with myself. The only thing I could think to say was that I wanted to leave, and I stood up, ready to walk out by myself if necessary.

Mr. Park stood up as well and reached across the table to touch my arm. “Richard, please sit down and let me explain.” Reluc­tantly, since I real­ized that even if I did walk out, I had no idea where I was or where I would go, I did as he asked. The women breathed an obvi­ous sigh of relief.

If we left now, Mr. Park told me, not only would the women not get paid for the night, but they would likely be blamed for our leav­ing, which meant they would also be pun­ished and have to pay a fine, or per­haps even be beaten. I sug­gested at least that we ought to let them put their clothes back on, but he explained fur­ther that when the “show girl” came in a lit­tle bit later, if the girls were not naked, she would report them and the same con­se­quences would very likely apply. I sat back down – what else, really, could I do – unable in my guilt even to look at the child still cow­er­ing next to me.

For­tu­nately, in that it relieved me of hav­ing to fig­ure out what to do or how to behave, the show­girl came in almost imme­di­ately after I sat down. Smil­ing and with­out any intro­duc­tion, she hiked up the skirts of her ham­bok, took an egg from the tray she had placed on the edge of our table when she entered, and inserted it into her vagina. She kept it there for about ten sec­onds, caught it in her hand as she let it fall out and in one, smooth, obvi­ously very prac­ticed motion, cracked it on the edge of my class and stirred it into my beer with a wink, insist­ing I should drink it “for sta­mina.” I half-expected her to try to make that hap­pen by rais­ing a glass and toast­ing me, but with­out even the small­est pause for dra­matic effect, she picked a bottle-opener up from the tray, wrapped the han­dle in some cloth, inserted it where she had put the egg, and used it to open two fresh bot­tles of beer, which she poured for Mr. Park and myself into the two clean glasses that were also on the tray. (Ms. Ham very unob­tru­sively removed the glass with my beer-egg mix­ture in it to the other end of the table.) Once again, I was expect­ing a toast, but, again, with­out paus­ing, the show­girl picked up from the tray a long stick, wrapped one end of it, just as she had done the bot­tle opener, and put that end into her vagina. Then, using a match to light the other end, which was cov­ered in some kind of flam­ma­ble mate­r­ial, she hiked her­self over to Mr. Park and lit his cig­a­rette with the flame dan­gling from her gen­i­tals. (I don’t smoke, or she would have done the same for me.) Finally, she dipped a cal­lig­ra­phy brush in ink, wrapped and inserted it as she had done the other two imple­ments, asked me my name and how to spell it, and then used her vagina to write “Richard” in script on a long piece of butcher block paper she’d brought for the purpose.

We applauded, but she barely stopped to acknowl­edge that we were acknowl­edg­ing her. She gath­ered her things quickly and effi­ciently – I guess she had other shows to per­form that night – and left as uncer­e­mo­ni­ously as she came, except that she made sure to place the paper with my name on it directly in front of me so I would know to take it home as a sou­venir. After that, the high­light of the evening clearly fin­ished, Mr. Park and I sat with Ms. Ham and Ms. Cho for a few more min­utes, chat­ting about I don’t remem­ber what, and then Mr. Park nod­ded his head. We stood up, said good­bye and walked out – leav­ing the paper with my name on it where it was – while the women got up to put their clothes back on and clean the room.

In the car, Mr. Park was all smiles. He asked me if I’d ever seen any­thing like that before, and I answered truth­fully that I hadn’t. A small look of vic­tory passed across his face when I said that, and I knew why. On more than one occa­sion, when he and I and some of his friends had been hang­ing out in a cof­fee shop or hotel café try­ing to fig­ure out what to do, either he or one of his friends had said, “I think Richard wants to have sex tonight,” and I had always said no, that I wasn’t in the mood, adding, so as not to offend the man who had made the offer, that maybe we would do go next time. I knew that my refusal was a source of dis­ap­point­ment for Mr. Park, and maybe for his friends as well, for whom the offer to take me to have sex was a ges­ture of real friend­ship, just like it had been for Mr. Lee. Get­ting me to expe­ri­ence Miari had been Mr. Park’s way of show­ing me that he and his friends had been right all along, that I really did want to have sex, that all I had to do was give myself per­mis­sion to enjoy what Korea had to offer in this way, and I am sure he believed that “next time” I would gladly go with him and his friends to have the sex for which he was hop­ing, I am sure, that my visit to Miari had whet­ted my appetite.

More than that, though, I think Mr. Park’s smile meant that he felt he’d put me in my place, proved to me that I was not as dif­fer­ent from him and his friends as I pre­tended to be, though I imag­ine that he would have used the words bet­ter than rather than dif­fer­ent from if you’d asked him – because I think they under­stood my con­stant refusal of their offers to take me to places like Miari as, in my mind any­way, an asser­tion of my own moral supe­ri­or­ity. Yet I’d never thought of myself that way. It was true that I always turned down their offers to take me some­where to have sex, but I would have been lying had I told you that I was not tempted, very tempted, to say yes, especially dur­ing the period when I did not have a lover in Korea and the lone­li­ness and I felt miss­ing my girl­friend back in the States was par­tic­u­larly acute. I said no, in other words, not because I thought I was morally supe­rior to Mr. Park and his friends, but because no mat­ter how much I might have been tempted to give myself over to the plea­sures of paid female com­pan­ion­ship, I did not want to allow myself to give in to that temp­ta­tion in a sit­u­a­tion where the avail­abil­ity of the com­pan­ion­ship they offered to buy for me depended in no small mea­sure on the coer­cion of women like Ms. Cho and terms of employ­ment such as those under which she and Ms. Ham worked.

Would I have said yes to them if the sit­u­a­tion were dif­fer­ent? I hon­estly don’t know, though of course I did, tac­itly, say yes to Mr. Park when I didn’t ask him to turn around and take me home after I real­ized what kind of place Miari was. In truth, I almost did, but I also did not want to embar­rass or insult him. He was my friend and I knew he believed he was doing me a favor by bring­ing me some­where he thought I was either too embar­rassed or ashamed or oth­er­wise hung up about to go myself. To be fair to me, cul­tural dif­fer­ences being what they are, I did not know if our friend­ship would have sur­vived my telling him to take me home (though now I real­ize it prob­a­bly would have), but it was also my desire not to insult him, not to make a scene, that allowed me to pre­tend I really had no choice but to fol­low him into the house. Mak­ing my friend­ship with Mr. Park the issue, in other words, allowed me not to have to face the fact that I was curi­ous about what would hap­pen, that I did won­der what it would be like to be served by women whose job it was, as Mr. Lee had said, “to please a man.”

I am not sure that I had any spe­cific expec­ta­tions of what the expe­ri­ence would be like, but I know I did not expect it to be alien­at­ing in the way that it was. Espe­cially after I found out how young Ms. Cho was, but also before, there were moments when I had the feel­ing that I was hov­er­ing over the room, watch­ing my body say and do things that did not belong to me. I remem­ber hav­ing this expe­ri­ence specif­i­cally when Ms. Ham tried to get me to take off my pants and then, again, after the women had got­ten undressed, when I had to face Ms. Cho as she refilled my beer glass after Mr. Park ordered her to do so. I’d like to say these expe­ri­ences were alien­at­ing because they forced me to be some­one I wasn’t, some­one I didn’t want to be, and yet – despite the at least par­tial truth that expla­na­tion holds – there had also been moments ear­lier in the evening when I’d felt exquis­itely cen­tered in myself, when the sex­ual ban­ter, the seduc­tive glances, Ms. Cho’s touch, and her will­ing­ness to let me touch her, all became the sources of plea­sure and, as impor­tantly I think, of fun that it was their func­tion to be.

Those moments of cen­tered­ness revealed to me the pos­si­bil­ity of a sex indus­try that does not exploit the peo­ple who work in it in the ways that Ms. Cho, Ms. Ham, the show­girl and all the other women who worked in Miari were being exploited, but so what? The exis­tence of that pos­si­bil­ity does not change the fact of my par­tic­i­pa­tion in their exploita­tion. More to the point, it does not change the fact that, as a man, there was almost no way I could escape par­tic­i­pat­ing in their exploita­tion, not only because Miari and other places like it existed for my ben­e­fit whether I  vis­ited the or not, but also because, as I said at the end of Part 2, to have male friends – or at least to have the male friends that I had – was inevitably to patron­ize the sex indus­try, because even when these men did not go to such places to have sex, they went to bond over the bod­ies of the women they paid to be their companions.

On another night, for exam­ple, two other friends of mine, Mr. Kim and Mr. Jung, invited me out to a disco not far from where I lived. As soon as we entered, a greeter spoke with them briefly and led us away from the dance floor to an almost invis­i­ble cor­ner table. Soon after we sat down, a waiter appeared with a plat­ter of fruit, some bot­tles of beer and three women – Ms. Jo, Ms. Yoo, and Ms. Hwang – whom he pre­sented very for­mally, lin­ger­ing to make sure we found his choices accept­able. Ms. Hwang and Ms. Yoo took their seats next to Mr. Kim and Mr. Jung respec­tively, while Ms. Jo made her­self com­fort­able next to me. The ini­tial dis­cus­sion was in Korean spo­ken much too fast for me to fol­low, which Ms. Jo tried to make up for by pay­ing atten­tion to me phys­i­cally. She made appre­cia­tive noises as she ran her hands over my biceps; she teased with her fin­gers at the hair on my arms and my chest and kept tick­ling her palms by rub­bing them against my beard, gig­gling like a young girl as she did so. Then, Mr. Jung looked up from some­thing he was say­ing to Ms. Yoo and, indi­cat­ing Ms. Jo with a nod of his head, said, “She’s pretty, isn’t she? You know, she isn’t wear­ing panties.”

Before I could even think how to respond, Miss Hwang laughed and whis­pered into Mr. Kim’s ear some­thing that broad­ened the grin on his face into a fell-fledged smile. “She shaves her­self,” he told me. “Do you want to feel it?”

Every­one was laugh­ing, includ­ing Ms. Jo, and I was blush­ing, but when I looked into their eyes, I could see they were not try­ing to embar­rass me. Rather they wanted me to know that this was why we were all there, to flirt and to play, and that if I wanted to go fur­ther, to do what came “nat­u­rally” with a woman like Ms. Jo at my side, that was why we were there too.

At that moment, the DJ began a set of slow music, what the Kore­ans call “blues,” a chance for cou­ples to dance close, touch­ing each other pub­licly in ways their cul­ture oth­er­wise frowns upon – or at least frowned upon when I was there. Ms. Jo smiled invit­ingly and led me to the dance floor, where she at first held her body a respectable dis­tance from mine. As we found each other’s rhythm, how­ever, and began to move more smoothly to the music, she drew closer, and I inhaled her scent, allow­ing myself to relax against the shape her body made against mine. I was, I sud­denly real­ized, achingly lonely, miss­ing my life and my lover in New York City more than I had thought. Ms. Jo was beau­ti­ful, com­pli­ant, extremely eager to please and ineluctably there. Of its own accord, my body began to reach for hers, but while I could see in the smile she gave as she felt me harden against her that she would have taken my money to take me into her body, her eyes were empty, reveal­ing in her parted lips and almost per­fectly white teeth noth­ing more than the mask of trained acqui­es­cence that her job required her to wear. The obvi­ous absence in her face of any real desire for me made my own desire for her feel shameful.

I could have had Ms. Jo any­way, of course – no one who meant any­thing to me would ever have had to know – but to do so would have been to do more than pur­chase a woman. It would have been to sell out the com­plex­ity of my lone­li­ness. Pros­ti­tu­tion wasn’t the issue for me at that moment; inti­macy was, the way the “par­adise” of men’s enti­tle­ment depends for its exis­tence on the warp­ing of our sep­a­rate­ness, the yok­ing of male het­ero­sex­ual desire so exclu­sively to women’s bod­ies that the inte­rior emo­tional and psy­cho­log­i­cal com­plex­ity of any given man’s desire can be reduced in a heart­beat to the need for a woman’s body into which to release himself. Ms. Jo, or any of the other Ms. Jo’s who might have stood in her place, had been mine to pay for even before she sat down beside me. I took her hand and led her back to our table, made excuses to friends about sud­denly not feel­ing well, and walked out alone, rel­ish­ing my soli­tude in the touch of the cool night air.

ETA: Click here for an arti­cle from March 2000 about a cam­paign to clean Miari up.

Fragments of Evolving Manhood: Korea 2

I’d been in Korea for two weeks when I decided it was time to ven­ture on my own into Seoul’s urban land­scape. One of my col­leagues had taken me the pre­vi­ous week­end to Chong-no for some noo­dles, a visit to Pagoda Park, where the Korean Inde­pen­dence Move­ment got its start in 1919, and then a browse in the Kyobo Book­store, which was then and is still Korea’s largest book-selling estab­lish­ment. Since I already knew how to get there by sub­way, I decided that would be a good place to start explor­ing. So there I was, walk­ing down the crowded main street, try­ing hard to enjoy the Sat­ur­day after­noon sun while keep­ing my eyes locked straight ahead so I could ignore the stares my West­ern face attracted, and I almost tripped over the man in front of me when, right in front of the Pagoda Park entrance, a woman called out “Hello! Hello!” to me in Eng­lish. She looked about my age, twenty-six or so, but the creases that appeared around her eyes and at the cor­ners of her mouth when she smiled as I stopped to acknowl­edge her made her seem much older. Her long black hair was disheveled, and I could see her hands were cal­lused. Wear­ing a thin pur­ple dress that hugged the curves of her body and leather san­dals with no socks, she was def­i­nitely out of place among the men in busi­ness suits and the women better-dressed than she was, but I was so relieved to have found some­one who spoke Eng­lish that, to me, it was every­one else who looked as if they didn’t belong.

“Hi!” I said. “Were you talk­ing to me?”

“I love you,” she answered. “I love you.” She took the first two fin­gers of her right hand and pushed them slowly in and out of her mouth. I turned and walked quickly away.

Run­ning to keep up with me, the woman appeared at my side. “Are you alone?”

“Yes.”

“Where are you going?”

“I’m just walking.”

“Just walk­ing?”

“Yes.”

Upon hear­ing this, she wrapped her arm around my waist, laid my arm con­fi­dently along the con­tour of her hip, looked up at me with a smile I can only describe as angelic, and said, “You, me, fuck-fuck, all night, real cheap!”

I smiled back – what else could I do? – took her arm from my waist, said, “No, thank you,” and set off more quickly in the same direction.

“No t’ankyoo!” Her voice was high-pitched and mock­ingly flir­ta­tious as caught up with me, put her arm back where she thought it belonged, and offered again to fuck me all night, any way I wanted, for “real cheap.” When I again said no, she started nudg­ing me with her hip towards the side of a nearby office build­ing, mim­ic­k­ing me all the while, “No-o! Please go awa-ay!” I pushed back just hard enough to make her let go of me and turned down the first side street I came to, almost falling over an old man sit­ting on the pave­ment, his stock of nail clip­pers and other assorted knick­knacks spread out neatly on the pave­ment in front of him. She was still behind me, how­ever, so I turned left and made two quick rights, des­per­ately hop­ing I was walk­ing in a cir­cle that would lead me back to the main street. I don’t know how many dif­fer­ent streets I took try­ing to lose her, but each time I looked over my shoul­der, she was behind me, half run­ning, half walk­ing, and still promis­ing me the night of my dreams.

Finally, I’d had enough. I stopped as if to catch my breath and she jumped at the oppor­tu­nity. She wound her arm yet one more time around my waist and started to recite frac­tured ver­sions of the titles of pop songs that were old twenty some odd years ago when this all took place. “Every­body need some­body. Are you lonely this night? I fall in love with you, mend your bro­ken heart! Help you make it through the night!” With each new line, she tried to embrace me with her other arm, which I kept push­ing away, until I grab­ber her wrist and pulled her into a small alley between the two near­est build­ings. At first, her face lit up with tri­umph and antic­i­pa­tion, but then, as she felt the tight­ness of my grip – enough so she would know I was seri­ous, but not enough to hurt her – her eyes and mouth began to widen with fear. Tow­er­ing over her, I pushed the words out through clenched teeth, “Go away! Just leave me alone!” Then I started back in the direc­tion from which we’d come.

“Are you a sol­dier?” The voice behind me was self-effacingly polite. I stopped walk­ing. “No, I’m a teacher,” I said, and it was as if my answer trig­gered a switch in her brain, for her behav­ior changed instantly. With­out look­ing at me, she asked if I wanted to stop in a cof­fee shop for some­thing to eat. She offered to show me around Seoul, to help me learn Korean. She said some­thing about where she lived, or maybe she was ask­ing about where I lived, I wasn’t sure. All I could think was that she was not some­one I should trust, so I started walk­ing again, ignor­ing the new found polite­ness with which she con­tin­ued to fol­low me, until she slowed down, touched me on the lower back in a gen­tle, almost wist­ful farewell, and headed off in the oppo­site direction.

Mirac­u­lously, I was able to find the Chong-no sub­way sta­tion within a few min­utes. All through the ride back to my apart­ment, how­ever, that last, sex­less touch haunted me, mak­ing me won­der what I’d been run­ning from. I’d been assum­ing, of course, that the woman was a pros­ti­tute – cer­tainly she was will­ing to pros­ti­tute her­self – but it was also pos­si­ble that she’d been hun­gry and poor and des­per­ate, that she’d seen in me an oppor­tu­nity to put a decent meal in her stom­ach and did, was will­ing to do, what she thought was nec­es­sary to make that hap­pen. I wasn’t second-guessing my deci­sion not to go with her – I did not know Korean at all yet, and I cer­tainly did not know the cul­ture well enough to know what I would have been let­ting myself in for had I stopped to spend time with her, sex­u­ally or oth­er­wise – but I was won­der­ing what I’d been scared of, because the truth is that I’d run the way I did, in part any­way, because I was scared.

Not for my phys­i­cal safety, though I rec­og­nize there were any num­ber of ways she (and accom­plices, if she’d had them) could have been plan­ning to ambush or intim­i­date me into giv­ing her my money. Rather, I was fright­ened by the explicit and pub­lic and inescapably naked way in which she’d propo­si­tioned me. I didn’t want peo­ple to know I was the kind of per­son whom pros­ti­tutes approached like that, but what I learned on Chong-no, what I felt vis­cer­ally for the first time in my life, is that – what­ever else may be true about who I am – my body marks me as pre­cisely that kind of per­son. More to the point, my body is not some­thing I can run away from. I ran, in other words, not only because I didn’t want what the woman on Chong-no was try­ing to sell, but also because I didn’t want to face hav­ing to reject her, because the fact that I could reject her meant the priv­i­lege of hav­ing her was already mine.

Still, it would do jus­tice nei­ther to my expe­ri­ence nor to what the real­ity of that woman’s life prob­a­bly was, to stop here. For while it was, and most prob­a­bly still is, true that to be a man in Korea is to have access to the vast “play­ground” of the Korean sex indus­try, the indige­nous ver­sion of the play­ground exists almost entirely behind the doors of the estab­lish­ments where Korean sex-workers earn their liv­ing and is gov­erned by rules of deco­rum that ren­der the spec­ta­cle of a woman chas­ing a poten­tial cus­tomer down a crowded avenue in the mid­dle of a week­end after­noon all but unthink­able. In con­trast, accord­ing to fig­ures com­piled by the Embassy of the Repub­lic of Korea, dur­ing the time I was in Seoul, 18,000 South Korean women were reg­is­tered as “club women” for United States mil­i­tary bases. Spend just a few min­utes in an area where these women work – when I was there, Itae­won, where the 8th Army was sta­tioned, would have been the best exam­ple – and you’ll see that the way they do busi­ness has more in com­mon with the stereo­typ­i­cal 42nd Street street­walker than the typ­i­cal woman who works in a Korean-oriented sex estab­lish­ment. What I ran from when I ran from the woman on Chong-no, in other words, was only the priv­i­lege of being a man, but also what it meant to her that I was mi-gook saram, an Amer­i­can, and the way she propo­si­tioned and chased me needs there­fore to be seen as reflect­ing her expec­ta­tions of me and my cul­ture at least as much as it might reflect the val­ues of hers.

The tra­di­tion of the kisaeng, or cour­te­san, within which the Korean sex trade is most prop­erly under­stood, at least in his­tor­i­cal terms, has its roots in a way of life very dif­fer­ent from the one that gave rise to the street­walker. The tra­di­tional yang­ban, or Korean gen­tle­man, gov­erned his polyg­a­mous house­hold accord­ing to Con­fu­cian rules of deco­rum that deter­mined every­thing from the way he spoke and ate his meals to when, how often, and even how, he had sex. The kisaeng house pro­vided men with a refuge from this and the other pres­sures and respon­si­bil­i­ties of being the man of the house. Trained not only as host­esses, but also in lit­er­a­ture and the arts – Korea’s most famous woman poet, for exam­ple, Hwang Jin-hi, was a kisaeng how lived in the fif­teenth or six­teenth cen­tury – the kisaeng offered a stress-free evening of female com­pan­ion­ship and cama­raderie that would have been impos­si­ble within the strictly hier­ar­chi­cal rela­tion­ship a man had to main­tain between him­self and his wives. With­out explic­itly exclud­ing sex­ual favors from their ser­vices, in other words, the kisaeng were not engaged pri­mar­ily in sell­ing their bod­ies, a dif­fer­ence from west­ern pros­ti­tutes that it is impor­tant to keep in mind.

Much in Korean soci­ety, of course, has changed since the time of Hwang Jin-hi, and the very quick thumb­nail sketch of the kisaeng I have just given you nec­es­sar­ily sim­pli­fies the his­tory and the nature of what is in fact a com­plex Korean social insti­tu­tion.1 Nonethe­less, the cul­tural frame­work within which the Korean sex trade exists – or at least existed when I was there – still resem­bles that of the orig­i­nal kisaeng houses. Con­tem­po­rary Korean men go to room salons, stand bars, song-in dis­cos–they may be called by dif­fer­ent names now, but I imag­ine they still exist – and all the other places where women are avail­able at least as much to be enter­tained as to have sex. To social­ize with Korean men – this, too, I imag­ine has not changed much since I was there – is even­tu­ally to find one­self in such a place. A story or three about that expe­ri­ence com­ing in parts 3 and 4.

  1. Songs of the Kisaeng, a book of trans­la­tions of kisaeng poetry, offers a more fully fleshed-out but still acces­si­ble intro­duc­tion to the kisaeng, along with some insight into what the life of a kisaeng was like, at least as they depicted it in their art. []

I Thought the Mythopoetic Men’s Movement was Over

This is really a dis­turb­ing story, if the alle­ga­tions in Steven Eggleston’s law­suit are true. Accord­ing to Eggle­ston, whose expe­ri­ence Tori Richards wrote about in an arti­cle pun­ningly title “What Do You Say to a Naked Lawyer? Here’s a Suit.”, he was pres­sured by his boss to attend a retreat spon­sored by the ManKind Project, an orga­ni­za­tion that, based on what it says about itself, must trace its roots to the work of Robert Bly and the other thinkers who spawned the mythopo­etic men’s move­ment that cap­tured our pop­u­lar imag­i­na­tion briefly in the 1980s and 1990s.

Accord­ing to Eggle­ston, men at this retreat “would be hold­ing hands and walk­ing naked, blind­folded, through a for­est. Then they would sit nude in groups of 30 to 50, pass­ing around a wooden dildo and giv­ing lurid details of their sex­ual his­tory.” He also claims that the men would be told they could grab each other’s penises if they wanted to. (Richards’ arti­cle cites rep­re­sen­ta­tives of the ManKind Project who affirm that the men do get naked, though they are not required to, and that there is a phal­lic shaped “talk­ing stick” that they pass around that “actu­ally gives a man per­mis­sion to speak should he want to speak,” but the bit about gen­i­tal touch­ing appar­ently comes from an Inter­net report about the retreat.)

Eggle­ston alleges that, after he refused to attend the first retreat – because there were two – his pay was cut. After he did not attend the sec­ond retreat, he claims, his pay was slashed to zero. Eight months later, he quit.

It’s hard not to under­stand why an employee would not want to attend a retreat where being naked and shar­ing sex­ual his­to­ries with his boss was a pos­si­bil­ity, but, of course, there is another side to the story. Bis­nar Chase, a part­ner in the firm Eggle­ston worked for when all this allegedly took place, claims that the law­suit is “sala­cious” and that Eggle­ston has filed it as a way of get­ting out from under $50,000 that he owes Chase.

A court will decide whether or not Eggleston’s case has merit. I am try­ing to fig­ure out what to think about the fact that the ManKind Project runs “The New War­rior Train­ing Adven­ture, a “mod­ern male ini­ti­a­tion and self-examination” that asks men “to stop liv­ing vic­ar­i­ously through movies, tele­vi­sion, addic­tions and dis­trac­tions and step up into their own adven­ture – in real time and sur­rounded by other men.” Or, to put it per­haps more accu­rately, I know what I think about it – I think it’s so much bull­shit – but I am try­ing to decide whether it’s worth giv­ing more of my time than this to elab­o­rat­ing what I mean by that. I haven’t thought about the mythopo­etic men’s move­ment in 20 years and part of me feels like I have more impor­tant things to worry about now. Well, if I do decide to say more, you’ll be able to read about it here.

Fragments of Evolving Manhood: Korea 1

With a half-finished bot­tle of soju sit­ting on the floor between us, and another two wait­ing to be opened, we set­tled in, my friend Mr. Lee and I, for an evening of drink­ing in my very small seven-and-a-half pyong apart­ment in the part of Seoul known as Chamshil. I lived in the the Ju-gong Apart­ment Com­plex, where the Eng­lish Train­ing Cen­ter (ETC), the hag­won, or pri­vate lan­guage school, that had hired me to each for the year housed all its fac­ulty. We were not far from the Olympic Sta­dium, where the open­ing cer­e­monies for the 1988 Sum­mer Olympics had been held. In fact, some of my col­leagues and I had watched the cer­e­monies from the roof of my build­ing. Mr. Lee had been a stu­dent in one of my classes, and when it was over, he asked if he could be my friend. When I said yes, he sug­gested this night of drink­ing as a way to cement that friend­ship. “Men in Korea don’t share their feel­ings eas­ily,” he explained, “and so when two men want to be friends, some­times, they will get very drunk so they can reveal their true minds to each other with­out shame.” He paused to make sure I under­stood. “The next day,” he went on, “they are friends.”

After a cou­ple of shots, Mr. Lee’s face started to turn red and he began telling me about the women his par­ents were always arrang­ing for him to meet, hop­ing he would want to marry one of them. His par­ents’ taste, how­ever, was very dif­fer­ent from his own. Each of the women, he said, was more old-fashioned than the last one, and none of them were any fun to be with. Then he looked at me and smiled. “Maybe this is too per­sonal,” he asked, “but I am curi­ous. Where do you go when you need a woman?”

Mr. Lee was not the first man to ask me that ques­tion. Indeed, it didn’t seem to mat­ter how many times I heard it; I always felt a small shock of dis­be­lief at the matter-of-factness in the voice of the man ask­ing me. Mr. Lee was no dif­fer­ent. That I must be going some­where, you could hear in his tone, was as self-evident to him as the fact that I needed to eat break­fast in the morn­ing and din­ner at night.

“Nowhere,” I answered him. “I don’t go anywhere.”

“Nowhere? But there are places for men to go, where it is the job of the women to give men plea­sure. I’ll pay for you tonight if you want.”

I could see in Mr. Lee’s eyes that he was seri­ous, that his offer was a ges­ture not only of friend­ship, but of sin­cere con­cern for the agony he assumed an unnec­es­sar­ily enforced celibacy – I’d been in Korea almost six months by this time – was caus­ing me. Since we were becom­ing friends and he was a guest in my house, I did not want to have the debate with him that I’d had with other Korean men who’d offered to pay for me to have sex, some of whom had been so insulted by what I’d said that they chose not to talk to me again.

I have, in prin­ci­ple, noth­ing against the idea that sex, what­ever else it might be, can also be a ser­vice one chooses to pay for, though I have never felt the desire to do so myself. Even if I did have that desire, how­ever, I would have seri­ous reser­va­tions about patron­iz­ing an indus­try as painfully, vio­lently and often fatally exploita­tive of its work­ers as I under­stood the Korean sex indus­try to be; and so when I dis­cussed this with Korean men, I would ask them why, if Korean sex work­ers were so nec­es­sary for Korean men – because that was always where the men took the argu­ment: men had “needs” and soci­ety there­fore “needed” women who could ful­fill those “needs” – were those women not only so uni­ver­sally reviled such that no “decent” man would ever con­sider mar­ry­ing one, but also so often kid­napped into the indus­try or lit­er­ally bought into it when fam­i­lies who were so poor felt they had no choice but to sell their daugh­ters. I remem­ber one man in par­tic­u­lar who took my ques­tion not only as a per­sonal insult – how could I doubt that he would take me to any­thing other than the most rep­utable of places – but also as an insult against Korea itself. These women had jobs they wanted to do. No one needed to force them; they enjoyed it. All I had to do was let him show me.

Since I did not want to risk turn­ing my con­ver­sa­tion with Mr. Lee in a sim­i­lar direc­tion, I answered from a dif­fer­ent angle. “There are other ways,” I said, “of ful­fill­ing that need.”

Mr. Lee sat back and sucked air gen­tly through his teeth. Then, grin­ning, he asked me, “Do you have a girlfriend?”

“Yes, but she’s in New York.”

“No, I mean in Korea. Do you have a Korean girl­friend?” He might as well have been talk­ing about Cuban cig­ars or French as opposed to Ital­ian wine.

I shook my head.

“Do you want one? I can intro­duce you.”

“I told you, I already have a girlfriend.”

Mr. Lee looked at me for a long moment. “But how will you endure?” The ten­der­ness and con­cern in his voice as he asked this was heart­break­ingly sin­cere. It was as near as any man has ever come to ask­ing me the mean­ing of sex in my life; but before I could answer, a know­ing smile spread across his face. “Korea,” he said, “is a par­adise for men. Just wait. You’ll see.”

What Mr. Lee did not know was how much I already had seen, and how much I would con­tinue to see, or how liv­ing in what he called par­adise would teach me more about myself as a man and the sig­nif­i­cance in my life of sex and love and women than any expla­na­tion of how I intended “to endure” could begin to com­mu­ni­cate.

Fragments of Evolving Manhood: Thinking About Pornography 5

I’m look­ing at Playboy’s Miss Octo­ber for 1995 and I’m try­ing to remem­ber what it was like to see pic­tures of naked women for the first time. My brother and I were very young — no more than eight or nine — when we dis­cov­ered my grandfather’s stash of Play­boy mag­a­zines in the cor­ner behind his chair in the liv­ing room. Hud­dled together in that chair’s shadow, we turned the pages very slowly, and I remem­ber want­ing to know if I was look­ing at real women.

As I grew older and my life began to reveal itself to me as a sex­ual one, mag­a­zines like Play­boy and Pent­house took on an aura of div­ina­tion. To under­stand the images between their cov­ers was to under­stand the erotic world of the adult I would one day become. I stud­ied the pic­tures assid­u­ously and read the text as closely as I knew how, search­ing for what I believed was there: knowl­edge that would help me claim the life the mag­a­zines promised would be mine if I learned the secret of how to claim it.

By the time I was in my twen­ties, the women in the pho­tographs rep­re­sented what was sup­posed to be my sex­ual present, an end­less mon­tage of breasts and thighs, of will­ing mouths and open legs, and I was often frus­trated and con­fused that the life I was liv­ing didn’t live up to the promise those images held out to me.

Now, in my late for­ties, as I look at Miss October’s body spread out on the pages before me, I con­fess I don’t know what I’m sup­posed to feel. I’d be lying if I said I didn’t expe­ri­ence an erotic tug on my imag­i­na­tion, but I’m also very aware that Miss Octo­ber has a name and a time and a place — Ali­cia Rick­ter, early twen­ties (at least when the pho­tographs were taken), and Cal State — a life, in other words, that has noth­ing to do with my response to her pictures.

Skim­ming the copy that accom­pa­nies the pho­tographs, I note that she will not turn forty until the year 2012, which means she is exactly ten years younger than I am. She was, in other words, only twenty-three when the pic­tures I am look­ing at were taken, much too young for her image to rep­re­sent either the present or the future of the sex­ual life I imag­ine for myself now, or that I would have imag­ined for myself had I been look­ing at them in 1995. Indeed, it’s far more likely that any encounter I might have with a woman resem­bling the Ali­cia Rick­ter Play­boy has cre­ated for my con­sump­tion would be lim­ited to the twice-a-week meet­ing times of a class of mine in which she was reg­is­tered than in the kind of extra-curricular encounter her pic­tures are sup­posed to help me imag­ine. More to the point, I’m not really sup­posed to imag­ine my stu­dents in this way.

The first pho­to­graph shows Ms. Rick­ter lying on her stom­ach on top of a large wooden desk. A per­sonal com­puter with text on the screen is par­tially obscured by her red knee-socked calves, and a pile of text­books is strate­gi­cally posi­tioned just behind her right arm. The plaid mini-skirt she’s wear­ing, rem­i­nis­cent of a Catholic school-girl’s uni­form, is hiked up to expose her bare but­tocks, and her red sweater has been pushed up to reveal the under­curve of her left breast. She has a pen­cil in her right hand, and she appears to be tap­ping the eraser pen­sively against her chin. Her eyes, how­ever, are look­ing straight into the cam­era, and the smile on her face clearly shows she has some­thing other than study­ing on her mind; and sud­denly I’m stand­ing once again in the writ­ing class I taught a some years ago in which there was a young white woman whom I found phys­i­cally very attrac­tive. I am try­ing to con­cen­trate on teach­ing, but what I really want is to stare at her. She has on a tight-fitting shirt that hugs her breasts and out­lines the shape of her nip­ples. She’s not wear­ing a bra. As I start the day’s les­son, the woman begins a yawn that trav­els her body in a stretch that I watch from the cor­ner of my eye. I watch the way the lift of her arms lifts her breasts as if she were offer­ing them to be kissed. Briefly, I want to believe she’s offer­ing them to me, but there’s no eye con­tact, and I’m reminded that she’s prob­a­bly just yawning.

Yet what if she wasn’t “just yawn­ing”? What if she really was offer­ing me her breasts? I did once have a stu­dent who blew kisses at me while I was lec­tur­ing, and on another occa­sion a stu­dent not in my class any­more, close enough to me in age that at least some of the taboo against student-teacher sex would have been ame­lio­rated, came to my office to ask if I would go with her to a hotel to make love. It’s not impos­si­ble, in other words, though I think it highly improb­a­ble, that the stu­dent whose body Ali­cia Rickter’s pho­tos con­jured for me had pur­pose­fully worn a shirt that revealed her breasts, and it’s not impos­si­ble, though it is highly improb­a­ble, that she meant to stretch in a way that would show them off, that she was hop­ing I would notice her and, on the pre­text of dis­cussing her writ­ing, ask her to see me in my office where she fully intended to seduce me, and it’s not impos­si­ble that she would have suc­ceeded. I under­stand all of the eth­i­cal issues that last not-impossibility raises, and I like to think I would not allow such a thing to hap­pen, but I am human, and desire is pow­er­ful, and irra­tional, and some­times a fan­tasy can mean so much more to you than the real­ity in which you live that you’ll take the risk of try­ing to make the fan­tasy real, and who has not been tempted, and who has not tried and failed?

I should be clear: I find noth­ing objec­tion­able, morally or oth­er­wise, in the idea that teach­ers might fan­ta­size sex­u­ally about their stu­dents, as long as the fan­tasies do not inter­fere with the instructor’s abil­ity to do her or his job. We are, after all, human, as are our stu­dents, and to pre­tend oth­er­wise would be fool­ish; but think­ing about Ali­cia Rickter’s pic­tures in Play­boy and the effect they have on me, are sup­posed to have on me, reminds me of some­thing that hap­pened in another com­po­si­tion class I taught not too long ago. One of my stu­dents — call her Saman­tha — was a young woman, around nine­teen or twenty, who wanted to be a model. She announced this to the class, so it was not a secret, and she told us proudly about a cou­ple of gigs that she thought might be her ticket to a seri­ous mod­el­ing career.

Also in this class was a man about my age, forty five — call him Barry — a retired cop who’d decided to come back to school to start a sec­ond career. Dur­ing one class, Barry and Saman­tha hap­pened to be in the same group, and I noticed as I walked around check­ing on each group’s progress that they were scrib­bling some­thing in each other’s note­books. I assumed it was their email addresses so that they could com­mu­ni­cate about the group project out­side of class. That evening, how­ever, I received an email from Barry with the sub­ject line “Check this out!” There was noth­ing in the body of the email but a MySpace URL. Since he and I often dis­cussed pol­i­tics and  mar­riage after class, and some­times chat­ted about our chil­dren, I clicked on it with­out think­ing, assum­ing he was send­ing me some­thing that had to do with one of our recent discussions.

Instead, what I found was Samantha’s MySpace mod­el­ing port­fo­lio, which included mostly pic­tures of her posed provoca­tively in reveal­ing lin­gerie. They were, as far as I could tell, legit­i­mate pic­tures — in other words, she I don’t think she had been try­ing to get Barry to sub­scribe to her soft (or hard) core porn site or any­thing like that — and I was imme­di­ately sorry that I saw them. Saman­tha had not given me per­mis­sion to look at them, and I was sure they did not rep­re­sent the image she wanted me to have of her, and it was also not the image I wanted to have of her, when I called on her in class or when I graded her papers.

I con­fronted Barry — to his credit, he imme­di­ately rec­og­nized the inap­pro­pri­ate­ness of what he’d done — and I spoke to Saman­tha, because she had a right to know what Barry had done, and the sit­u­a­tion was resolved; but the fact is that I couldn’t unsee what I’d seen and while I am con­fi­dent that I behaved pro­fes­sion­ally towards Saman­tha through­out the rest of the semes­ter, I’d be lying if I said her pic­tures hadn’t touched me in a way that was not so dif­fer­ent from the way that Ali­cia Rickter’s pic­tures are sup­posed to touch me; and how dif­fer­ent in kind — for it is cer­tainly dif­fer­ent in degree — is Barry’s attempt to bond with me over the body of the young woman in my class from the implicit and explicit male bond­ing that takes place over the pages of Play­boy every day?

[This post was slightly edited on 10/12 to cor­rect some incon­sis­ten­cies.]

Domestic Violence Has Always Been a Current Running Through My Life

Three weeks ago, as the stu­dents were fil­ing out of the room at the end of one of my classes, a woman stopped in front of my desk and said some­thing along the lines of, “So I want to write poetry, but I don’t know how to start. Can you help me?”

A ques­tion like that is not one you want to give an easy answer to, at least not with­out hear­ing a lit­tle more of what the per­son who asks has to say about them­selves, why they want to write and per­haps even what they want to write about, so I asked her to wait while I packed up my things and we went to find another room. As we sat down, it was clear that my stu­dent was ner­vous about some­thing and I, of course, assumed it was related to her ques­tion about writ­ing poetry. It was, but not in the way I antic­i­pated, and so I am going to skip over most of what we talked about to get to the point. After talk­ing a bit about strate­gies for start­ing to write, I sug­gested to my stu­dent that she might want to check out a local read­ing series run by one of my col­leagues. It’s a won­der­ful, warm, wel­com­ing place for begin­ners to go, both to hear other people’s work and to begin to share their own, but as soon as I sug­gested it, my stu­dents said, “You know, I barely have enough time to work, go to school and go home. I am in a very dif­fi­cult sit­u­a­tion and I know I won’t get the chance to go.”

Some­thing in her tone of voice told me she was not talk­ing about a merely prac­ti­cal dif­fi­culty and so I asked her, “By dif­fi­cult do you mean dan­ger­ous?” She said yes. I don’t want to give any more details, since I don’t want any­one to be able to iden­tify her from what I write here, but suf­fice it to say that she accepted my invi­ta­tion to tell me more about her sit­u­a­tion, and she is in a mar­riage that she needs des­per­ately to get out of. Her hus­band has not phys­i­cally harmed her yet, but she is afraid of him, and while she didn’t say so explic­itly when we talked, I think she believes him capa­ble of killing her if things ever get to that point.

I am doing what I can to help, and if it becomes pos­si­ble, per­haps I will write more about that, but what I have been think­ing about today is how domes­tic vio­lence has always been a cur­rent run­ning through my own life, from the boyfriend who held my mother hostage with a butcher’s cleaver to my mother’s best friend when I was a young teenager, who was found stabbed six­teen times in the chest with a ser­rated knife, most prob­a­bly by her boyfriend; from the woman in whose bed I spent the night – no sex was involved – because she was afraid that if her boyfriend came back he might get vio­lent to the woman who lived down­stairs from me who screamed like she was dying when the cops showed up at her door because I called them on a night when I was home to hear her boyfriend beat­ing the shit out of her. (He heard me telling the story about that night to a friend of mine through the way-too-thin walls of my apart­ment and called back that, now that he knew who had called the cops, he was going to make me pay for it. He never did, but it scared me. He was a very big man.) And then, of course, there was my own too-close-for-comfort-brush with being the one on whom some­one else might have had to call the cops.

I don’t really have much to say about all this tonight in any ana­lyt­i­cal sense; it’s just all been com­ing back to me in waves of feel­ing and it put me in mind to share this poem, “Coitus Inter­rup­tus,” which is from my book called The Silence of Men. There are likely to be all kinds of trig­gers all over the poem, so if you decide to read it, this has been your trig­ger warn­ing. The only other thing I will say about this poem is that, with the excep­tion of a few details which I had to alter in order to make the poem work, each of the inci­dents I tell about in the poem actu­ally hap­pened more or less the way they hap­pen in the poem:

Coitus Inter­rup­tus

1.

Naked at the win­dow, my wife calls me
as if some­one is dying, and some­one
almost is, pinned to the con­crete face down
beneath the fists and feet and knees of three

police­men. I’m still hard from before she
jumped out of bed to answer the ques­tion
I was will­ing not to ask when the siren
stopped on our block, but now I’m here, and I see

the man is Black, and how can I not
bear wit­ness? They’ve cuffed him,
but the uni­forms con­tinue to crowd our street,
and the blue-and-whites keep coming,

as if called to war, as if the lives
in all these dark­ened homes
were truly at stake, and that’s the thing—
who can tell from up here? — maybe

we’re watch­ing our sal­va­tion
with­out know­ing it. Above our heads,
a voice calls out Fuck­ing pigs!
but the ones who didn’t drag the man

into a wait­ing car and drive off
refuse the bait. They talk qui­etly,
gath­ered beneath the street­lamp
in the pale cir­cle of light

the man was beaten in, and then
a word we can­not hear is given
and the cops wave each other back
to their vehi­cles, the flash and sparkle

of their dri­ving off
throw­ing onto the wall of our room
a shadow of the embrace
my wife and I have been cling­ing to.

When I was six­teen, Tommy
brought to my room before he left
the Simon and Gar­funkel tape
I’d put the pre­vi­ous night

back among his things. He placed it
on the book­shelf near the door
he’d slammed shut two days ear­lier
when he was hold­ing a butcher’s cleaver

to my mother’s life. I wanted
to run after him and smash it at his feet;
I wanted to grab him by the scruff of the neck
and crush it in his face, to dan­gle him

over the side of our build­ing with one
ankle in my left hand and the Great­est Hits
in my right and ask him
which I should let drop.

But I didn’t, couldn’t really:
he was much too big,
and I was not a fighter,
and one of my best friends right now

lives with her son in the house
where her hus­band has already hit her
with a cast iron fry­ing pan,
and so there is no rea­son to believe

she is not at this moment cring­ing
bruised and bleed­ing in a cor­ner
of their bed­room, or that she is not,
with her boy and noth­ing else in her arms,

run­ning the way my mother
didn’t have a chance to run,
and there’s noth­ing I can do
but look at the clock — Sunday,

11:11 PM — and remind myself
it’s too late to call, that my calls
have caused trou­ble for her already.
When they pushed Tommy in handcuffs

out the front door, past where my mother sat,
quiet, unmov­ing, and I did not know
from where inside my own rage and ter­ror
to pull the com­fort I should have offered her,

the offi­cer mak­ing sure Tommy
didn’t trip or run winked at me, smil­ing
as if what had hap­pened were sud­denly
a secret between us, and this our signal

that every­thing was okay. I won­dered
if his had been the voice, calm
and deep with male author­ity—Son,
are you sure your mother’s in there

against her will?—that when I called
forced me to find the more-than-yes
I can’t remem­ber the words to
that con­vinced the cops they had to come.

2.

Sopho­more year, walk­ing the road
girdling the cam­pus. Up ahead, a woman’s voice
plead­ing with a man’s shout­ing to stop.
A car door slam­ming, engine revving,

and then wheels dig­ging hard into dri­ve­way dirt
that when I got there was a dust cloud
obscur­ing the blue vehicle’s rear plate.
The woman sprawled on the asphalt,

her black dress spread around her
like an open por­tal her upper body
emerged from. She pulled
the cloth away from her feet,

which were bleed­ing, and I drove
to where her spaghetti strap san­dals
lay torn and twisted beyond repair.
She left them there. Then to her home,

two rooms in a neigh­bor­hood house,
and I helped her onto the bed
that was her only fur­ni­ture, and filled
a warm-water basin to soak her feet,

and he had not hit her, so there was noth­ing
to report, but she said she was afraid
and would I sit with her a while.
We talked about her home in Seoul,

the man her par­ents picked for her
that she ran to Amer­ica to avoid mar­ry­ing,
and here she laughed — first trickle
of spring water down a win­ter mountain—

So instead I take from Egypt! I so stu­pid!
Then: What you think? Can man and woman
sleep same bed with­out sex?
I said yes.
So, please, tonight, you stay here? Maybe he com­ing back.

He fear white Amer­i­can like you. I was not a fighter,
but I stayed, and in the morn­ing when I left,
she said kam­sa­ham­nida—thank you—
and she bowed low, and she did not

ask my name, nor I hers, and though
I some­times looked for her on cam­pus,
I never saw her again. Just like Tommy,
whom I for­got to say before was white.

Just like the Black woman who lived down­stairs
before I got mar­ried, whose cries—Help!
Please! He’s killing me!
—and the dead thud
of him, also Black, throw­ing her

against the wall, and his scream­ing—
Shut up, bitch! Fuck­ing whore!—filled the space
till I was drown­ing. The desk sergeant
didn’t ask if I knew beyond a doubt

that she was being beaten,
but when she opened her front door
to the two men he sent, she shrieked
the way women shriek

in bad hor­ror movies
when they know they’re going to die,
and I almost felt sorry for calling.A few weeks later,

a voice on the phone: You know
what’s going on below you, right?
Please, tape a mes­sage to the door: “Mr. Peters
has been try­ing to reach you.” Noth­ing else.

And what­ever you do, don’t sign it.
For a month all was quiet. Then,
com­ing home early from work
I walked upstairs past peo­ple mov­ing furniture

out of her apart­ment. No one ever
wants to get involved,
right? a thin white man
in shorts and a t-shirt whis­pered bit­ter
behind me. I kept walking

the way Tommy did when he saw me
try­ing to catch his eye: head down,
gaze nailed to the floor, and then he was gone,
and the ques­tions I wanted to ask him

never became words. That tape
was all I had, till one day,
clean­ing house, my mother
held it up:

Do you still want this?

I never play it.

Throw it out then.

So I did.

Fragments of Evolving Manhood: Do You Like Your Body 5

“You don’t know who you are any­more!” We’ve just fin­ished eat­ing lunch and my grand­mother is sit­ting across from me at her din­ing room table. “All your trav­el­ing, your read­ing, explor­ing other cul­tures,” she purses her lips and looks down. Then she tilts her head ever so slightly to the right and nods a cou­ple of times, a ges­ture that usu­ally means she’s look­ing for a nicer way to say what she really wants to say. After a few sec­onds, she raises her face to me but can barely meet my eyes. “You’ve for­got­ten where you come from,” she says at last, her voice more sad than accusing.

I know what this is about — I told her last week that my wife and I have decided not to have our son cir­cum­cised — but I ask any­way. She knows I know, and I hear in her voice when she answers how much she resents my mak­ing her say it. Oddly, though, she does not try to make me feel guilty about deny­ing my Jew­ish her­itage or about mar­ry­ing a non-Jewish woman. Instead, she says, “You’re only ask­ing for trou­ble, you know. When he gets older he’s going to want to know why he’s not like you; he’s going to think you don’t want him to be like you; and what are you going to tell him when he asks you? Have you thought about that? What are you going to tell him?”

My two-and-a-half-year-old son, who’s been sit­ting with­out his dia­per on the car­pet in the liv­ing room, gets up and sits down next to me on the couch. “Dad,” he says, “my dool is soft.”

“Well, it’s sup­posed to be soft,” I tell him.

“No, it’s soft,” he says, his into­na­tion mak­ing clear that I didn’t under­stand him the first time.

“You don’t like it when it’s soft?” I ask, wait­ing to see what he does with the open­ing I’ve given him.

“No,” he answers with­out miss­ing a beat, “I want it to be big…like yours.”

“Don’t worry,” I say, “when you get big­ger, your dool will get big­ger to. Right now, it’s the just right size for—

Before I can fin­ish my sen­tence — “for your body” — my son looks up at me, his eyes widen­ing and his mouth curl­ing into a smile. “Dad,” he says, “come see my tools!” — my son is a bud­ding handy­man — “I need to fix the refrig­er­a­tor!” And as if the pre­vi­ous con­ver­sa­tion had not taken place, he grabs my hand and leads me off to his room, where we retrieve his plas­tic ham­mer and screw­driver so he can make sure the refrig­er­a­tor con­tin­ues to keep our food cold.

As we’re walk­ing, I laugh at myself, for I of course saw in my son’s desire for a penis as a big as mine a small moment of cri­sis, a fore­shad­ow­ing of all the ways in which he will try to mea­sure up to me and find him­self want­ing. Yet who knows what he really meant by what he said? And even assum­ing he meant exactly what he said, who knows what sig­nif­i­cance, pre­cisely, he attaches to the notion of big or what he thinks it says about me that my penis is big­ger than his, or about him that his is smaller? I remem­ber how the other day when were watch­ing tele­vi­sion, my son made a point of lay­ing on his side in as close an approx­i­ma­tion to my pos­ture as he could achieve and how he insisted that I notice him, “Dad! Look! I’m sit­ting just like you are!” Or how he takes his laptop-like alphabet-teaching-computer-game and sets it up so he can sit like I sit at my com­puter and type. More and more he wants to be like me, to do the things I do, and so it could be that his com­ment about his penis had noth­ing to do with any of the phal­lic anx­i­ety I could not help but hear in his words. Maybe he was just acknowl­edg­ing that while he can sit or type like I do, he can­not bring his body into con­gru­ence with mine.

My grandmother’s ques­tion and accu­sa­tion comes back to me—What will you tell him when he asks why he’s not cir­cum­cised and you are? He’s going to think you didn’t want him to be like you!—and I won­der not so much what I will tell him, but whether I will ever be able to know pre­cisely what he means by ask­ing.

Fragments of Evolving Manhood: Thinking About Pornography 4

I did not go to pornog­ra­phy because I’d been sex­u­ally abused, but the fact that I’d been abused made the world of pornog­ra­phy one that it felt nat­ural for me to inhabit.

One of the effects that sex­ual abuse often has on those who sur­vive it is make any expres­sion of our own sex­u­al­ity feel as if we are reen­act­ing the pat­tern of the abuse we suf­fered. In me – and I am writ­ing here about the years span­ning my mid-teens and early twen­ties – that feel­ing had less to do with expe­ri­enc­ing sex as a kind of instant replay of my own vic­tim­iza­tion than with the fear that being sex­ual in and of itself made me no dif­fer­ent from the men who had abused me. Yet I was sex­ual. No mat­ter how hard I tried I could not make my sex­ual feel­ings go away, and so my desire for women, my lust and emo­tional spon­tane­ity, became repug­nant to me, defects of char­ac­ter I needed to repair; and I did try to repair them, to remake myself as a man in com­plete con­trol of his feel­ings, sex­ual and oth­er­wise, because only when I had attained that level of con­trol would I be a man inca­pable of vic­tim­iz­ing oth­ers.1

My efforts, of course, failed, and it was in pornog­ra­phy – not con­sciously, not delib­er­ately, but nonethe­less, I think, inevitably – that I found a way to deal with my fail­ure. For the world of pornog­ra­phy, or at least of the main­stream het­ero­sex­ual pornog­ra­phy that was avail­able to me at the time, is in many ways very sim­i­lar to the world into which a sex­ual abuser indoc­tri­nates the per­son he or she abuses; it is a world in which every­thing, every human inter­ac­tion, whether with another human being or an object, is sex­u­al­ized. More than that, this sex­u­al­iza­tion is nor­mal; it is what the peo­ple of that world expect from each other and of them­selves; and so to feel sex­ual in that world, to act on those feel­ings in that world, can­not be defined as abuse. As opposed to my friends, in other words, for whom pornog­ra­phy began as and con­tin­ued be pri­mar­ily a kind of instruc­tion man­ual for how to be sex­ual in the real world, for me, once I’d been abused, pornog­ra­phy became a place where I could clois­ter my sex­u­al­ity, and there­fore my shame, shut­ting it out of the life I lived in the real world as much as I could and cre­at­ing the illu­sion that I had put the shame and the abuse behind me.

Not that I hid my inter­est in pornog­ra­phy. On the con­trary, I spoke about it quite openly, insist­ing that it was pos­si­ble to engage respectably and intel­lec­tu­ally with the topic, even though most of the con­ver­sa­tions I tried to start ended with some­one accus­ing me of cam­ou­flag­ing with the respectabil­ity I was claim­ing my real and more pruri­ent inter­est in the mate­r­ial. They were, of course, cor­rect. As often as I could man­age it, I immersed myself in the world that het­ero­sex­ual pornog­ra­phy offered me: a world of women, semi-clothed or fully naked, open-mouthed and open-legged, wait­ing to be for me what I wanted them to be, and every detail, page after page, frame after frame, right down to whether or not a woman had goose bumps, spoke to me of sex, of the mys­ter­ies con­tained in her body and in mine, and I imag­ined I was glean­ing the truth of it, though not only did that truth always prove always elu­sive, but it had also had very lit­tle to do with the intel­lec­tual pur­suit I pre­tended dur­ing the day that my inter­est in pornog­ra­phy really was.

The pic­ture that changed for­ever the way I looked at pornog­ra­phy was in a mag­a­zine called Puri­tan, in the bot­tom right cor­ner of the right hand page. The man was seated on a chair with his legs splayed out in front of him, his face and upper body hid­den by the woman, who was sit­ting with her feet on his thighs, her legs bent at the knees and spread wide so you could see how deeply she’d taken his penis into her. Her head was tilted slightly for­ward, and her eyes, which were round and moist and oh-so-innocent, were look­ing directly at the cam­era. Her lips were full and pouty. I don’t know why, but what I saw in the first moment I looked at that pic­ture was not the sex kit­ten she was sup­posed to be, but rather a lit­tle girl made to open her legs for the world to see the “slut” she “really” was, and this per­cep­tion touched my own sex­ual shame, and I got sick to my stom­ach, and I started to cry, and I could not bring myself to look at the pic­ture again, even though I kept it in my desk for weeks.

Over time, I came to under­stand that what I thought I saw on that woman’s face was in part a pro­jec­tion of what I saw in myself, and that it might well have had noth­ing to do with what she her­self was feel­ing or with what other peo­ple look­ing at the same pic­ture might have seen. I found I couldn’t look at images of peo­ple hav­ing sex any­more with­out won­der­ing about the degree to which the inte­rior land­scape of the per­form­ers’ expe­ri­ences cor­re­sponded to what I thought I saw in their per­for­mance. This change in per­spec­tive was trans­form­ing. I began to see sex not sim­ply as a series of par­tic­u­lar acts that I per­formed with par­tic­u­lar peo­ple, includ­ing myself, but also as a way of know­ing, not just a method but, lit­er­ally, a path into knowl­edge; and I believed then, though I would not say this now with the same sense of final­ity, that this path would lead me out of the uncer­tainty that look­ing at sex­u­ally explicit images made me feel. What I am cer­tain about, though, is that claim­ing sex as a path into knowl­edge helped me feel in ways that I never had before that I had a right to the phys­i­cal pres­ence I inhab­ited on this planet, pre­cisely the right that the men who abused me had pre­sumed to take away.

  1. For a detailed dis­cus­sion of this dou­ble bind and how it works, see Mike Lew, Vic­tims No Longer: Men Recov­er­ing from Incest and Other Sex­ual Child Abuse (Harper & Row, 1990) 185 – 87. []