Fragments of Evolving Manhood: The “Cunt Poem” Challenge

I have not posted a Frag­ments of Evolv­ing Man­hood piece on a long while, mostly because my atten­tion has been focused else­where, but I have been work­ing these past cou­ple of weeks on an essay that is pretty impor­tant to me and since it fits in the “Frag­ments” series, I thought I’d share some of it. I’d love to be able to call the essay “The ‘Cunt Poem’ Chal­lenge,” and I will prob­a­bly send it out with that title, but I am bet­ting not a few edi­tors will have a hard time with it. In any event, here is the excerpt. Please be aware as you read that the first para­graph is the intro­duc­tion, which I think you need for con­text, while the sec­ond and third para­graphs are from later on in the essay.

The leader of my first grad­u­ate poetry work­shop — this was 1985 — was telling us about a chal­lenge she’d issued to the men in the group of poets she hung out with when she was younger. “None of you,” she said she told them, “will ever write a suc­cess­ful ‘cunt poem,’ because, when it comes to cunts, men only under­stand clichés.” We all laughed, the three of us who were men per­haps a lit­tle uncom­fort­ably, and then she informed us that a poem her chal­lenge had inspired was in the anthol­ogy she’d assigned as our text. I read that poem four times when I got home that night, find­ing it harder to believe with each read­ing that any­one could have thought it deserved pub­li­ca­tion. Not only did it rely on pre­cisely the kinds of clichés I under­stood my teacher to have been talk­ing about, end­ing, for exam­ple, by call­ing women’s gen­i­tals, with­out irony, “the gates of par­adise;” but the entire poem was built on the biggest cliché of all, treat­ing The Vagina it dis­cussed — because I still can­not help but think of the word as cap­i­tal­ized and in ital­ics, even though it never appears in the poem — as noth­ing more than an object of the poet’s con­tem­pla­tion, like the Gre­cian urn had been for Keats, as if all the vagi­nas The Vagina rep­re­sented were not in real­ity attached to the liv­ing, breath­ing bod­ies of actual women.

///

The first thing I did was trash every poem I’d writ­ten to that point. Then, once I’d let go of the bag­gage all that old work rep­re­sented, the poems that became my first book, The Silence of Men (CavanKerry Press 2006), began to take shape. At last, I felt like I’d found a lan­guage in which I could speak about my body as my own, in which my desires and my fears, my vul­ner­a­bil­i­ties and regrets, my joys and my fail­ures, were mine and no one else’s to give mean­ing to. Com­mit­ting to that lan­guage meant com­mit­ting to a rad­i­cal hon­esty about who I was, both as a sur­vivor of child sex­ual abuse and as a man; it meant reject­ing utterly the rhetoric of invis­i­bil­ity with which the man who forced his penis into my mouth had so effec­tively and for so many years hijacked what I had to say.

That kind of hon­esty is pre­cisely what is lack­ing in the clichés my teacher defined as the lim­its of the male imag­i­na­tion when it comes to writ­ing about women’s gen­i­tals. Take, for exam­ple, the cliché that ends the “cunt poem” I spoke about at the begin­ning of this essay, “the gates of par­adise.” The dis­hon­esty in this metaphor lies pri­mar­ily in the way it objec­ti­fies women’s bod­ies, describ­ing not women’s expe­ri­ence of being embod­ied, and not even men’s expe­ri­ence of women’s bod­ies as bod­ies inhab­ited by women, but rather the par­tic­u­lar expe­ri­ence men have of our own bod­ies when we have sex with women. It praises women’s gen­i­tals, in other words, not for being what they are, but for how men can use them, and so, on a cul­tural level, ren­ders women as invis­i­ble and voice­less as I was ren­dered by the men who used me. To meet my teacher’s chal­lenge, then, to be a male poet who writes a suc­cess­ful “cunt poem,” is not sim­ply to find a non-cliché way of call­ing women’s gen­i­tals “the gates of par­adise.” Rather, it is to dis­cover lan­guage that will make vis­i­ble the women whose gen­i­tals they are, unwrap­ping from within a male per­spec­tive the lay­ers of mis­con­cep­tion and mis­rep­re­sen­ta­tion in which they are bound by the sex­ual objec­ti­fi­ca­tion of women that is so cen­tral to our cul­ture. It is, in other words, a pro­foundly polit­i­cal endeavor, one that requires a man not only to refuse com­plic­ity in the inher­ent vio­la­tion that sex­u­ally objec­ti­fy­ing women is, but also to artic­u­late a way of being a man who sees women as sex­ual beings that does jus­tice to who they are as human beings.

Joe Paterno, Jerry Sandusky, Foreskin Man, Vulva Girl and the Two-Thirds of My Freshman Composition Class Who Are Failing Right Now

You know that feel­ing when there is so much going on, so much you have to do, so many dif­fer­ent threads that you need to keep weav­ing together, or balls in the air that you can’t let drop, or spin­ning plates that you have to keep spin­ning, that you can’t make room in your head for a sin­gle, small, even the small­est, coher­ent thought to set­tle? Well, that’s been me these past cou­ple of weeks. I’ve wanted to write about Joe Paterno and Jerry San­dusky and that whole infu­ri­at­ingly shame­ful débâ­cle, but I haven’t been able to feel any­thing other than enraged, haven’t been able to artic­u­late a response other than want­ing to take the world by the scruff of the neck and rub its nose in the rape San­dusky com­mit­ted, that Paterno and so many, all too many, oth­ers con­spired to cover up. And it doesn’t mat­ter whether the cover-up was by com­mis­sion or omis­sion; it’s still a fuck­ing cover-up; and it is part and par­cel of the much larger cover-up that con­tin­ues to obscure the scope and the con­se­quences of the sex­ual abuse of boys that takes place very day all over the world.

I have wanted to write about that, and I have wanted to write yet one more time about Fore­skin Man, which I have posted on before, because I am wide-eyed incred­u­lous at the fact that Matthew Hess was unable to come up with a more imag­i­na­tive female coun­ter­part for Fore­skin Man – because all Super­men need their Super­girls, right? – than Vulva Girl, whose pic­ture I just have to show you:

And here is how Hess describes her:

With the Siri Amulet as he energy source, Vulva Girl har­nesses the super­nat­ural pow­ers of flight and psy­choki­ne­sis to bat­tle female gen­i­tal mutilation.

As she soars across the jun­gles of Africa, girls cel­e­brate her vic­to­ries over the blood­thirsty cir­cum­cis­ers who prey on their frag­ile inno­cence. After cen­turies of suf­fer­ing, their intac­tivist super­heroine has finally arrived.

As quoted in “Fore­skin Man, Meet Vulva Girl,” by Jonah Lowen­feld on Jew​ishJour​nal​ism​.com, Hess states that his goal in intro­duc­ing Vulva Girl is to equate

the surg­eries per­formed on boys and girls… I think every­one has met at least one per­son who believes that cir­cum­cis­ing girls should be a crime, but cir­cum­cis­ing boys is okay[.] The idea behind Fore­skin Man #3 is to expose that dou­ble stan­dard and help per­suade read­ers that male and female cir­cum­ci­sion are really two sides of the same coin.

That state­ment, of course, is prob­lem­atic on its face and it com­pletely obscures all kinds of prob­lems inher­ent in the char­ac­ter of Vulva Girl, start­ing with the fact that she is cer­tainly not a girl, and it doesn’t mat­ter to me that call­ing her Vulva Girl is in the long tra­di­tion of Super­girl, Bat­girl, Won­der­girl or what­ever. The names Fore­skin Man and Vulva Girl, just placed side by side like that because they work as a team, reca­pit­u­lates a whole string of patri­ar­chal, sex­ist notions that do more harm than good, it seems to me, even if they are being deployed in the inter­ests of end­ing female gen­i­tal muti­la­tion and rou­tine infant penile cir­cum­ci­sion. Not to men­tion the racism implicit in how she is described: the jun­gles of Africa? blood­thirsty cir­cum­cis­ers? But even that whole dis­cus­sion, and it is a dis­cus­sion worth hav­ing, has been crowded out of my head, leav­ing just enough room to tell you about, first, the trailer for Fore­skin Man #3, which begins with the words, “The hate us because we are blond” and needs, I think, no other comment:

And, sec­ond, the Fore­skin Man Song, the lyrics of which, I am afraid, speak sim­i­larly for themselves:

Mmmm ooohhhh

While you’re out sav­ing boys from the knife
I can’t help feel­ing lonely in my life
I know it’s a call­ing that must be answered
They’re not the only ones who need to be pampered

I get relief know­ing you put cut­ters away
But a girl still needs time for fore­play
When the doc and mohel are behind bars
Let me help you for­get about those scars

Fore­skin Man, I need your lovin’ tonight
It’s the only thing that makes me feel right
Fore­skin Man, I want that slip and slide
Won’t you please come glide inside?

Fore­skin Man, I miss your gen­tle caress
My body cries for you, I do con­fess
Fore­skin Man, visit my bal­cony
Being gone this long is a felony

I’ll cheer for you on tonight’s news
When they talk about your lat­est res­cues
And while my heart aches for a ren­dezvous
I trust you’ll return when my time is due

These lyrics truly left me speech­less, and I know this is a ter­ri­ble segue, but that speech­less­ness felt to me not so dif­fer­ent from the speech­less­ness I expe­ri­enced grad­ing papers ear­lier today. I am not going to quote for you from my stu­dents’ work, but suf­fice it to say that a lot of it did not reach the cal­iber of this writ­ing; and so I am left feel­ing utterly depressed. I just checked my grade book and fully 2/3 of one of my fresh­man com­po­si­tion classes is fail­ing, most of them sim­ply because they have elected not to hand in work that was due. It is, of course, entirely pos­si­ble that they would be fail­ing even if they had handed in that work, but I have no way of know­ing that. What’s even more depress­ing is that they have all received a warn­ing email from me and not one of them has both­ered to come talk to me. And so tomor­row I will not be teach­ing. I will be telling the stu­dents who are not fail­ing that they have the day off so that I can speak one by one with the stu­dents who are fail­ing. I am not look­ing for­ward to those dis­cus­sions.

Men pose to show women’s hidden wounds — Photo Galleries Hürriyet Daily News (Turkish Daily News)

This is a great photo gallery of Turk­ish men – all of them, as far as I can tell, pub­lic fig­ures in one way or another – protest­ing the treat­ment of women in their coun­try. Below is the first image in the series, of politi­cian Gürsel Tekin, which is accom­pa­nied by this text: “Forty-nine per­cent of women are exposed to vio­lence, 48 per­cent do not speak up, while 44.1 per­cent of work­ing women and 41.1 per­cent of unem­ployed women are vic­tims of vio­lent acts. One of every 10 women who con­ceive at least once is beaten dur­ing the preg­nancy. ‘This year in the south­east­ern province of Adıya­man, a 16-year-old girl was buried alive by her fam­ily and died in the honor killing. I will never for­get her drama. This is not a part of reli­gion, con­science or human­ity. Our women are mas­sa­cred under the guise of honor killings. And if they are not mur­dered, they live in hell because of vio­lence from their hus­bands every day,’ [says Tekin].”


“Why I Am A Feminist Man” Published by The Scavenger

I have been away from any really sub­stan­tive blog­ging, or work on my other writ­ing projects, since my grand­mother died because I’ve been busy catch­ing up on every­thing that accu­mu­lated on my desk, work-related and oth­er­wise, while I was deal­ing with her death. I had hoped to start doing some writ­ing this past week­end, but we found out on Fri­day that the admin­is­tra­tion at the col­lege where I teach fired all 66 full-time fac­ulty on tem­po­rary lines, which is the equiv­a­lent of almost 10% of full-timers. Nine of those lines have since been restored, but, as you can imag­ine, the news was demor­al­iz­ing in the extreme, and so it will take me till the end of this week – tomor­row, actu­ally – to fin­ish with my grad­ing and all, and I will be able to get back to my own writ­ing next week. Mean­while, I am excited by the fact that the Aus­tralian online pub­li­ca­tion The Scav­enger has cho­sen to repub­lish my essay Why I Am a Fem­i­nist Man, which orig­i­nally came out on The Take­back.

Husband Murder on the Rise in Iran

Saba Vasefi is an Iran­ian women’s and children’s rights activist who is now liv­ing in Aus­tralia. Her doc­u­men­tary, Do Not Bury My Heart–for which I have not been able to find much infor­ma­tion on the web – about the exe­cu­tion of minors in Iran was screened recently in the under­ground doc­u­men­tary sec­tion of the Copen­hagen Inter­na­tional Doc­u­men­tary Fes­ti­val. She’s writ­ten an arti­cle, which I found on the Tehran Bureau web­site and which was orig­i­nally pub­lished in Mianeh, about the increase in Iran of the num­ber of women accused of mur­der­ing their hus­bands. “This is,” she writes, “a sig­nif­i­cant shift in Iran­ian soci­ety, where mur­ders involv­ing spouses have in the past almost always involved men killing women, often in what is known as an ‘hon­our crime.’” More­over, these mur­ders are usu­ally, nom­i­nally, legal since “Arti­cle 630 of Iran’s Islam-based crim­i­nal code makes it legal for a man to kill both his wife and her part­ner if he finds them in the act, and it is con­sen­sual.” This bur­den of proof, she goes on to say, “is rarely met,” with most honor killings being more about “jeal­ousy, sus­pi­cion or merely a way of end­ing a marriage.”

One of the things I found most inter­est­ing about Vasefi’s arti­cle is the dif­fer­ence between what her research reveals about women who’ve been accused of mur­der­ing their hus­bands and what the avail­able research says.

In the case of wives who kill their hus­bands, the avail­able research indi­cates that two-thirds of cases are moti­vated by a desire for revenge for the hus­band being unfaithful.

The sur­vey that Moaz­zami and Ashouri con­ducted across 15 provinces of Iran showed that in 58 per­cent of cases, the women had been unable to get a divorce because their hus­bands or fam­i­lies would not agree to it, or had chil­dren and would have had no means of sup­port­ing them­selves if they had sep­a­rated from their spouses.

My own research indi­cates that many women who resort to vio­lence are them­selves vic­tims of abuse, and have been unable to find jus­tice through the legal system.

She points out that many of the women who mur­der their hus­bands fit the same pro­file: they are poor, rel­a­tively une­d­u­cated, often forced into mar­riage at an early age to men who are much older than they are, cir­cum­stances which com­bine to make much more dif­fi­cult for them to get help through the legal sys­tem or to find other ways out of their sit­u­a­tion. Mur­der is, for them, “a last act of desperation.”

Akram Mah­davi, one of the women Vasefi inter­viewed, is in Rajayi Shahr prison under a sus­pended death sen­tence for hir­ing a man to kill her hus­band, whom her father had forced her to marry – she was 20 and her hus­band was 75. Her motive? That she’d dis­cov­ered her hus­band was sex­u­ally abus­ing her daugh­ter and her attempts at secur­ing a divorce had failed. Yet it’s not that there aren’t peo­ple in Iran try­ing to call atten­tion to the plight of such women. Women’s rights activists have been call­ing on the gov­ern­ment to set up shel­ters for bat­tered women for years, but the gov­ern­ment has always refused, “cit­ing Islamic laws that state it is wrong for a woman to leave home with­out her husband’s per­mis­sion.” I con­fess that rea­son­ing leaves me almost speech­less, as it still does all these many years later when I remem­ber the cop who asked me, when I was six­teen and call­ing for help because my mother’s boyfriend had forced her into her bed­room and locked the door behind them because she’d finally asked him to leave and he didn’t want to,“Are you sure your mother’s in their against her will, son?”

I don’t want to erase the dif­fer­ences between what hap­pened to my mother and what hap­pened to Akram Mah­davi, nor do I want to triv­i­al­ize the sig­nif­i­cance of the fact that, in Iran, the rea­son­ing that makes it so dif­fi­cult for bat­tered women, or women like Mah­davi, who was try­ing to pro­tect her daugh­ter from abuse, to find jus­tice is couched in an abso­lutist reli­gious rhetoric – though it’s not as if reli­gion has not been used here in the States to jus­tify treat­ing women, not to men­tion peo­ple of color, as sec­ond class cit­i­zens – but I find right now the sim­i­lar­i­ties more com­pelling than the dif­fer­ences. In each case, the woman’s auton­omy is under­stood to be cir­cum­scribed by the author­ity of the man who pos­sesses her sex­u­ally. In Islam, the hus­band must give her per­mis­sion to leave the sphere of his author­ity (and, there­fore, of his pro­tec­tion) with­out him1; in the case of the cop on the phone, his assump­tion was that I might have mis­taken some kind of sex­ual play, in which my mother was enjoy­ing the force her boyfriend was using to keep her in the room, for a sit­u­a­tion in which the boyfriend was unwill­ing to let my mother go out­side the sphere of his author­ity and in which he might turn – was already turn­ing – vio­lent because she did not obey him. That the author­ity is legal in the case of Islam and, for want of a bet­ter word, cul­tural in the case of my mother and her boyfriend, does not change the fact that the nature of the author­ity, a man’s right to rule his women, is the same.

  1. One of the odd­est expe­ri­ences I’ve had being mar­ried to a Mus­lim woman who occa­sion­ally trav­els to Iran has been the require­ment, imposed by the Iran­ian gov­ern­ment, that I write her a let­ter giv­ing her my offi­cial per­mis­sion to travel with­out me. []

Fragments of Evolving Manhood: Korea 4

I was lean­ing against the entrance to the Shin­chon sub­way sta­tion watch­ing peo­ple turn the cor­ner into the Semaeul Shi­jang, the out­door mar­ket where I bought rice each week and where my friend Mr. Kim had bar­gained one of the ven­dors down from the price she was going to charge me for a blan­ket because I was migook saram, an Amer­i­can, to what she would nor­mally charge a Korean. I’d just fin­ished lunch, a bowl of kim­chi chi­gae, and I had no place to be, so I just stood there, enjoy­ing the sun, smil­ing at the peo­ple who could not help but stare at my very con­spic­u­ous west­ern pres­ence and laugh­ing with the chil­dren who, when they passed by, also couldn’t help them­selves. “Migook saram! Migook saram!” they would yell out and point, as if I were some rare ani­mal they’d sighted, or as if a char­ac­ter from one of their favorite sto­ry­books had come to life. One group of kids, about four or five of them – maybe they were sib­lings – stopped right in front of me, but when they called out to their mother, who was a cou­ple of steps ahead of them, and also to every­one else who was pass­ing by, and to as far beyond our imme­di­ate vicin­ity as their voices would reach, that I was an Amer­i­can, I gave in to a mis­chie­vous­ness I’d been con­tem­plat­ing for some time and, instead of nod­ding and smil­ing, looked from side to side, gave them an excited, quizzi­cal look and asked, “Odio?” Where? If only I’d had my cam­era with me. The look of sur­prise that froze their faces when they heard me speak Korean is some­thing I  wish I’d been able to capture.

A few min­utes after they left, laugh­ing and wav­ing and call­ing out anyige­seyo, good­bye, an old woman wear­ing tra­di­tional Korean cloth­ing passed by. She had a cig­a­rette in her mouth, glasses on her nose and her hair was pulled back into a tight bun. She walked with her hands clasped behind her; and her back was bent, as if she were car­ry­ing some­thing heavy; and, as if she were lost in deep con­tem­pla­tion, she took slow, delib­er­ate steps, clearly not in a rush and clearly assum­ing that peo­ple would make way for her. She got about four of those steps past where I was stand­ing and stopped. She lifted her head and I could see that she was mut­ter­ing some­thing to her­self. Then she turned around, her mouth still mov­ing, and walked straight towards where I was stand­ing. She stopped in front of me, looked me up and down, mut­ter­ing what I thought at first was gib­ber­ish, since it sounded like nei­ther Korean nor Eng­lish, but after fif­teen sec­onds or so, I began to make out words like “tall,” “hand­some,” “strong” and then “American.”

She moved a lit­tle closer and put her hand on my bare fore­arm, a ges­ture to which I had become accus­tomed from rid­ing the sub­way. Kore­ans often have less body hair than white peo­ple and so the hair on my arms and on my chest, which was vis­i­ble if I was wear­ing an open-necked shirt, was a con­stant source of fas­ci­na­tion. Wher­ever I went on the train, older Korean women – who, because they live in a cul­ture where age is ven­er­ated, can do pretty much what they want – would sit next to me and stroke the hair on my arms, smil­ing and chat­ting ami­ably with me as they did so. This woman, how­ever, when she was fin­ished with my fore­arm ran her hand up to my bicep and gave a quick squeeze; then she laid her other hand flat against my stom­ach and moved it down quickly to cup and pat my crotch through my jeans, smil­ing and nod­ding her head as if she were eval­u­at­ing me and was pleased at what she was finding.

This all hap­pened so quickly that I had no time to react, and since she was stand­ing directly in front me, there was no way for me to get away from her with­out push­ing her, and she was so small and so frag­ile look­ing, and I did not want to make a scene, so I con­tin­ued to stand there; and then she was look­ing up at me, still smil­ing, and her eyes were bright, with­out pre­tense, though they held also an imp­ish mis­chie­vous­ness, and she asked me in a slightly accented Eng­lish, “Are you Amer­i­can?” Sur­prised that I was able to under­stand her, I hes­i­tated for half a sec­ond before answer­ing, and she put her hand on my arm and asked again, “Are you an American?”

“Yes,” I said, and she tight­ened her grip on my arm just a lit­tle bit. “Why you here alone? Come with me. Room-café around the cor­ner; I will pay for you.” She reached into her pocket and pulled out a very thick wad of bills.

“No, thank you,” I said. “I am wait­ing for a friend.”

“But it’s no good you out here alone,” she insisted, giv­ing another gen­tle tug on my arm. “Really, I will pay,” and she again showed me the money in her hand.

Room-cafes were just what they sounded like: cafes with pri­vate rooms where men went to be “enter­tained” in ways not so dif­fer­ent from the way Mr. Park and I had been enter­tained in Miari. I knew which room-café the old woman was talk­ing about since I’d walked past it many times on my way in and out of the mar­ket, though I’d never gone in. It was called Sing-Sing. Once, when I was com­ing home very late at night, after the café had closed, the women who worked there were sit­ting out­side, smok­ing and chat­ting – some of them were eat­ing kim bop–when one of them, a tall woman in a tight neon green dress, with nail pol­ish and eye­liner to match, called out to me, “Hey! You like what you see?” Her com­pan­ions laughed. I smiled and kept walking.

The old woman held up her wad of money one more time. “No,” I answered again. “Maybe next time” – the polite thing to say – “I really need to be here to meet my friend.”

She let go of my arm, but she didn’t walk away. “Are you a sol­dier?” She sounded just like the woman who’d chased me on Chong-no.

“No, I’m a teacher.”

“A teacher!” The woman’s face lit up as she put her money back in her pocket. “Teach me some Eng­lish while you wait your friend?” She took my hand and started to walk towards the mar­ket. The change in her man­ner and her tone – she was polite and def­er­en­tial, in stark con­trast to the almost demand­ing tone she took in her insis­tence that I let her take me to the room-café – also reminded me of the woman who’d chased me on Chong-no, and my curios­ity got the bet­ter of me, so I let her lead me where she wanted to go. She stopped to point at the dif­fer­ent fruits on a stand that we passed – apples, grapes, pears, oranges – and asked me the words for them in Eng­lish; then we stood in front of a cart on which the mer­chant had very care­fully arranged alarm clocks, blowdry­ers, hair curlers, elec­tric shavers and other small home appli­ances. After that, it was a cloth­ing stall, where she asked me the words for pants, shirt, belt and under­wear. Finally, she picked up a pack­age of women’s socks. “Will you buy these for me?” she asked.

“Sure,” I said, tak­ing them from her. I hadn’t for­got­ten about the money in her pocket, but I’d started to like her, and I wanted to do some­thing nice for her. I also felt sud­denly a lit­tle bit like one of those young men in the fairy tales who meets and is tested by the old hag, who is really a witch or sor­cer­ess in dis­guise, who, depend­ing on the story, either rewards the young man’s kind­ness or pun­ishes his cru­elty. So I paid the 1,200 or so won that the socks cost and handed them over to the woman. She turned the pack­age over and over as if she no longer rec­og­nized what it was, and I real­ized that she had expected me to say no. “Do you smoke?” she asked.

“No.”

“Good! Do you drink?”

“Some­times, but not very much.”

“Good! Come sit here with me.” She pointed to an empty space on the steps in front of a closed store. ” You know, I lived in Amer­ica. Once. In Cal­i­for­nia. Dur­ing the war. Sol­diers call me mamasan.” She didn’t say which war, but I guessed it was the Korean war, and I knew from the lit­tle bit of hang­ing out I’d done in Itae­won, the part of Seoul where the Amer­i­can army was sta­tioned, that if the sol­diers had called her mamasan, it meant she’d been a madame.

We talked a lit­tle while longer. She asked me about my life back in the United States, about where I lived and worked in Seoul, about the kinds of Korean foods I liked. She told me she had a daugh­ter with whom she lived and she asked if I would like to have din­ner with them that night. By now, I was com­pletely dis­armed, and I thought it would be a very inter­est­ing expe­ri­ence, and so I said yes. She stood up imme­di­ately and started lead­ing me away from the mar­ket. I had a brief moment of anx­i­ety when I real­ized I had no idea where she was tak­ing me, but I set that aside and walked qui­etly beside her for about five min­utes or so, until she looked at me out of the cor­ner of her eye and smiled slyly. “Maybe next time, you and I enjoy in bed together,” she said.

I walked in silence for a few more steps as I tried to decide whether or not she was jok­ing with me and how to respond if she was; but then I real­ized it didn’t mat­ter. I no longer felt safe going with her to a part of Seoul with which I was unfa­mil­iar and so I decided to “remem­ber” a call I was expect­ing that night from my mother in Amer­ica. I needed to be home to get the call, I explained, because my mother and I had some impor­tant busi­ness to dis­cuss. The old woman looked dis­ap­pointed. She took out the socks I’d bought for her, removed the card­board back­ing from the pack­age and wrote down her phone num­ber. “When you want, you call me. We have din­ner. Okay?”

“Okay,” I said. We told each other good­bye and I started walk­ing back in the direc­tion from which we’d come. I turned once to look at her again, but the street had become sud­denly crowded and I couldn’t see her. I looked at the piece of card­board. She’d writ­ten “din­ner” and then a phone num­ber, and then “Love, Mamasan.”

I didn’t want to go back to my apart­ment right away, so I walked instead to the Lotte World depart­ment store. I knew some of the peo­ple who’d worked on the indoor amuse­ment park and roller coaster that every­one was talk­ing about, and I’d been mean­ing to check it out for some time. Since I hate roller coast­ers, though, I did not ride it. Instead I wan­dered around the store a bit, until I found on one of the top floors a large foun­tain around which peo­ple were sit­ting. I bought myself a straw­berry ice cream and took a seat at the water’s edge, eat­ing slowly and think­ing about the old woman whose phone num­ber I had in my pocket.

I was star­ing off into space, not look­ing at any­thing or any­one in par­tic­u­lar, but a woman sit­ting with her daugh­ter on her lap on the other side of the foun­tain must have thought I was look­ing at them because she nod­ded her head and smiled. I nod­ded and smiled back, just to be polite, and the woman’s daugh­ter left her lap almost imme­di­ately and started walk­ing towards me. When she reached the spot where I was sit­ting, she climbed with­out a word into my lap and sat there gaz­ing silently at my face for about ten or fif­teen sec­onds. Then, still with­out speak­ing, she reached behind me for the water in the foun­tain, trust­ing the arm I raised to keep her from falling. When she sat back down, she opened one of my hands, palm up, and held her fin­ger­tips above it, let­ting the drops she’d gath­ered drip onto my skin. When the last drops had fallen, she climbed down to return to her mother, never once glanc­ing back in my direc­tion. The mother stood up, took her daughter’s hand, smiled at me, nod­ding one more time, and then led the girl into the ele­va­tor, which car­ried them down into the rest of their day.

My day took me next to din­ner in the restau­rant where I first prac­ticed read­ing hangul, the Korean alpha­bet, by order­ing each time I ate there a dif­fer­ent item from the menu that was posted on the wall. Two of my col­leagues, Tom and Gavin, were already eat­ing when I walked in. They invited me to join them, which I did, and we decided that we’d meet later that night at the Gilbert Stand­bar, which was also in the Semaeul Shi­jang, a few doors down from the room-café the old woman had offered to take me to. I arrived at the Gilbert about fif­teen min­utes late, but my friends were not there, and so I sat by myself at Ms. Park’s sta­tion – she insisted on Ms. and not Miss – ordered a beer and some fruit and set­tled in to wait. My friends never showed up, but that night at the Gilbert turned out to be, in some ways, a fit­ting end­ing to a day in which an old woman grabbed my crotch in pub­lic and a lit­tle girl who was a com­plete stranger sat in my lap and dripped water on my palm.

A stand­bar is what we would call today, here in the US, a karaōke bar, though since this was in the late 1980s, before dig­i­tal tech­nol­ogy made karaōke juke­boxes pos­si­ble, the music to which patrons paid to sing along was live, pro­vided some­times by an entire band and some­times by a sin­gle key­board or piano player. As far as I know, the term stand­bar – I don’t think it’s much in use any­more; a google search turned up prac­ti­cally noth­ing – comes from the fact that there are bar sta­tions, or “stands,” arranged around the room at which sit the host­esses whose job it is to enter­tain the cus­tomers, who are almost always men. This enter­tain­ment includes pour­ing drinks, serv­ing food, going up on stage to sing when their cus­tomers do and danc­ing blues, slow danc­ing. The women are also often avail­able for sex – though, as it was explained to me by my Korean friend, if the sug­ges­tion for sex comes from the woman, you don’t have to pay for it.

The one or two stand­bars to which my Korean friends had taken me reminded me of a cross between the more extreme excesses of the disco era and the stereo­typ­i­cally sleazy Asian “girly bars” that are so famil­iar from the early James Bond movies. The Gilbert, how­ever, was more of a neigh­bor­hood place. There were no disco balls or flash­ing lights; the host­esses dressed very casu­ally – jeans and a but­ton down shirt, for exam­ple – as opposed to the tighter, glitzier often more reveal­ing out­fits the host­esses wore in other stand­bars; and there was, in gen­eral, a much more laid back atmos­phere. In fact, my col­leagues and I learned after we’d been going there for a while that it was the place where the men and women who worked at other sex trade estab­lish­ments came to relax.

This dif­fer­ence, of course, was one of degree not kind. The same things that went on at other stand­bars went on at the Gilbert, only more qui­etly and dis­cretely; and, most impor­tantly to me and my friends, no one made a spec­ta­cle out of us because we were west­ern­ers. The host­esses were not con­stantly ask­ing us for (wink, wink, nudge, nudge) “pri­vate Eng­lish lessons;” the other patrons were not con­stantly com­ing up to us to buy us drinks or prac­tice their Eng­lish. We were able, in general, just to hang out, drink a few beers and sing a few songs, just like reg­u­lar customers.

Ms. Park was the host­ess at whose sta­tion we always sat, and, over time, she and I became friendly. My Korean was bet­ter than that of my col­leagues, and so I could make very sim­ple con­ver­sa­tion, about the weather, for exam­ple, or food; about our jobs – she was very funny when describ­ing the men who’d sat at her sta­tion whom she didn’t like– and a lit­tle bit about my life in the US. She told me very lit­tle about her­self, though we did talk about books; she liked to read and she was fas­ci­nated by the fact that I was a poet. She intro­duced me once to a man who did not come to the Gilbert reg­u­larly, but whom she seemed to know pretty well, telling me he too was a poet. He gave me a copy of one of his books, though I lost it a long time ago, and I can­not now remem­ber his name.

Over time, I began to real­ize that when­ever Ms. Park danced blues with me – just because I would have been per­fectly happy not to dance with her did not exempt her from doing her job – she stayed in my arms a few beats longer than the end of the song, which is what hap­pened on this night, but then, she stayed there even longer, gaz­ing at me and grin­ning a sat­is­fac­tion she offered to share when she asked if she could come to my apart­ment after work. I wanted her in that moment as well, and so I said yes. I gave her my address and phone num­ber and we went back to her station. Waiting for us, how­ever, was a thin, bald­ing man in a crum­pled gray busi­ness suit and thick-framed nerdy glasses. As soon as Ms. Park sat down, he com­manded her to fill my glass, not from the bot­tle of inex­pen­sive beer that I’d ordered, but from the bot­tle of Chivas that he had in his hand. This kind of behav­ior was out of char­ac­ter for the Gilbert, as was the fact that he did not ask Ms. Park drink with us, and I was imme­di­ately uncom­fort­able. I looked at Ms. Park, but her face was frozen in her best customer-service smile, betray­ing noth­ing of what she might be feeling.

The thin man toasted me as if she weren’t there, waited till my class was empty and then pointed at Ms. Park with a fin­ger that was unusu­ally thick, given how skinny the man was. “Do you like her?” he asked, not deign­ing even to glance in her direction. Because I knew where the con­ver­sa­tion was headed, I did not answer him and told Ms. Park that I wanted more kol­bengi. She got up and went into the kitchen, and I tried as hard as I could, while she was gone, to let the thin man know I was not inter­ested in talk­ing to him by focus­ing my atten­tion on the very drunk, immac­u­lately groomed silver-haired man try­ing to sing John Denver’s “Coun­try Road” with­out falling over onto the host­ess who was stand­ing under his shoul­der to prop him up.

The man with the Chivas bot­tle did not take the hint, how­ever, and he fell silent as well, sit­ting with closed eyes until Ms. Park returned with my food. Once she was sit­ting down again, he leaned over and said qui­etly in my ear, “Isn’t she pretty? Don’t you like her?” When I still didn’t answer and kept my eyes focused on the silver-haired man, who was now stum­bling back to his seat, my unin­vited and unwel­come com­pan­ion put his hand on my arm and said more loudly, “She has beau­ti­ful labia.”

Still I said noth­ing; still I would not look at him.

“Don’t you under­stand?” He was not quite shout­ing as he pulled from his pocket a wad of bills almost as thick as the one the old woman had pulled out of her pocket ear­lier in the day. “Korea is a par­adise for men! Here!” He waved the money in my face. “You can have her if you want.”

I real­ized at this point that I had to say some­thing, but I also under­stood that what­ever I said had to be cal­cu­lated not to esca­late the sit­u­a­tion, and so instead of say­ing what I wanted to say – some ver­sion of “Stop talk­ing about her like that and get the fuck away from me!” – I said instead some­thing that would get him to leave me alone, while allow­ing him to save face, “Maybe next time. Tonight, I am very tired and I just want to drink by myself.”

My words had the desired result. He looked at me, looked for the first time at Ms. Park, gave a snort of dis­gust and walked back towards his table just as his friends were com­ing over to pull him away.

For the rest of that night, Ms. Park refused to meet my gaze, but each time I went to the Gilbert after that, and in all the time before I left Seoul, she con­tin­ued to dance with me the same as always; even as I watched her belly swell gen­tly and then flat­ten out again over the course of three or so months, she danced with me a lit­tle closer and a lit­tle longer than the other men; and some­times I saw flashes of the smile she gave me when she asked if she could come to my apart­ment, but she never brought that pos­si­bil­ity up again, and nei­ther did I. And we talked just as we always had, though she was more reveal­ing about her­self than she had been before, telling me often about the man who’d promised to marry her. All he needed, she said, was enough money to buy a place for them to live, and she said he’d told her that he didn’t care if his mother dis­owned him. She was the woman he wanted.

I have no idea if this man really existed, though I hope he did, and I hope he kept his promise and that Ms. Park was able to stop work­ing at the Gilbert and be, sim­ply, hap­pily, his wife. I hope she has chil­dren and that they have brought her great plea­sure. I hope all this, but I know the odds are against it being true, that she is more likely to have had a very dif­fi­cult life; and so right now, as I remem­ber Ms. Park, what I choose to remem­ber is how deeply she smiled when she asked if we could be together, not because of any­thing hav­ing to do with the sex that didn’t hap­pen, but because I could see in that smile that the thought of being with me made her happy and it’s more painful than I want to feel right now to remem­ber her any other way.

Fragments of Evolving Manhood: Korea 2

I’d been in Korea for two weeks when I decided it was time to ven­ture on my own into Seoul’s urban land­scape. One of my col­leagues had taken me the pre­vi­ous week­end to Chong-no for some noo­dles, a visit to Pagoda Park, where the Korean Inde­pen­dence Move­ment got its start in 1919, and then a browse in the Kyobo Book­store, which was then and is still Korea’s largest book-selling estab­lish­ment. Since I already knew how to get there by sub­way, I decided that would be a good place to start explor­ing. So there I was, walk­ing down the crowded main street, try­ing hard to enjoy the Sat­ur­day after­noon sun while keep­ing my eyes locked straight ahead so I could ignore the stares my West­ern face attracted, and I almost tripped over the man in front of me when, right in front of the Pagoda Park entrance, a woman called out “Hello! Hello!” to me in Eng­lish. She looked about my age, twenty-six or so, but the creases that appeared around her eyes and at the cor­ners of her mouth when she smiled as I stopped to acknowl­edge her made her seem much older. Her long black hair was disheveled, and I could see her hands were cal­lused. Wear­ing a thin pur­ple dress that hugged the curves of her body and leather san­dals with no socks, she was def­i­nitely out of place among the men in busi­ness suits and the women better-dressed than she was, but I was so relieved to have found some­one who spoke Eng­lish that, to me, it was every­one else who looked as if they didn’t belong.

“Hi!” I said. “Were you talk­ing to me?”

“I love you,” she answered. “I love you.” She took the first two fin­gers of her right hand and pushed them slowly in and out of her mouth. I turned and walked quickly away.

Run­ning to keep up with me, the woman appeared at my side. “Are you alone?”

“Yes.”

“Where are you going?”

“I’m just walking.”

“Just walk­ing?”

“Yes.”

Upon hear­ing this, she wrapped her arm around my waist, laid my arm con­fi­dently along the con­tour of her hip, looked up at me with a smile I can only describe as angelic, and said, “You, me, fuck-fuck, all night, real cheap!”

I smiled back – what else could I do? – took her arm from my waist, said, “No, thank you,” and set off more quickly in the same direction.

“No t’ankyoo!” Her voice was high-pitched and mock­ingly flir­ta­tious as caught up with me, put her arm back where she thought it belonged, and offered again to fuck me all night, any way I wanted, for “real cheap.” When I again said no, she started nudg­ing me with her hip towards the side of a nearby office build­ing, mim­ic­k­ing me all the while, “No-o! Please go awa-ay!” I pushed back just hard enough to make her let go of me and turned down the first side street I came to, almost falling over an old man sit­ting on the pave­ment, his stock of nail clip­pers and other assorted knick­knacks spread out neatly on the pave­ment in front of him. She was still behind me, how­ever, so I turned left and made two quick rights, des­per­ately hop­ing I was walk­ing in a cir­cle that would lead me back to the main street. I don’t know how many dif­fer­ent streets I took try­ing to lose her, but each time I looked over my shoul­der, she was behind me, half run­ning, half walk­ing, and still promis­ing me the night of my dreams.

Finally, I’d had enough. I stopped as if to catch my breath and she jumped at the oppor­tu­nity. She wound her arm yet one more time around my waist and started to recite frac­tured ver­sions of the titles of pop songs that were old twenty some odd years ago when this all took place. “Every­body need some­body. Are you lonely this night? I fall in love with you, mend your bro­ken heart! Help you make it through the night!” With each new line, she tried to embrace me with her other arm, which I kept push­ing away, until I grab­ber her wrist and pulled her into a small alley between the two near­est build­ings. At first, her face lit up with tri­umph and antic­i­pa­tion, but then, as she felt the tight­ness of my grip – enough so she would know I was seri­ous, but not enough to hurt her – her eyes and mouth began to widen with fear. Tow­er­ing over her, I pushed the words out through clenched teeth, “Go away! Just leave me alone!” Then I started back in the direc­tion from which we’d come.

“Are you a sol­dier?” The voice behind me was self-effacingly polite. I stopped walk­ing. “No, I’m a teacher,” I said, and it was as if my answer trig­gered a switch in her brain, for her behav­ior changed instantly. With­out look­ing at me, she asked if I wanted to stop in a cof­fee shop for some­thing to eat. She offered to show me around Seoul, to help me learn Korean. She said some­thing about where she lived, or maybe she was ask­ing about where I lived, I wasn’t sure. All I could think was that she was not some­one I should trust, so I started walk­ing again, ignor­ing the new found polite­ness with which she con­tin­ued to fol­low me, until she slowed down, touched me on the lower back in a gen­tle, almost wist­ful farewell, and headed off in the oppo­site direction.

Mirac­u­lously, I was able to find the Chong-no sub­way sta­tion within a few min­utes. All through the ride back to my apart­ment, how­ever, that last, sex­less touch haunted me, mak­ing me won­der what I’d been run­ning from. I’d been assum­ing, of course, that the woman was a pros­ti­tute – cer­tainly she was will­ing to pros­ti­tute her­self – but it was also pos­si­ble that she’d been hun­gry and poor and des­per­ate, that she’d seen in me an oppor­tu­nity to put a decent meal in her stom­ach and did, was will­ing to do, what she thought was nec­es­sary to make that hap­pen. I wasn’t second-guessing my deci­sion not to go with her – I did not know Korean at all yet, and I cer­tainly did not know the cul­ture well enough to know what I would have been let­ting myself in for had I stopped to spend time with her, sex­u­ally or oth­er­wise – but I was won­der­ing what I’d been scared of, because the truth is that I’d run the way I did, in part any­way, because I was scared.

Not for my phys­i­cal safety, though I rec­og­nize there were any num­ber of ways she (and accom­plices, if she’d had them) could have been plan­ning to ambush or intim­i­date me into giv­ing her my money. Rather, I was fright­ened by the explicit and pub­lic and inescapably naked way in which she’d propo­si­tioned me. I didn’t want peo­ple to know I was the kind of per­son whom pros­ti­tutes approached like that, but what I learned on Chong-no, what I felt vis­cer­ally for the first time in my life, is that – what­ever else may be true about who I am – my body marks me as pre­cisely that kind of per­son. More to the point, my body is not some­thing I can run away from. I ran, in other words, not only because I didn’t want what the woman on Chong-no was try­ing to sell, but also because I didn’t want to face hav­ing to reject her, because the fact that I could reject her meant the priv­i­lege of hav­ing her was already mine.

Still, it would do jus­tice nei­ther to my expe­ri­ence nor to what the real­ity of that woman’s life prob­a­bly was, to stop here. For while it was, and most prob­a­bly still is, true that to be a man in Korea is to have access to the vast “play­ground” of the Korean sex indus­try, the indige­nous ver­sion of the play­ground exists almost entirely behind the doors of the estab­lish­ments where Korean sex-workers earn their liv­ing and is gov­erned by rules of deco­rum that ren­der the spec­ta­cle of a woman chas­ing a poten­tial cus­tomer down a crowded avenue in the mid­dle of a week­end after­noon all but unthink­able. In con­trast, accord­ing to fig­ures com­piled by the Embassy of the Repub­lic of Korea, dur­ing the time I was in Seoul, 18,000 South Korean women were reg­is­tered as “club women” for United States mil­i­tary bases. Spend just a few min­utes in an area where these women work – when I was there, Itae­won, where the 8th Army was sta­tioned, would have been the best exam­ple – and you’ll see that the way they do busi­ness has more in com­mon with the stereo­typ­i­cal 42nd Street street­walker than the typ­i­cal woman who works in a Korean-oriented sex estab­lish­ment. What I ran from when I ran from the woman on Chong-no, in other words, was only the priv­i­lege of being a man, but also what it meant to her that I was mi-gook saram, an Amer­i­can, and the way she propo­si­tioned and chased me needs there­fore to be seen as reflect­ing her expec­ta­tions of me and my cul­ture at least as much as it might reflect the val­ues of hers.

The tra­di­tion of the kisaeng, or cour­te­san, within which the Korean sex trade is most prop­erly under­stood, at least in his­tor­i­cal terms, has its roots in a way of life very dif­fer­ent from the one that gave rise to the street­walker. The tra­di­tional yang­ban, or Korean gen­tle­man, gov­erned his polyg­a­mous house­hold accord­ing to Con­fu­cian rules of deco­rum that deter­mined every­thing from the way he spoke and ate his meals to when, how often, and even how, he had sex. The kisaeng house pro­vided men with a refuge from this and the other pres­sures and respon­si­bil­i­ties of being the man of the house. Trained not only as host­esses, but also in lit­er­a­ture and the arts – Korea’s most famous woman poet, for exam­ple, Hwang Jin-hi, was a kisaeng how lived in the fif­teenth or six­teenth cen­tury – the kisaeng offered a stress-free evening of female com­pan­ion­ship and cama­raderie that would have been impos­si­ble within the strictly hier­ar­chi­cal rela­tion­ship a man had to main­tain between him­self and his wives. With­out explic­itly exclud­ing sex­ual favors from their ser­vices, in other words, the kisaeng were not engaged pri­mar­ily in sell­ing their bod­ies, a dif­fer­ence from west­ern pros­ti­tutes that it is impor­tant to keep in mind.

Much in Korean soci­ety, of course, has changed since the time of Hwang Jin-hi, and the very quick thumb­nail sketch of the kisaeng I have just given you nec­es­sar­ily sim­pli­fies the his­tory and the nature of what is in fact a com­plex Korean social insti­tu­tion.1 Nonethe­less, the cul­tural frame­work within which the Korean sex trade exists – or at least existed when I was there – still resem­bles that of the orig­i­nal kisaeng houses. Con­tem­po­rary Korean men go to room salons, stand bars, song-in dis­cos–they may be called by dif­fer­ent names now, but I imag­ine they still exist – and all the other places where women are avail­able at least as much to be enter­tained as to have sex. To social­ize with Korean men – this, too, I imag­ine has not changed much since I was there – is even­tu­ally to find one­self in such a place. A story or three about that expe­ri­ence com­ing in parts 3 and 4.

  1. Songs of the Kisaeng, a book of trans­la­tions of kisaeng poetry, offers a more fully fleshed-out but still acces­si­ble intro­duc­tion to the kisaeng, along with some insight into what the life of a kisaeng was like, at least as they depicted it in their art. []

Domestic Violence Has Always Been a Current Running Through My Life

Three weeks ago, as the stu­dents were fil­ing out of the room at the end of one of my classes, a woman stopped in front of my desk and said some­thing along the lines of, “So I want to write poetry, but I don’t know how to start. Can you help me?”

A ques­tion like that is not one you want to give an easy answer to, at least not with­out hear­ing a lit­tle more of what the per­son who asks has to say about them­selves, why they want to write and per­haps even what they want to write about, so I asked her to wait while I packed up my things and we went to find another room. As we sat down, it was clear that my stu­dent was ner­vous about some­thing and I, of course, assumed it was related to her ques­tion about writ­ing poetry. It was, but not in the way I antic­i­pated, and so I am going to skip over most of what we talked about to get to the point. After talk­ing a bit about strate­gies for start­ing to write, I sug­gested to my stu­dent that she might want to check out a local read­ing series run by one of my col­leagues. It’s a won­der­ful, warm, wel­com­ing place for begin­ners to go, both to hear other people’s work and to begin to share their own, but as soon as I sug­gested it, my stu­dents said, “You know, I barely have enough time to work, go to school and go home. I am in a very dif­fi­cult sit­u­a­tion and I know I won’t get the chance to go.”

Some­thing in her tone of voice told me she was not talk­ing about a merely prac­ti­cal dif­fi­culty and so I asked her, “By dif­fi­cult do you mean dan­ger­ous?” She said yes. I don’t want to give any more details, since I don’t want any­one to be able to iden­tify her from what I write here, but suf­fice it to say that she accepted my invi­ta­tion to tell me more about her sit­u­a­tion, and she is in a mar­riage that she needs des­per­ately to get out of. Her hus­band has not phys­i­cally harmed her yet, but she is afraid of him, and while she didn’t say so explic­itly when we talked, I think she believes him capa­ble of killing her if things ever get to that point.

I am doing what I can to help, and if it becomes pos­si­ble, per­haps I will write more about that, but what I have been think­ing about today is how domes­tic vio­lence has always been a cur­rent run­ning through my own life, from the boyfriend who held my mother hostage with a butcher’s cleaver to my mother’s best friend when I was a young teenager, who was found stabbed six­teen times in the chest with a ser­rated knife, most prob­a­bly by her boyfriend; from the woman in whose bed I spent the night – no sex was involved – because she was afraid that if her boyfriend came back he might get vio­lent to the woman who lived down­stairs from me who screamed like she was dying when the cops showed up at her door because I called them on a night when I was home to hear her boyfriend beat­ing the shit out of her. (He heard me telling the story about that night to a friend of mine through the way-too-thin walls of my apart­ment and called back that, now that he knew who had called the cops, he was going to make me pay for it. He never did, but it scared me. He was a very big man.) And then, of course, there was my own too-close-for-comfort-brush with being the one on whom some­one else might have had to call the cops.

I don’t really have much to say about all this tonight in any ana­lyt­i­cal sense; it’s just all been com­ing back to me in waves of feel­ing and it put me in mind to share this poem, “Coitus Inter­rup­tus,” which is from my book called The Silence of Men. There are likely to be all kinds of trig­gers all over the poem, so if you decide to read it, this has been your trig­ger warn­ing. The only other thing I will say about this poem is that, with the excep­tion of a few details which I had to alter in order to make the poem work, each of the inci­dents I tell about in the poem actu­ally hap­pened more or less the way they hap­pen in the poem:

Coitus Inter­rup­tus

1.

Naked at the win­dow, my wife calls me
as if some­one is dying, and some­one
almost is, pinned to the con­crete face down
beneath the fists and feet and knees of three

police­men. I’m still hard from before she
jumped out of bed to answer the ques­tion
I was will­ing not to ask when the siren
stopped on our block, but now I’m here, and I see

the man is Black, and how can I not
bear wit­ness? They’ve cuffed him,
but the uni­forms con­tinue to crowd our street,
and the blue-and-whites keep coming,

as if called to war, as if the lives
in all these dark­ened homes
were truly at stake, and that’s the thing—
who can tell from up here? — maybe

we’re watch­ing our sal­va­tion
with­out know­ing it. Above our heads,
a voice calls out Fuck­ing pigs!
but the ones who didn’t drag the man

into a wait­ing car and drive off
refuse the bait. They talk qui­etly,
gath­ered beneath the street­lamp
in the pale cir­cle of light

the man was beaten in, and then
a word we can­not hear is given
and the cops wave each other back
to their vehi­cles, the flash and sparkle

of their dri­ving off
throw­ing onto the wall of our room
a shadow of the embrace
my wife and I have been cling­ing to.

When I was six­teen, Tommy
brought to my room before he left
the Simon and Gar­funkel tape
I’d put the pre­vi­ous night

back among his things. He placed it
on the book­shelf near the door
he’d slammed shut two days ear­lier
when he was hold­ing a butcher’s cleaver

to my mother’s life. I wanted
to run after him and smash it at his feet;
I wanted to grab him by the scruff of the neck
and crush it in his face, to dan­gle him

over the side of our build­ing with one
ankle in my left hand and the Great­est Hits
in my right and ask him
which I should let drop.

But I didn’t, couldn’t really:
he was much too big,
and I was not a fighter,
and one of my best friends right now

lives with her son in the house
where her hus­band has already hit her
with a cast iron fry­ing pan,
and so there is no rea­son to believe

she is not at this moment cring­ing
bruised and bleed­ing in a cor­ner
of their bed­room, or that she is not,
with her boy and noth­ing else in her arms,

run­ning the way my mother
didn’t have a chance to run,
and there’s noth­ing I can do
but look at the clock — Sunday,

11:11 PM — and remind myself
it’s too late to call, that my calls
have caused trou­ble for her already.
When they pushed Tommy in handcuffs

out the front door, past where my mother sat,
quiet, unmov­ing, and I did not know
from where inside my own rage and ter­ror
to pull the com­fort I should have offered her,

the offi­cer mak­ing sure Tommy
didn’t trip or run winked at me, smil­ing
as if what had hap­pened were sud­denly
a secret between us, and this our signal

that every­thing was okay. I won­dered
if his had been the voice, calm
and deep with male author­ity—Son,
are you sure your mother’s in there

against her will?—that when I called
forced me to find the more-than-yes
I can’t remem­ber the words to
that con­vinced the cops they had to come.

2.

Sopho­more year, walk­ing the road
girdling the cam­pus. Up ahead, a woman’s voice
plead­ing with a man’s shout­ing to stop.
A car door slam­ming, engine revving,

and then wheels dig­ging hard into dri­ve­way dirt
that when I got there was a dust cloud
obscur­ing the blue vehicle’s rear plate.
The woman sprawled on the asphalt,

her black dress spread around her
like an open por­tal her upper body
emerged from. She pulled
the cloth away from her feet,

which were bleed­ing, and I drove
to where her spaghetti strap san­dals
lay torn and twisted beyond repair.
She left them there. Then to her home,

two rooms in a neigh­bor­hood house,
and I helped her onto the bed
that was her only fur­ni­ture, and filled
a warm-water basin to soak her feet,

and he had not hit her, so there was noth­ing
to report, but she said she was afraid
and would I sit with her a while.
We talked about her home in Seoul,

the man her par­ents picked for her
that she ran to Amer­ica to avoid mar­ry­ing,
and here she laughed — first trickle
of spring water down a win­ter mountain—

So instead I take from Egypt! I so stu­pid!
Then: What you think? Can man and woman
sleep same bed with­out sex?
I said yes.
So, please, tonight, you stay here? Maybe he com­ing back.

He fear white Amer­i­can like you. I was not a fighter,
but I stayed, and in the morn­ing when I left,
she said kam­sa­ham­nida—thank you—
and she bowed low, and she did not

ask my name, nor I hers, and though
I some­times looked for her on cam­pus,
I never saw her again. Just like Tommy,
whom I for­got to say before was white.

Just like the Black woman who lived down­stairs
before I got mar­ried, whose cries—Help!
Please! He’s killing me!
—and the dead thud
of him, also Black, throw­ing her

against the wall, and his scream­ing—
Shut up, bitch! Fuck­ing whore!—filled the space
till I was drown­ing. The desk sergeant
didn’t ask if I knew beyond a doubt

that she was being beaten,
but when she opened her front door
to the two men he sent, she shrieked
the way women shriek

in bad hor­ror movies
when they know they’re going to die,
and I almost felt sorry for calling.A few weeks later,

a voice on the phone: You know
what’s going on below you, right?
Please, tape a mes­sage to the door: “Mr. Peters
has been try­ing to reach you.” Noth­ing else.

And what­ever you do, don’t sign it.
For a month all was quiet. Then,
com­ing home early from work
I walked upstairs past peo­ple mov­ing furniture

out of her apart­ment. No one ever
wants to get involved,
right? a thin white man
in shorts and a t-shirt whis­pered bit­ter
behind me. I kept walking

the way Tommy did when he saw me
try­ing to catch his eye: head down,
gaze nailed to the floor, and then he was gone,
and the ques­tions I wanted to ask him

never became words. That tape
was all I had, till one day,
clean­ing house, my mother
held it up:

Do you still want this?

I never play it.

Throw it out then.

So I did.

Fragments of Evolving Manhood: When Witches Stole Penises 1

You won’t believe me. I know you won’t. I didn’t want to believe it myself, but I couldn’t deny what my eyes were telling me: My penis was gone! Really! Gone! I’d just come home from break­ing up with my girl­friend, and I was undress­ing to take a shower before din­ner when I reached down to touch myself and felt…nothing!

Do you understand?

Noth­ing!

My brain could not at first deci­pher what the tips of my fin­gers were telling me, but when I looked down I saw that between my legs where my penis should have been the skin was as smooth and as hair­less as the top of my head. I stood in front of the mir­ror in my bed­room cup­ping my crotch like a shy girl forced to strip naked in front of strangers, pray­ing that my eyes were play­ing tricks on me, that when I removed my hands and looked again my penis would be there.

I removed my hands and looked again. My penis was not there.

Not know­ing what else to do, and since I was not about to call on one of my friends and say, “Hey, let’s go out for a drink. I need to talk,” I put my clothes back on and went across town to a bar where I didn’t think any­one would know me. I ordered a beer and sat by myself in a cor­ner booth, mak­ing sure to avoid eye con­tact with any­one who hap­pened to look my way.

“Mind if I sit down?” The inquis­i­tive eyes of a pretty, red-haired woman were sud­denly too close for me to avoid.

Great, I thought, I have no penis and a woman is try­ing to pick me up. Just what I need.

There was an open­ness in the way she looked at me, though, a kind­ness in her eyes that per­suaded me not to refuse. I nod­ded my head.

“You look like you could use some­one to talk to.” She slid into the seat oppo­site me.

“I guess, but it’s some­thing I don’t think you’d understand.”

“What do you mean?”

Not know­ing what to say in response, I looked down at the table.

She tilted her head and leaned for­ward, try­ing to catch my eye, “You know, there’s not much I haven’t seen or heard, so I doubt that whatever’s both­er­ing you will shock or offend me.”

“Oh, this’ll shock you.”

“Try me.”

I don’t know why, but I sud­denly wanted des­per­ately to tell her. I just didn’t know how, and so we went back and forth a few times — her encour­ag­ing me to open up; me insist­ing it’d be point­less — while a list of all the dif­fer­ent things I could say ran through my head, each one sound­ing more absurd than the next. “My penis has dis­ap­peared” made it sound like the damned thing had sprouted legs and walked away; “I’ve lost my penis” was so ridicu­lous I actu­ally smiled just think­ing about it; and “my penis is gone” should’ve been the title of a very bad par­ody of a very bad love song.

“I don’t have a penis any­more,” I finally told her.

As I expected, she burst out laugh­ing. “No, seri­ously…” she said, but then I guess she read on my face how seri­ous I was. Her eyes dark­ened and her lips tight­ened into a thin col­or­less line. “You’d bet­ter show me.” She said this with such author­ity that with­out giv­ing it a sec­ond thought I nod­ded my head and fol­lowed her to an upstairs apart­ment she said she was rent­ing from the bar’s owner.

When I took my pants down, her face remained expres­sion­less for a few sec­onds. “Tell me every­thing you’ve done in the past three days or so,” she com­manded, and I did, and when I got to the part about break­ing up with my girl­friend, the woman stopped me and nod­ded her head. “Now I under­stand. The woman you were see­ing is a witch and she has taken your penis as revenge for break­ing up with her. The only way you can get your organ back is to per­suade her to return it to you.”

A witch! Now at least I knew what I was deal­ing with. I went to the church to talk to my priest. He didn’t want to believe me at first either — who could blame him? — but when I took my pants down and repeated what the woman in the bar had told me, he gave me his blessing.

The next day, I went back to the house of the woman I’d just bro­ken up with and knocked on the door. She came out onto the porch so she wouldn’t have to invite me in.

“I want you to give me my penis back.” I kept my voice low and steady so she would under­stand how seri­ous I was.

“What are you talk­ing about?” For her part, she was try­ing hard to sound innocent.

“You know very well what I’m talk­ing about!”

Before she could go back inside, I twisted a rope that I’d brought for this pur­pose around her neck, scream­ing over and over again into her ear, “Give it back! Give it back or I’ll kill you!”

She kept protest­ing that she had no idea what I was talk­ing about, but when her eyes started to bulge, she nod­ded her head and mouthed the word OK. After I loos­ened the rope enough for her to catch her breath, she reached between my legs and stroked me. It was truly mag­i­cal! I knew with­out hav­ing to look or touch that my organ had been restored to me.

I walked away with­out look­ing back, leav­ing the rope around the woman’s neck as a reminder of what I would do to her if she tried to harm me in any way again.

Imag­ine that some­one has told you this story and asked you to believe it.

Now imag­ine actu­ally believ­ing it, not only because you believe in witches, but because you hear the story from the priest who was the narrator’s con­fes­sor, and you can­not imag­ine a priest lying about such seri­ous mat­ters. After all, he knows that if you ever learn her name and find out where she lives, the woman in ques­tion could be, no, would be — you make a note to your­self to see if you can locate her — hunted down like an ani­mal and burned at the stake. You’re at war with Satan him­self, and you need to be as mer­ci­less as he is. It may not be women’s fault that they are frail crea­tures, eas­ily swayed by the promises of power and plea­sure the Devil uses to seduce them, but they are still respon­si­ble for their choices: A woman who becomes a witch ded­i­cates her life to the destruc­tion of Christ’s king­dom, for­feit­ing the soul that God in His infi­nite wis­dom and mercy gave her when she was con­ceived. Such a woman deserves to die.

You believe this, are com­mit­ted to it, would give your own life in defense of it, and this is why you want to leave no room for doubt in the minds of the peo­ple for whom you are now writ­ing that a witch can indeed remove a man’s penis from his body. Well, not exactly remove it, but you’ll get into the fine points of that dis­tinc­tion later, for an image of the Witches’ Sab­bat dis­tracts you momen­tar­ily from your work. The writhing bod­ies. The moans of car­nal plea­sure. The Devil in all his var­i­ous incar­na­tions mov­ing from woman to woman, tak­ing each one in a dif­fer­ent posi­tion, and they kiss his erec­tion, and they kneel between each other’s legs.… You take a deep breath. Satan is devi­ous, knows your weak­nesses too, and it’s only because your will is strong that you’re able to wrench your atten­tion back to the world-saving impor­tance of what you’re writing.

And what, then, is to be thought of those witches who…collect male organs in great num­bers, as many as twenty or thirty mem­bers together, and put them in a bird’s nest, or shut them up in a box, where they move them­selves like liv­ing mem­bers, and eat oats and corn, as has been seen by many and is a mat­ter of com­mon report? [A] cer­tain man tells that, when he had lost his mem­ber, he approached a known witch to ask her to restore it to him. She told the afflicted man to climb a cer­tain tree, and that he might take which he liked out of a nest in which there were sev­eral mem­bers. And when he tried to take a big one, the witch said: You must not take that one; adding, because it belonged to a parish priest.1

Of course witches don’t really remove men’s penises. That would mean the Devil had the power to alter per­ma­nently the struc­ture of God’s world, and there’s no way God would allow His neme­sis to become that strong. Rather, men who believe their penises have been taken from them have fallen under the influ­ence of a glam­our, or spell, that makes it appear their gen­i­tals are gone. For the Devil’s strength is ulti­mately noth­ing more than the power to deceive, which is why Satan can in no way enter the mind or body of any man, nor has the power to pen­e­trate into the thoughts of any­body, unless such a per­son has first become des­ti­tute of all holy thoughts, and is quite bereft and denuded of spir­i­tual con­tem­pla­tion.2 The men who fall prey to penis-removing glam­ours, in other words—most commonly…adulterers and for­ni­ca­tors3—deserve their unman­ning, though you sup­pose their con­di­tion is to be pitied rather than reviled, for only the very few among us are truly with­out sin.

You don’t know, there is no way you can know, that the book you’re writ­ing — what will become, when it is first pub­lished in 1486, The Malleus Malefi­carum—is des­tined to be for nearly three cen­turies the Inquisition’s author­i­ta­tive text on the the­ory, iden­ti­fi­ca­tion, inter­ro­ga­tion, tor­ture and exe­cu­tion of witches. Nor are you aware that what you’re writ­ing will change irrev­o­ca­bly the way witches are seen and hunted, trans­form­ing witch­craft from a crime against your god com­mit­ted more or less equally by men and women, and by rel­a­tively few peo­ple at that, into an almost exclu­sively female trans­gres­sion.4 Nearly 100,000 women will be burned at the stake as witches by the time the influ­ence of your text has waned in the mid-1700s, and at least twice as many more will have had their lives ruined by the accu­sa­tion.5 There’s no way you can know this, but you’d be proud of it. Women, no, witches, no, women, witches — what’s the difference? — those treach­er­ous, devi­ous, evil, seduc­tive, nearly irre­sistible crea­tures deserve every moment of agony they suf­fer, whether on the rack or burn­ing at the stake. Each moment of pain, each lick of each flame on their sin­ful skin brings closer the ful­fill­ment of God’s divine plan, and so the more of them you can burn off the face of the earth the bet­ter off the earth will be.

You put down your pen and look out the win­dow, your thoughts hav­ing turned for the moment to the Jews, espe­cially the Jew­ish doc­tors whose black arts are not so dif­fer­ent from witches’ glam­ours,6 and you won­der again if exclud­ing the Jews from The Malleus was a good idea. Granted, as Sprenger pointed out when you first argued about this, the Jews are not witches, but they are in league with Satan, and Satan uses them, and they share — you’ve read recently the work of Thomas de Cantim­pré, and it is pure and noble and blessed, and he has it on the author­ity of St. Augus­tine that the Jews share with women, with witches, the curse vis­ited upon Eve for her dis­obe­di­ence in the par­adise of Eden that would have been ours if not for her. Just like Eve and her daugh­ters, Jew­ish men bleed monthly, for they too rejected Christ. Augus­tine calls it a mark of Cain, and it is why, this mark, it is why the Jews drink the blood of Chris­t­ian chil­dren. They think it will cure them. They are wrong, though, as the Jews are always wrong, mis­tak­ing Chris­tiano san­guine, the blood of a Chris­t­ian, for the one thing that would truly end their suf­fer­ing, Christi san­guine, the blood of Christ, taken in Holy Com­mu­nion.7

Ah, well, Sprenger is right. The Jews are not witches, and so even though this con­nec­tion between witches and Jews intrigues you, you decide you must leave it for some­one else to tackle. Over the cen­turies, many try, but it will be five hun­dred years before some­one reveals the fem­i­nine cor­rup­tion of the Jews as com­pre­hen­sively as you have done for witches:

The true con­cep­tion of the State is for­eign to the Jew, because he, like the woman, is want­ing in per­son­al­ity; his fail­ure to grasp the idea of true soci­ety is due to his lack of free intel­li­gi­ble ego. Like women, Jews tend to adhere together, but they do not asso­ciate as free inde­pen­dent indi­vid­u­als mutu­ally respect­ing each other’s individuality.

As there is no real dig­nity in women, so what is meant by the word “gen­tle­man” does not exist amongst the Jews. The gen­uine Jew fails in this innate good breed­ing by which alone indi­vid­u­als hon­our [sic] their own indi­vid­u­al­ity and respect that of oth­ers. There is no Jew­ish nobil­ity, and this is the more sur­pris­ing as Jew­ish pedi­grees can be traced back for thou­sands of years.8

In the Jew and the woman, good and evil are not dis­tinct from one another.9

It would be easy to under­stand why the fam­ily (in its bio­log­i­cal not its legal sense) plays a larger role amongst the Jews than amongst any other people.…The fam­ily, in this bio­log­i­cal sense, is fem­i­nine and mater­nal in its ori­gin, and has no rela­tion to the State or to soci­ety.10

The fact that no woman in the world rep­re­sents the idea of the wife so com­pletely as the Jew­ish woman (and not only in the eyes of the Jews) still fur­ther sup­ports the com­par­i­son between Jews and women. In the case of the Aryans, the meta­phys­i­cal qual­i­ties of the male are part of his sex­ual attrac­tion for the woman, and so, in a fash­ion, she puts on an appear­ance of these. The Jew, on the other hand, has no tran­scen­den­tal qual­ity, and in the shap­ing and mould­ing of the wife leaves the nat­ural ten­den­cies of the female nature a more unham­pered sphere; and the Jew­ish woman, accord­ingly, plays the part required of her, as house-mother or odal­isque, as Cybele or Cyprian, in the fullest way.

The con­gruity between Jews and women fur­ther reveals itself in the extreme adapt­abil­ity of the Jews, in their great tal­ent for jour­nal­ism, the “nobil­ity” of their minds, their lack of deeply-rooted and orig­i­nal ideas, in fact the mode in which, like women, because they are noth­ing in them­selves, they can become every­thing. The Jew is an indi­vid­ual, not an indi­vid­u­al­ity; he is in con­stant close rela­tion with the lower life, and has no share in the higher meta­phys­i­cal life.11

And so on and so on, until the fun­da­men­tal dif­fer­ence between the Jew and the woman. Nei­ther believe in them­selves; but the woman believes in oth­ers, in her hus­band, her lover, or her chil­dren, or in love itself; she has a cen­ter of grav­ity, although it is out­side her own being. The Jew believes in noth­ing, within him or with­out him.…The woman believes in the man, in the man out­side her, or in the man from whom she takes her inspi­ra­tion [Jesus], and in this fash­ion can take her­self in earnest. The Jew takes noth­ing seri­ously; he is friv­o­lous and jests about any­thing, about the Christian’s Chris­tian­ity, the Jew’s bap­tism.12

The Jew, in other words, is an even more debased woman than a woman is.

Notes

  1. Hein­rich Kramer and James Sprenger, The Malleus Malefi­carum, trans. Mon­tague Sum­mers (New York: Dover, 1971) 121. The story with which I began this sec­tion is my own blend­ing of two other penis-stealing nar­ra­tives in The Malleus. []
  2. ibid. 120 []
  3. ibid. 60 []
  4. Anne Llewellyn Barstow, Witch­craze: A New His­tory of the Euro­pean Witch Hunts (San Fran­cisco: Harper­San­Fran­cisco, 1994) 172. []
  5. ibid. 23 []
  6. Sander Gilman, Jew­ish Self-Hatred: Anti-Semitism and the Hid­den Lan­guage of the Jews (Bal­ti­more: The Johns Hop­kins Uni­ver­sity Press, 1986) 37. []
  7. ibid. 74 – 75 []
  8. Otto Weininger, Sex and Char­ac­ter, trans. Autho­rized Trans­la­tion (New York: G.P. Putnam’s Sons, 1906) 188. []
  9. ibid. 189 []
  10. ibid. []
  11. ibid. 195 []
  12. ibid. 196 []

Fragments of Evolving Manhood: The Violence In Me 1

Seri­ous domestic/intimate part­ner vio­lence trig­ger warn­ing in the first few para­graphs of this post.

Sit­ting on my bed with her back against the wall, my lover — who’s come to visit dur­ing my first year of grad­u­ate school — tells me that she’s at last made her deci­sion: she’s going to study fine art. I should be happy for her, but I’m sud­denly lis­ten­ing from a place so deep inside myself that the sounds leav­ing her mouth no longer coa­lesce into mean­ing­ful units. There is a moment of blank­ness, and then, as if some­one else has taken con­trol of my brain, I am forced to watch a vision of myself get­ting up from the chair where I’ve been sit­ting, putting one hand around my lover’s throat, hold­ing her against the wall, and slap­ping her face back and forth with my other hand until she is sense­less and bloody. I see myself scream­ing in her ear, let­ting her drop to the floor, and kick­ing her in the stom­ach as hard as I can. In the vision, my mouth moves but no words come out.

Unaware that I’ve stopped hear­ing what she has to say, my lover con­tin­ues talk­ing, ges­tur­ing to empha­size the impor­tance of her words, implor­ing me with her eyes for I-don’t-know-what, and then the vio­lence in my mind begins again. Real­iz­ing that my hands have clenched into fists, I excuse myself and move quickly to the bath­room. Lock­ing the door behind me, I take deep breaths and splash cold water on my face. I wait till I feel cer­tain the vision will not return, and I flush the toi­let and go back to the bed­room where, thank­fully, my lover notices it’s time for me to go to class. I grab my books, kiss her quickly on the cheek and, know­ing that I need some time alone to sort out what has just hap­pened, tell her I have work to do in the library and there­fore won’t be back until just before we’re sup­posed to go out for dinner.

The after­noon sun is warm on my face, and so I decide to walk to class instead of tak­ing the bus. After a cou­ple of blocks, how­ever, again from out of nowhere, I see once more the images of myself doing vio­lence to the woman I love, and again it is as if some out­side force has taken con­trol of my brain and forced me to watch. Nearly par­a­lyzed with fear and guilt, I find a bench and sit down. There’s no way I want to chance hav­ing this vision start again while I’m in class, so I go straight to the library instead. My idea, as I set­tle into one of the chairs on the sec­ond floor, is to write out what I’m feel­ing, a strat­egy that has helped me fig­ure things out in the past. When I put my pen to the page, how­ever, what comes out of me is the begin­ning of a poem:

I want a bearded man, shirt­less,
in faded jeans, to come one bare­foot night
and take me in his mouth.

Like the vio­lence I saw in my head, the words seem to come from some­one other than myself, but the shock of recog­ni­tion I feel when I read them – not only did I write them; on some level, I meant them – is in direct con­trast to the sense of alien­ation I expe­ri­enced while wait­ing in my bath­room to make sure that when I went back to where my lover was wait­ing for me I would not do to her what I’d seen myself doing. I also real­ize I am sud­denly calm, as if I have found what writ­ing was sup­posed to help me look for, and I am cer­tain – I don’t know how I know this, but I know this – that in these lines lies the key to under­stand­ing why that vision of vio­lence came to me.

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