Fragments of Evolving Manhood: Korea 1

With a half-finished bot­tle of soju sit­ting on the floor between us, and another two wait­ing to be opened, we set­tled in, my friend Mr. Lee and I, for an evening of drink­ing in my very small seven-and-a-half pyong apart­ment in the part of Seoul known as Chamshil. I lived in the the Ju-gong Apart­ment Com­plex, where the Eng­lish Train­ing Cen­ter (ETC), the hag­won, or pri­vate lan­guage school, that had hired me to each for the year housed all its fac­ulty. We were not far from the Olympic Sta­dium, where the open­ing cer­e­monies for the 1988 Sum­mer Olympics had been held. In fact, some of my col­leagues and I had watched the cer­e­monies from the roof of my build­ing. Mr. Lee had been a stu­dent in one of my classes, and when it was over, he asked if he could be my friend. When I said yes, he sug­gested this night of drink­ing as a way to cement that friend­ship. “Men in Korea don’t share their feel­ings eas­ily,” he explained, “and so when two men want to be friends, some­times, they will get very drunk so they can reveal their true minds to each other with­out shame.” He paused to make sure I under­stood. “The next day,” he went on, “they are friends.”

After a cou­ple of shots, Mr. Lee’s face started to turn red and he began telling me about the women his par­ents were always arrang­ing for him to meet, hop­ing he would want to marry one of them. His par­ents’ taste, how­ever, was very dif­fer­ent from his own. Each of the women, he said, was more old-fashioned than the last one, and none of them were any fun to be with. Then he looked at me and smiled. “Maybe this is too per­sonal,” he asked, “but I am curi­ous. Where do you go when you need a woman?”

Mr. Lee was not the first man to ask me that ques­tion. Indeed, it didn’t seem to mat­ter how many times I heard it; I always felt a small shock of dis­be­lief at the matter-of-factness in the voice of the man ask­ing me. Mr. Lee was no dif­fer­ent. That I must be going some­where, you could hear in his tone, was as self-evident to him as the fact that I needed to eat break­fast in the morn­ing and din­ner at night.

“Nowhere,” I answered him. “I don’t go anywhere.”

“Nowhere? But there are places for men to go, where it is the job of the women to give men plea­sure. I’ll pay for you tonight if you want.”

I could see in Mr. Lee’s eyes that he was seri­ous, that his offer was a ges­ture not only of friend­ship, but of sin­cere con­cern for the agony he assumed an unnec­es­sar­ily enforced celibacy – I’d been in Korea almost six months by this time – was caus­ing me. Since we were becom­ing friends and he was a guest in my house, I did not want to have the debate with him that I’d had with other Korean men who’d offered to pay for me to have sex, some of whom had been so insulted by what I’d said that they chose not to talk to me again.

I have, in prin­ci­ple, noth­ing against the idea that sex, what­ever else it might be, can also be a ser­vice one chooses to pay for, though I have never felt the desire to do so myself. Even if I did have that desire, how­ever, I would have seri­ous reser­va­tions about patron­iz­ing an indus­try as painfully, vio­lently and often fatally exploita­tive of its work­ers as I under­stood the Korean sex indus­try to be; and so when I dis­cussed this with Korean men, I would ask them why, if Korean sex work­ers were so nec­es­sary for Korean men – because that was always where the men took the argu­ment: men had “needs” and soci­ety there­fore “needed” women who could ful­fill those “needs” – were those women not only so uni­ver­sally reviled such that no “decent” man would ever con­sider mar­ry­ing one, but also so often kid­napped into the indus­try or lit­er­ally bought into it when fam­i­lies who were so poor felt they had no choice but to sell their daugh­ters. I remem­ber one man in par­tic­u­lar who took my ques­tion not only as a per­sonal insult – how could I doubt that he would take me to any­thing other than the most rep­utable of places – but also as an insult against Korea itself. These women had jobs they wanted to do. No one needed to force them; they enjoyed it. All I had to do was let him show me.

Since I did not want to risk turn­ing my con­ver­sa­tion with Mr. Lee in a sim­i­lar direc­tion, I answered from a dif­fer­ent angle. “There are other ways,” I said, “of ful­fill­ing that need.”

Mr. Lee sat back and sucked air gen­tly through his teeth. Then, grin­ning, he asked me, “Do you have a girlfriend?”

“Yes, but she’s in New York.”

“No, I mean in Korea. Do you have a Korean girl­friend?” He might as well have been talk­ing about Cuban cig­ars or French as opposed to Ital­ian wine.

I shook my head.

“Do you want one? I can intro­duce you.”

“I told you, I already have a girlfriend.”

Mr. Lee looked at me for a long moment. “But how will you endure?” The ten­der­ness and con­cern in his voice as he asked this was heart­break­ingly sin­cere. It was as near as any man has ever come to ask­ing me the mean­ing of sex in my life; but before I could answer, a know­ing smile spread across his face. “Korea,” he said, “is a par­adise for men. Just wait. You’ll see.”

What Mr. Lee did not know was how much I already had seen, and how much I would con­tinue to see, or how liv­ing in what he called par­adise would teach me more about myself as a man and the sig­nif­i­cance in my life of sex and love and women than any expla­na­tion of how I intended “to endure” could begin to com­mu­ni­cate.

Fragments of Evolving Manhood: Thinking About Pornography 5

I’m look­ing at Playboy’s Miss Octo­ber for 1995 and I’m try­ing to remem­ber what it was like to see pic­tures of naked women for the first time. My brother and I were very young — no more than eight or nine — when we dis­cov­ered my grandfather’s stash of Play­boy mag­a­zines in the cor­ner behind his chair in the liv­ing room. Hud­dled together in that chair’s shadow, we turned the pages very slowly, and I remem­ber want­ing to know if I was look­ing at real women.

As I grew older and my life began to reveal itself to me as a sex­ual one, mag­a­zines like Play­boy and Pent­house took on an aura of div­ina­tion. To under­stand the images between their cov­ers was to under­stand the erotic world of the adult I would one day become. I stud­ied the pic­tures assid­u­ously and read the text as closely as I knew how, search­ing for what I believed was there: knowl­edge that would help me claim the life the mag­a­zines promised would be mine if I learned the secret of how to claim it.

By the time I was in my twen­ties, the women in the pho­tographs rep­re­sented what was sup­posed to be my sex­ual present, an end­less mon­tage of breasts and thighs, of will­ing mouths and open legs, and I was often frus­trated and con­fused that the life I was liv­ing didn’t live up to the promise those images held out to me.

Now, in my late for­ties, as I look at Miss October’s body spread out on the pages before me, I con­fess I don’t know what I’m sup­posed to feel. I’d be lying if I said I didn’t expe­ri­ence an erotic tug on my imag­i­na­tion, but I’m also very aware that Miss Octo­ber has a name and a time and a place — Ali­cia Rick­ter, early twen­ties (at least when the pho­tographs were taken), and Cal State — a life, in other words, that has noth­ing to do with my response to her pictures.

Skim­ming the copy that accom­pa­nies the pho­tographs, I note that she will not turn forty until the year 2012, which means she is exactly ten years younger than I am. She was, in other words, only twenty-three when the pic­tures I am look­ing at were taken, much too young for her image to rep­re­sent either the present or the future of the sex­ual life I imag­ine for myself now, or that I would have imag­ined for myself had I been look­ing at them in 1995. Indeed, it’s far more likely that any encounter I might have with a woman resem­bling the Ali­cia Rick­ter Play­boy has cre­ated for my con­sump­tion would be lim­ited to the twice-a-week meet­ing times of a class of mine in which she was reg­is­tered than in the kind of extra-curricular encounter her pic­tures are sup­posed to help me imag­ine. More to the point, I’m not really sup­posed to imag­ine my stu­dents in this way.

The first pho­to­graph shows Ms. Rick­ter lying on her stom­ach on top of a large wooden desk. A per­sonal com­puter with text on the screen is par­tially obscured by her red knee-socked calves, and a pile of text­books is strate­gi­cally posi­tioned just behind her right arm. The plaid mini-skirt she’s wear­ing, rem­i­nis­cent of a Catholic school-girl’s uni­form, is hiked up to expose her bare but­tocks, and her red sweater has been pushed up to reveal the under­curve of her left breast. She has a pen­cil in her right hand, and she appears to be tap­ping the eraser pen­sively against her chin. Her eyes, how­ever, are look­ing straight into the cam­era, and the smile on her face clearly shows she has some­thing other than study­ing on her mind; and sud­denly I’m stand­ing once again in the writ­ing class I taught a some years ago in which there was a young white woman whom I found phys­i­cally very attrac­tive. I am try­ing to con­cen­trate on teach­ing, but what I really want is to stare at her. She has on a tight-fitting shirt that hugs her breasts and out­lines the shape of her nip­ples. She’s not wear­ing a bra. As I start the day’s les­son, the woman begins a yawn that trav­els her body in a stretch that I watch from the cor­ner of my eye. I watch the way the lift of her arms lifts her breasts as if she were offer­ing them to be kissed. Briefly, I want to believe she’s offer­ing them to me, but there’s no eye con­tact, and I’m reminded that she’s prob­a­bly just yawning.

Yet what if she wasn’t “just yawn­ing”? What if she really was offer­ing me her breasts? I did once have a stu­dent who blew kisses at me while I was lec­tur­ing, and on another occa­sion a stu­dent not in my class any­more, close enough to me in age that at least some of the taboo against student-teacher sex would have been ame­lio­rated, came to my office to ask if I would go with her to a hotel to make love. It’s not impos­si­ble, in other words, though I think it highly improb­a­ble, that the stu­dent whose body Ali­cia Rickter’s pho­tos con­jured for me had pur­pose­fully worn a shirt that revealed her breasts, and it’s not impos­si­ble, though it is highly improb­a­ble, that she meant to stretch in a way that would show them off, that she was hop­ing I would notice her and, on the pre­text of dis­cussing her writ­ing, ask her to see me in my office where she fully intended to seduce me, and it’s not impos­si­ble that she would have suc­ceeded. I under­stand all of the eth­i­cal issues that last not-impossibility raises, and I like to think I would not allow such a thing to hap­pen, but I am human, and desire is pow­er­ful, and irra­tional, and some­times a fan­tasy can mean so much more to you than the real­ity in which you live that you’ll take the risk of try­ing to make the fan­tasy real, and who has not been tempted, and who has not tried and failed?

I should be clear: I find noth­ing objec­tion­able, morally or oth­er­wise, in the idea that teach­ers might fan­ta­size sex­u­ally about their stu­dents, as long as the fan­tasies do not inter­fere with the instructor’s abil­ity to do her or his job. We are, after all, human, as are our stu­dents, and to pre­tend oth­er­wise would be fool­ish; but think­ing about Ali­cia Rickter’s pic­tures in Play­boy and the effect they have on me, are sup­posed to have on me, reminds me of some­thing that hap­pened in another com­po­si­tion class I taught not too long ago. One of my stu­dents — call her Saman­tha — was a young woman, around nine­teen or twenty, who wanted to be a model. She announced this to the class, so it was not a secret, and she told us proudly about a cou­ple of gigs that she thought might be her ticket to a seri­ous mod­el­ing career.

Also in this class was a man about my age, forty five — call him Barry — a retired cop who’d decided to come back to school to start a sec­ond career. Dur­ing one class, Barry and Saman­tha hap­pened to be in the same group, and I noticed as I walked around check­ing on each group’s progress that they were scrib­bling some­thing in each other’s note­books. I assumed it was their email addresses so that they could com­mu­ni­cate about the group project out­side of class. That evening, how­ever, I received an email from Barry with the sub­ject line “Check this out!” There was noth­ing in the body of the email but a MySpace URL. Since he and I often dis­cussed pol­i­tics and  mar­riage after class, and some­times chat­ted about our chil­dren, I clicked on it with­out think­ing, assum­ing he was send­ing me some­thing that had to do with one of our recent discussions.

Instead, what I found was Samantha’s MySpace mod­el­ing port­fo­lio, which included mostly pic­tures of her posed provoca­tively in reveal­ing lin­gerie. They were, as far as I could tell, legit­i­mate pic­tures — in other words, she I don’t think she had been try­ing to get Barry to sub­scribe to her soft (or hard) core porn site or any­thing like that — and I was imme­di­ately sorry that I saw them. Saman­tha had not given me per­mis­sion to look at them, and I was sure they did not rep­re­sent the image she wanted me to have of her, and it was also not the image I wanted to have of her, when I called on her in class or when I graded her papers.

I con­fronted Barry — to his credit, he imme­di­ately rec­og­nized the inap­pro­pri­ate­ness of what he’d done — and I spoke to Saman­tha, because she had a right to know what Barry had done, and the sit­u­a­tion was resolved; but the fact is that I couldn’t unsee what I’d seen and while I am con­fi­dent that I behaved pro­fes­sion­ally towards Saman­tha through­out the rest of the semes­ter, I’d be lying if I said her pic­tures hadn’t touched me in a way that was not so dif­fer­ent from the way that Ali­cia Rickter’s pic­tures are sup­posed to touch me; and how dif­fer­ent in kind — for it is cer­tainly dif­fer­ent in degree — is Barry’s attempt to bond with me over the body of the young woman in my class from the implicit and explicit male bond­ing that takes place over the pages of Play­boy every day?

[This post was slightly edited on 10/12 to cor­rect some incon­sis­ten­cies.]

Domestic Violence Has Always Been a Current Running Through My Life

Three weeks ago, as the stu­dents were fil­ing out of the room at the end of one of my classes, a woman stopped in front of my desk and said some­thing along the lines of, “So I want to write poetry, but I don’t know how to start. Can you help me?”

A ques­tion like that is not one you want to give an easy answer to, at least not with­out hear­ing a lit­tle more of what the per­son who asks has to say about them­selves, why they want to write and per­haps even what they want to write about, so I asked her to wait while I packed up my things and we went to find another room. As we sat down, it was clear that my stu­dent was ner­vous about some­thing and I, of course, assumed it was related to her ques­tion about writ­ing poetry. It was, but not in the way I antic­i­pated, and so I am going to skip over most of what we talked about to get to the point. After talk­ing a bit about strate­gies for start­ing to write, I sug­gested to my stu­dent that she might want to check out a local read­ing series run by one of my col­leagues. It’s a won­der­ful, warm, wel­com­ing place for begin­ners to go, both to hear other people’s work and to begin to share their own, but as soon as I sug­gested it, my stu­dents said, “You know, I barely have enough time to work, go to school and go home. I am in a very dif­fi­cult sit­u­a­tion and I know I won’t get the chance to go.”

Some­thing in her tone of voice told me she was not talk­ing about a merely prac­ti­cal dif­fi­culty and so I asked her, “By dif­fi­cult do you mean dan­ger­ous?” She said yes. I don’t want to give any more details, since I don’t want any­one to be able to iden­tify her from what I write here, but suf­fice it to say that she accepted my invi­ta­tion to tell me more about her sit­u­a­tion, and she is in a mar­riage that she needs des­per­ately to get out of. Her hus­band has not phys­i­cally harmed her yet, but she is afraid of him, and while she didn’t say so explic­itly when we talked, I think she believes him capa­ble of killing her if things ever get to that point.

I am doing what I can to help, and if it becomes pos­si­ble, per­haps I will write more about that, but what I have been think­ing about today is how domes­tic vio­lence has always been a cur­rent run­ning through my own life, from the boyfriend who held my mother hostage with a butcher’s cleaver to my mother’s best friend when I was a young teenager, who was found stabbed six­teen times in the chest with a ser­rated knife, most prob­a­bly by her boyfriend; from the woman in whose bed I spent the night – no sex was involved – because she was afraid that if her boyfriend came back he might get vio­lent to the woman who lived down­stairs from me who screamed like she was dying when the cops showed up at her door because I called them on a night when I was home to hear her boyfriend beat­ing the shit out of her. (He heard me telling the story about that night to a friend of mine through the way-too-thin walls of my apart­ment and called back that, now that he knew who had called the cops, he was going to make me pay for it. He never did, but it scared me. He was a very big man.) And then, of course, there was my own too-close-for-comfort-brush with being the one on whom some­one else might have had to call the cops.

I don’t really have much to say about all this tonight in any ana­lyt­i­cal sense; it’s just all been com­ing back to me in waves of feel­ing and it put me in mind to share this poem, “Coitus Inter­rup­tus,” which is from my book called The Silence of Men. There are likely to be all kinds of trig­gers all over the poem, so if you decide to read it, this has been your trig­ger warn­ing. The only other thing I will say about this poem is that, with the excep­tion of a few details which I had to alter in order to make the poem work, each of the inci­dents I tell about in the poem actu­ally hap­pened more or less the way they hap­pen in the poem:

Coitus Inter­rup­tus

1.

Naked at the win­dow, my wife calls me
as if some­one is dying, and some­one
almost is, pinned to the con­crete face down
beneath the fists and feet and knees of three

police­men. I’m still hard from before she
jumped out of bed to answer the ques­tion
I was will­ing not to ask when the siren
stopped on our block, but now I’m here, and I see

the man is Black, and how can I not
bear wit­ness? They’ve cuffed him,
but the uni­forms con­tinue to crowd our street,
and the blue-and-whites keep coming,

as if called to war, as if the lives
in all these dark­ened homes
were truly at stake, and that’s the thing—
who can tell from up here? — maybe

we’re watch­ing our sal­va­tion
with­out know­ing it. Above our heads,
a voice calls out Fuck­ing pigs!
but the ones who didn’t drag the man

into a wait­ing car and drive off
refuse the bait. They talk qui­etly,
gath­ered beneath the street­lamp
in the pale cir­cle of light

the man was beaten in, and then
a word we can­not hear is given
and the cops wave each other back
to their vehi­cles, the flash and sparkle

of their dri­ving off
throw­ing onto the wall of our room
a shadow of the embrace
my wife and I have been cling­ing to.

When I was six­teen, Tommy
brought to my room before he left
the Simon and Gar­funkel tape
I’d put the pre­vi­ous night

back among his things. He placed it
on the book­shelf near the door
he’d slammed shut two days ear­lier
when he was hold­ing a butcher’s cleaver

to my mother’s life. I wanted
to run after him and smash it at his feet;
I wanted to grab him by the scruff of the neck
and crush it in his face, to dan­gle him

over the side of our build­ing with one
ankle in my left hand and the Great­est Hits
in my right and ask him
which I should let drop.

But I didn’t, couldn’t really:
he was much too big,
and I was not a fighter,
and one of my best friends right now

lives with her son in the house
where her hus­band has already hit her
with a cast iron fry­ing pan,
and so there is no rea­son to believe

she is not at this moment cring­ing
bruised and bleed­ing in a cor­ner
of their bed­room, or that she is not,
with her boy and noth­ing else in her arms,

run­ning the way my mother
didn’t have a chance to run,
and there’s noth­ing I can do
but look at the clock — Sunday,

11:11 PM — and remind myself
it’s too late to call, that my calls
have caused trou­ble for her already.
When they pushed Tommy in handcuffs

out the front door, past where my mother sat,
quiet, unmov­ing, and I did not know
from where inside my own rage and ter­ror
to pull the com­fort I should have offered her,

the offi­cer mak­ing sure Tommy
didn’t trip or run winked at me, smil­ing
as if what had hap­pened were sud­denly
a secret between us, and this our signal

that every­thing was okay. I won­dered
if his had been the voice, calm
and deep with male author­ity—Son,
are you sure your mother’s in there

against her will?—that when I called
forced me to find the more-than-yes
I can’t remem­ber the words to
that con­vinced the cops they had to come.

2.

Sopho­more year, walk­ing the road
girdling the cam­pus. Up ahead, a woman’s voice
plead­ing with a man’s shout­ing to stop.
A car door slam­ming, engine revving,

and then wheels dig­ging hard into dri­ve­way dirt
that when I got there was a dust cloud
obscur­ing the blue vehicle’s rear plate.
The woman sprawled on the asphalt,

her black dress spread around her
like an open por­tal her upper body
emerged from. She pulled
the cloth away from her feet,

which were bleed­ing, and I drove
to where her spaghetti strap san­dals
lay torn and twisted beyond repair.
She left them there. Then to her home,

two rooms in a neigh­bor­hood house,
and I helped her onto the bed
that was her only fur­ni­ture, and filled
a warm-water basin to soak her feet,

and he had not hit her, so there was noth­ing
to report, but she said she was afraid
and would I sit with her a while.
We talked about her home in Seoul,

the man her par­ents picked for her
that she ran to Amer­ica to avoid mar­ry­ing,
and here she laughed — first trickle
of spring water down a win­ter mountain—

So instead I take from Egypt! I so stu­pid!
Then: What you think? Can man and woman
sleep same bed with­out sex?
I said yes.
So, please, tonight, you stay here? Maybe he com­ing back.

He fear white Amer­i­can like you. I was not a fighter,
but I stayed, and in the morn­ing when I left,
she said kam­sa­ham­nida—thank you—
and she bowed low, and she did not

ask my name, nor I hers, and though
I some­times looked for her on cam­pus,
I never saw her again. Just like Tommy,
whom I for­got to say before was white.

Just like the Black woman who lived down­stairs
before I got mar­ried, whose cries—Help!
Please! He’s killing me!
—and the dead thud
of him, also Black, throw­ing her

against the wall, and his scream­ing—
Shut up, bitch! Fuck­ing whore!—filled the space
till I was drown­ing. The desk sergeant
didn’t ask if I knew beyond a doubt

that she was being beaten,
but when she opened her front door
to the two men he sent, she shrieked
the way women shriek

in bad hor­ror movies
when they know they’re going to die,
and I almost felt sorry for calling.A few weeks later,

a voice on the phone: You know
what’s going on below you, right?
Please, tape a mes­sage to the door: “Mr. Peters
has been try­ing to reach you.” Noth­ing else.

And what­ever you do, don’t sign it.
For a month all was quiet. Then,
com­ing home early from work
I walked upstairs past peo­ple mov­ing furniture

out of her apart­ment. No one ever
wants to get involved,
right? a thin white man
in shorts and a t-shirt whis­pered bit­ter
behind me. I kept walking

the way Tommy did when he saw me
try­ing to catch his eye: head down,
gaze nailed to the floor, and then he was gone,
and the ques­tions I wanted to ask him

never became words. That tape
was all I had, till one day,
clean­ing house, my mother
held it up:

Do you still want this?

I never play it.

Throw it out then.

So I did.

Fragments of Evolving Manhood: Do You Like Your Body 5

“You don’t know who you are any­more!” We’ve just fin­ished eat­ing lunch and my grand­mother is sit­ting across from me at her din­ing room table. “All your trav­el­ing, your read­ing, explor­ing other cul­tures,” she purses her lips and looks down. Then she tilts her head ever so slightly to the right and nods a cou­ple of times, a ges­ture that usu­ally means she’s look­ing for a nicer way to say what she really wants to say. After a few sec­onds, she raises her face to me but can barely meet my eyes. “You’ve for­got­ten where you come from,” she says at last, her voice more sad than accusing.

I know what this is about — I told her last week that my wife and I have decided not to have our son cir­cum­cised — but I ask any­way. She knows I know, and I hear in her voice when she answers how much she resents my mak­ing her say it. Oddly, though, she does not try to make me feel guilty about deny­ing my Jew­ish her­itage or about mar­ry­ing a non-Jewish woman. Instead, she says, “You’re only ask­ing for trou­ble, you know. When he gets older he’s going to want to know why he’s not like you; he’s going to think you don’t want him to be like you; and what are you going to tell him when he asks you? Have you thought about that? What are you going to tell him?”

My two-and-a-half-year-old son, who’s been sit­ting with­out his dia­per on the car­pet in the liv­ing room, gets up and sits down next to me on the couch. “Dad,” he says, “my dool is soft.”

“Well, it’s sup­posed to be soft,” I tell him.

“No, it’s soft,” he says, his into­na­tion mak­ing clear that I didn’t under­stand him the first time.

“You don’t like it when it’s soft?” I ask, wait­ing to see what he does with the open­ing I’ve given him.

“No,” he answers with­out miss­ing a beat, “I want it to be big…like yours.”

“Don’t worry,” I say, “when you get big­ger, your dool will get big­ger to. Right now, it’s the just right size for—

Before I can fin­ish my sen­tence — “for your body” — my son looks up at me, his eyes widen­ing and his mouth curl­ing into a smile. “Dad,” he says, “come see my tools!” — my son is a bud­ding handy­man — “I need to fix the refrig­er­a­tor!” And as if the pre­vi­ous con­ver­sa­tion had not taken place, he grabs my hand and leads me off to his room, where we retrieve his plas­tic ham­mer and screw­driver so he can make sure the refrig­er­a­tor con­tin­ues to keep our food cold.

As we’re walk­ing, I laugh at myself, for I of course saw in my son’s desire for a penis as a big as mine a small moment of cri­sis, a fore­shad­ow­ing of all the ways in which he will try to mea­sure up to me and find him­self want­ing. Yet who knows what he really meant by what he said? And even assum­ing he meant exactly what he said, who knows what sig­nif­i­cance, pre­cisely, he attaches to the notion of big or what he thinks it says about me that my penis is big­ger than his, or about him that his is smaller? I remem­ber how the other day when were watch­ing tele­vi­sion, my son made a point of lay­ing on his side in as close an approx­i­ma­tion to my pos­ture as he could achieve and how he insisted that I notice him, “Dad! Look! I’m sit­ting just like you are!” Or how he takes his laptop-like alphabet-teaching-computer-game and sets it up so he can sit like I sit at my com­puter and type. More and more he wants to be like me, to do the things I do, and so it could be that his com­ment about his penis had noth­ing to do with any of the phal­lic anx­i­ety I could not help but hear in his words. Maybe he was just acknowl­edg­ing that while he can sit or type like I do, he can­not bring his body into con­gru­ence with mine.

My grandmother’s ques­tion and accu­sa­tion comes back to me—What will you tell him when he asks why he’s not cir­cum­cised and you are? He’s going to think you didn’t want him to be like you!—and I won­der not so much what I will tell him, but whether I will ever be able to know pre­cisely what he means by ask­ing.

Fragments of Evolving Manhood: Thinking About Pornography 4

I did not go to pornog­ra­phy because I’d been sex­u­ally abused, but the fact that I’d been abused made the world of pornog­ra­phy one that it felt nat­ural for me to inhabit.

One of the effects that sex­ual abuse often has on those who sur­vive it is make any expres­sion of our own sex­u­al­ity feel as if we are reen­act­ing the pat­tern of the abuse we suf­fered. In me – and I am writ­ing here about the years span­ning my mid-teens and early twen­ties – that feel­ing had less to do with expe­ri­enc­ing sex as a kind of instant replay of my own vic­tim­iza­tion than with the fear that being sex­ual in and of itself made me no dif­fer­ent from the men who had abused me. Yet I was sex­ual. No mat­ter how hard I tried I could not make my sex­ual feel­ings go away, and so my desire for women, my lust and emo­tional spon­tane­ity, became repug­nant to me, defects of char­ac­ter I needed to repair; and I did try to repair them, to remake myself as a man in com­plete con­trol of his feel­ings, sex­ual and oth­er­wise, because only when I had attained that level of con­trol would I be a man inca­pable of vic­tim­iz­ing oth­ers.1

My efforts, of course, failed, and it was in pornog­ra­phy – not con­sciously, not delib­er­ately, but nonethe­less, I think, inevitably – that I found a way to deal with my fail­ure. For the world of pornog­ra­phy, or at least of the main­stream het­ero­sex­ual pornog­ra­phy that was avail­able to me at the time, is in many ways very sim­i­lar to the world into which a sex­ual abuser indoc­tri­nates the per­son he or she abuses; it is a world in which every­thing, every human inter­ac­tion, whether with another human being or an object, is sex­u­al­ized. More than that, this sex­u­al­iza­tion is nor­mal; it is what the peo­ple of that world expect from each other and of them­selves; and so to feel sex­ual in that world, to act on those feel­ings in that world, can­not be defined as abuse. As opposed to my friends, in other words, for whom pornog­ra­phy began as and con­tin­ued be pri­mar­ily a kind of instruc­tion man­ual for how to be sex­ual in the real world, for me, once I’d been abused, pornog­ra­phy became a place where I could clois­ter my sex­u­al­ity, and there­fore my shame, shut­ting it out of the life I lived in the real world as much as I could and cre­at­ing the illu­sion that I had put the shame and the abuse behind me.

Not that I hid my inter­est in pornog­ra­phy. On the con­trary, I spoke about it quite openly, insist­ing that it was pos­si­ble to engage respectably and intel­lec­tu­ally with the topic, even though most of the con­ver­sa­tions I tried to start ended with some­one accus­ing me of cam­ou­flag­ing with the respectabil­ity I was claim­ing my real and more pruri­ent inter­est in the mate­r­ial. They were, of course, cor­rect. As often as I could man­age it, I immersed myself in the world that het­ero­sex­ual pornog­ra­phy offered me: a world of women, semi-clothed or fully naked, open-mouthed and open-legged, wait­ing to be for me what I wanted them to be, and every detail, page after page, frame after frame, right down to whether or not a woman had goose bumps, spoke to me of sex, of the mys­ter­ies con­tained in her body and in mine, and I imag­ined I was glean­ing the truth of it, though not only did that truth always prove always elu­sive, but it had also had very lit­tle to do with the intel­lec­tual pur­suit I pre­tended dur­ing the day that my inter­est in pornog­ra­phy really was.

The pic­ture that changed for­ever the way I looked at pornog­ra­phy was in a mag­a­zine called Puri­tan, in the bot­tom right cor­ner of the right hand page. The man was seated on a chair with his legs splayed out in front of him, his face and upper body hid­den by the woman, who was sit­ting with her feet on his thighs, her legs bent at the knees and spread wide so you could see how deeply she’d taken his penis into her. Her head was tilted slightly for­ward, and her eyes, which were round and moist and oh-so-innocent, were look­ing directly at the cam­era. Her lips were full and pouty. I don’t know why, but what I saw in the first moment I looked at that pic­ture was not the sex kit­ten she was sup­posed to be, but rather a lit­tle girl made to open her legs for the world to see the “slut” she “really” was, and this per­cep­tion touched my own sex­ual shame, and I got sick to my stom­ach, and I started to cry, and I could not bring myself to look at the pic­ture again, even though I kept it in my desk for weeks.

Over time, I came to under­stand that what I thought I saw on that woman’s face was in part a pro­jec­tion of what I saw in myself, and that it might well have had noth­ing to do with what she her­self was feel­ing or with what other peo­ple look­ing at the same pic­ture might have seen. I found I couldn’t look at images of peo­ple hav­ing sex any­more with­out won­der­ing about the degree to which the inte­rior land­scape of the per­form­ers’ expe­ri­ences cor­re­sponded to what I thought I saw in their per­for­mance. This change in per­spec­tive was trans­form­ing. I began to see sex not sim­ply as a series of par­tic­u­lar acts that I per­formed with par­tic­u­lar peo­ple, includ­ing myself, but also as a way of know­ing, not just a method but, lit­er­ally, a path into knowl­edge; and I believed then, though I would not say this now with the same sense of final­ity, that this path would lead me out of the uncer­tainty that look­ing at sex­u­ally explicit images made me feel. What I am cer­tain about, though, is that claim­ing sex as a path into knowl­edge helped me feel in ways that I never had before that I had a right to the phys­i­cal pres­ence I inhab­ited on this planet, pre­cisely the right that the men who abused me had pre­sumed to take away.

  1. For a detailed dis­cus­sion of this dou­ble bind and how it works, see Mike Lew, Vic­tims No Longer: Men Recov­er­ing from Incest and Other Sex­ual Child Abuse (Harper & Row, 1990) 185 – 87. []

Fragments of Evolving Manhood: When Witches Stole Penises 2

Part 1 ended with the fol­low­ing para­graph: And so on and so on, until the fun­da­men­tal dif­fer­ence between the Jew and the woman. Nei­ther believe in them­selves; but the woman believes in oth­ers, in her hus­band, her lover, or her chil­dren, or in love itself; she has a cen­ter of grav­ity, although it is out­side her own being. The Jew believes in noth­ing, within him or with­out him.…The woman believes in the man, in the man out­side her, or in the man from whom she takes her inspi­ra­tion [Jesus], and in this fash­ion can take her­self in earnest. The Jew takes noth­ing seri­ously; he is friv­o­lous and jests about any­thing, about the Christian’s Chris­tian­ity, the Jew’s baptism.

The Jew, in other words, is an even more debased woman than a woman is.

The Jew’s bap­tism. A Jew­ish joke: In the years before Vat­i­can II, when Catholics were still pro­hib­ited from eat­ing meat on Fri­days, a Jew­ish man named Yankel con­verted to Catholi­cism. From that moment on, he insisted on being called only Jacob.

Jacob was a devout church­goer, active in his parish and well-liked and respected by those who knew him. Still, Jacob was a new Catholic and old habits do die hard. So one Fri­day the parish priest decided to stop by Jacob’s apart­ment, just to make sure. As he walked up the stairs to Jacob’s floor, the priest could smell that some­one was cook­ing pot roast. As he approached Jacob’s door, the smell got stronger, and when he knocked and Jacob appeared in the door­way, the priest’s worst fears were con­firmed. The odor fill­ing the hall­way came from Jacob’s apartment.

“Jacob,” the priest tried to be cir­cum­spect, “you do real­ize it’s Fri­day, don’t you?”

“Of course, Father. Would you like to stay for dinner?”

“I’d love to stay, but it is Fri­day, you know, and we’re not sup­posed to eat meat.”

“Oh, don’t worry, Father,” Jacob’s voice was warm and reas­sur­ing, “I’m not serv­ing meat.”

At this obvi­ous lie, the priest got angry. “What do you mean you’re not serv­ing meat! I can smell the pot roast!”

“Really, Father, don’t worry. It’s not pot roast.”

The priest pushed past Jacob into the kitchen. Sure enough, there, in the oven, was a pot roast. “Look,” he was point­ing directly at the meat. “How can you tell me this is not a pot roast?”

“Well, Father, last Sun­day I brought some holy water home from the church, and today, before I started to cook, I sprin­kled some of the water on the meat and I said, ‘In the name of the Father, the Son, and the Holy Spirit, you’re no longer a pot roast. You’re a poached salmon.’”

The book was called Sex and Char­ac­ter, and it was bril­liant — all the crit­ics on both sides of the Atlantic said so. Otto Weininger, the author, was a Ger­man Jew who con­verted when he received his doc­tor­ate. By argu­ing that Jew­ish men are essen­tially degen­er­ate women — this is Sander Gilman’s line of rea­son­ing in Jew­ish Self-Hatred—Weininger hoped to prove that he had left his for­mer Jew­ish self behind for good, but it didn’t work. Weininger the Jew haunts the pages of Sex and Char­ac­ter the way the voice of any unwanted self haunts the per­son who tries to dis­own it. We are always, inescapably, at every moment of who we are, all of who we are, and to dis­avow that whole­ness is to turn the part of our­selves we have rejected into a ghost.

The Jew’s bap­tism. I wish I could remem­ber which rebbe it was who first explained to me that Jews can­not con­vert — or, more pre­cisely, that Jew­ish law does not rec­og­nize as valid any con­ver­sion rit­ual to which a Jew might choose to sub­mit. You could live the rest of your life in strict, defin­i­tively non-Jewish adher­ence to the prin­ci­ples of your new faith, adopt­ing what­ever label of iden­ti­fi­ca­tion that faith required, but, accord­ing to this rebbe, there was ulti­mately noth­ing you could do to wipe away the fact of your Jew­ish­ness. “When the day of judg­ment finally arrives,” I remem­ber him telling my class, “God will judge these men and women as Jews, and it will be as Jews that they enter or are pro­hib­ited from enter­ing olam haba, the world to come.”

The under­ly­ing Jew­ish real­ity of my exis­tence, in other words — and I believed this, because in those days I believed almost every­thing about being Jew­ish that my rebbes told me — could not be changed. What it meant for me to be a Jew was as per­ma­nently writ­ten into the foun­da­tion of my Yid­dishe neshama, my Jew­ish soul, as the fact of my cir­cum­ci­sion had been per­ma­nently writ­ten into my body, because even though most of my non-Jewish friends were also cir­cum­cised, mine was dif­fer­ent. My cir­cum­ci­sion had been per­formed in the name of God — this is my grand­mother talk­ing, though I don’t remem­ber why she felt the need to explain it to me — was proof of the covenant God had made with Abra­ham, of my inclu­sion in and oblig­a­tion to ful­fill that covenant. I could change about myself any­thing I wanted to; I could even become a woman — this is me; my grand­mother would never have allowed such a thing to enter her mind — but I could never escape the fact that a divine cut had been made in my flesh, that the mark of God’s cho­sen peo­ple had once been vis­i­ble on my flesh.

Given the fre­quency with which Jews were forced to con­vert to Chris­tian­ity through­out much of Euro­pean his­tory — and as far as I know it was in Europe that the notion of the uncon­vert­ible Jew first took shape — it’s under­stand­able that the rab­bis who shaped Jew­ish law might see becom­ing a Chris­t­ian as some­thing one might do to sur­vive, but not as an act one would choose will­ingly to per­form. Indeed, the idea that there was such a thing as an immutable Jew­ish soul could be under­stood as a form of resis­tance, a way of draw­ing a line that the Chris­tians could not cross under any cir­cum­stances. It’s ironic, there­fore, that the medieval church also con­ceived of the Jew­ish soul as immutable, except that the church thought the impos­si­bil­ity of a fully valid Jew­ish con­ver­sion resulted from short­com­ings with which the Jews were born and which could never fully be overcome.

Remem­ber “the blood of Christ” ver­sus “the blood of a Chris­t­ian”? Accord­ing to de Cantim­pré, the mis­take was made by a Jew­ish prophet who didn’t under­stand Latin well enough to get it right. No, more than didn’t. Couldn’t. Who couldn’t get it right because he was inca­pable, as all Jews were under­stood to be inca­pable, of com­mand­ing any lan­guage other than their own. In de Cantimpré’s time, this lan­guage was Hebrew, the tongue in which the Jews read and inter­preted their holy texts, and it was in the nature of Hebrew, and there­fore in the nature of the Jew­ish soul that per­ceived the world through Hebrew, that the Jews could not see, for exam­ple, the many pre­fig­u­ra­tions of Christ’s com­ing that their texts. To put it another way, the Jews had a lim­ited and essen­tially false view of the world because they spoke Hebrew, and they spoke Hebrew because they had a lim­ited and false view of the world. The Jews’ very exis­tence, in other words, was based on false pre­tenses, and so even when a Jew claimed to have con­verted out of real con­vic­tion, the assump­tion among his new core­li­gion­ists was that he or she was most prob­a­bly lying.

Since Jews in the mid­dle ages could be con­demned to burn at the stake for even the tini­est per­ceived slight against Chris­tian­ity — and a false con­ver­sion was an offense nei­ther tiny nor imag­i­nary — Jews who con­verted had a vested inter­est in putting as much dis­tance as pos­si­ble between them­selves and their own dis­avowed Jew­ish­ness. So, in the 1500s, when the con­verted Jew Johannes Pfef­fer­korn wrote a series of pam­phlets attack­ing the Jews, he had first to con­vince his Chris­t­ian read­ers of the valid­ity and value of his own con­ver­sion. “My dear­est Chris­tians,” he wrote, “you should under­stand and appre­ci­ate the great value and bounty that the Jews will bring to the Chris­t­ian Church.… Much as a hun­gry bear who has bro­ken open a bee­hive will not be dri­ven away because of the attrac­tion of the sweets, so, too, will it occur with the Jews. When they taste the honey, they will say, This is a feast above all feasts, and I believe, as true as it is within me, that all of the worldly feasts are not to be com­pared with one who has under­stood the Old Tes­ta­ment in the light of the New.”1

Pfef­fer­korn wrote in vain. Vic­tor of Kar­ben, a rabbi who con­verted to Chris­tian­ity and became a priest, and who was a con­tem­po­rary of Pfef­fer­korn, summed up where con­verts like him fit into his new reli­gious community’s world view: “And thus, says the Psalmist, one spends the entire day like a poor dog that has spent its day run­ning and returns home at night hun­gry. For there are many unchar­i­ta­ble and igno­rant Chris­tians who will not give to you but will rather show you from their doors with mock­ery, say­ing, ‘Look, there goes a bap­tized Jew.’ And then oth­ers answer, ‘Yes, any­thing that is done for you is a waste. You will never become a good Christian.’.…And [still oth­ers say] with sat­is­fac­tion, ‘Though you may act like a Chris­t­ian, you are still a Jew at heart.’”2

You are still a Jew at heart. The cycle is vicious, because if Jews can never change, then con­ver­sion and its accom­pa­ny­ing sal­va­tion are cat­e­gor­i­cal impos­si­bil­i­ties. And yet if you are a Jew who’s con­verted not only do the Jews have to be able to change, but they also have to be, at the same time, so rad­i­cally and irrec­on­cil­ably dif­fer­ent that your becom­ing a Chris­t­ian negates entirely the Jew you once were. Oth­er­wise, how can you prove that your con­ver­sion is real? Or maybe your con­ver­sion was a lie after all, the result of a Jew­ish deceit­ful­ness within your­self of which you had no knowl­edge. And yet you know how you feel. You know the joy you expe­ri­enced when you were bap­tized. How could that have been false? And yet and yet and yet and yet, and yet again. The cycle is vicious, and it forms the core of all self-hatred — in this case Jew­ish self-hatred — and there is, ulti­mately, no way out of it.

Dear — ,

I was glad to receive your let­ter the other day. It has been many months since you left and I wel­comed the oppor­tu­nity that read­ing your words gave me to hear again the sound of your voice. You ask how, after hav­ing lived most of my life as a Jew, I found it in myself to embrace as fully and with as much cer­tainty as I have the light that is Christ. Indeed, it is a good story, worth telling. Per­haps you, or those with whom you share it, will find it instructive.

At first, it was strictly busi­ness, the way it always is with the Jews. I was in Mainz to keep an eye on Ekbert, the bishop of Mainz, to whom I’d been fool­ish enough to lend money with­out suf­fi­cient col­lat­eral. I went reg­u­larly to his ser­mons, stand­ing at the edge of the crowd, pre­tend­ing to be inter­ested, but really I just wanted to let him know I was there, that it would not be easy for him to get out of pay­ing me back. Slowly, though, I’m not sure exactly when or pre­cisely why, his words started to mean some­thing to me, and it was as if a veil had been lifted from my eyes, a dark­ness cleared. Of course the bind­ing of Isaac pre­fig­ured the cru­ci­fix­ion! And of course Isaiah’s prophecy about the vir­gin was really a fore­telling of the vir­gin birth! How could I not have under­stood this before? Soon I was not only attend­ing Ekbert’s ser­mons; I was also get­ting pri­vate instruc­tion from him, though I had to use the pre­tense of going to col­lect my money so I could see him with­out arous­ing the Jews’ sus­pi­cions. Because they are a devi­ous peo­ple, they trust no one, not even each other, and so I made sure to take from Ekbert just enough money to put my neigh­bors at ease. Of course I gave every bit of it back once my con­ver­sion was complete.

Still, even though I am now Her­mann, the abbot of this monastery at Scheda, even though the man I was, Judah ben David ha-Levi, is as for­eign to me as if he’d never been born, even now, some­times I hear in my dreams the words of the monk to whom I first con­fided my desire to accept Christ, before I asked Ekbert to be my teacher — “Get out! Get out, you hea­then! You blind Jew­ish dog! Get out!” Just as they did when I first heard them, the words par­a­lyze me, and I am over­come with fear that I remain beneath these monas­tic robes noth­ing more than a Jew, for­ever blind and, for that blind­ness, for­ever damned. Only prayer and the knowl­edge that Christ’s love is all-forgiving help me then. May you never know such doubts.

Yours in Christ,

Her­mann

Her­mann — yes, he really did exist3—did not write this let­ter, but I am guess­ing that he wrote or wanted to write one just like it, and so I have imag­ined for him an inter­locu­tor to whom he could express his frus­tra­tions and fears not only with­out fear­ing reprisal, but also, and more impor­tantly, with the hope that in speak­ing to this per­son he would be able to find some affir­ma­tion of what he under­stood to be true about him­self. In this sense, Sex and Char­ac­ter was Otto Weininger’s let­ter to the world, but while the let­ter I’ve invented for my ver­sion of Her­mann suc­ceeds in the sense that he is hon­est about his doubts and the pain they cause him, Weininger’s left him blind.

“The pilpul,”—this is Sander Gilman — “is the quin­tes­sen­tially Jew­ish mode of argu­ment. It is the basis for all Tal­mu­dic dis­course. Sus­pend­ing time and space, it con­fronts the opin­ions of all author­ity, seek­ing the moment of res­o­lu­tion hid­den within seem­ingly con­tra­dic­tory posi­tions.” The pilpul pro­ceeds “based on anal­ogy and approx­i­ma­tion and not on the syl­lo­gism, the basis of clas­si­cal logic.”4 So, for exam­ple, in Trac­tate Bava Met­zia, when the rab­bis take up the ques­tion of what kinds of found objects the finder is obliged to return and what kinds he or she may keep, every­one agrees that if the found object has some iden­ti­fy­ing mark on it, such that the object’s owner has a rea­son­able expec­ta­tion of iden­ti­fy­ing and retriev­ing it, the finder can­not keep the object with­out first mak­ing a con­certed and pub­lic effort to locate the owner. If, on the other hand, the found object has no iden­ti­fy­ing mark, then the finder can keep it with­out mak­ing that effort because we assume that the owner, since he has no expec­ta­tion of iden­ti­fy­ing what he has lost, has given up hope of retriev­ing it.

In other words, if some­one finds “scat­tered fruit” with­out any iden­ti­fy­ing mark, he or she is allowed to keep it. Rabbi Yitzhak wants to know, how­ever, pre­cisely how much fruit spread over pre­cisely how much area qual­i­fies as “scat­tered.” The rab­bis then take a moment to define the con­text in which the fruit is found, decid­ing that they are not talk­ing about a sit­u­a­tion in which the fruit fell by acci­dent or where there is some indi­ca­tion — even if there is no mark on the fruit — that the owner will return later to retrieve what he dropped. Rather, they are deal­ing with a sit­u­a­tion in which grain ker­nels have been left behind on the thresh­ing room floor, and since the effort required to col­lect the ker­nels would be greater than what the owner would gain by col­lect­ing them, we can assume the owner will not come back to do so. Any­one who finds the grain, there­fore, is enti­tled to keep it. On the other hand, though, if the grain is spread over a small enough area such that the owner might con­sider the effort it would take to retrieve the grain worth­while, then we have to assume that he or she will return for the grain, and so the per­son who finds it can­not keep it with­out first attempt­ing to return it.

But another ques­tion still remains unan­swered. The rab­bis want to know the owner’s pri­mary motive for aban­don­ing part of his crop. Is it the fact that it will take too much effort to col­lect the scat­tered grain? Or is it because the value of the grain once it has been gath­ered will be too small? So Rabbi Yirmeyah poses the ques­tion of whether the same prin­ci­ples would apply to half the amount of grain scat­tered over half the area. The effort to gather the grain is smaller, but the value of the grain is less. Do we assume the owner would come back for the grain or not? So then the rab­bis ask about twice the amount of grain spread out over twice the area, where the effort to gather the grain would be greater, but the value would be greater as well. The dis­cus­sion then becomes even more com­pli­cated when the rab­bis start to con­sider that dif­fer­ent kinds of fruit are not only of dif­fer­ent sizes, but they have dif­fer­ent val­ues. Sesame seeds, for exam­ple, are very small and excep­tion­ally hard to pick up, but they were also, in Tal­mu­dic times, extremely valu­able. Given that fact, some­one might indeed be will­ing to expend the effort of gath­er­ing the seeds up, even a rel­a­tively small amount scat­tered over a rel­a­tively large area. So is the quan­tity and square footage that define “scat­tered” for sesame seeds dif­fer­ent from, say, the mea­sure­ments that define “scat­tered” for figs?

And so on and so on and so on, until the rab­bis pro­nounce teiku, which means they have con­cluded that the ques­tions raised by Rabbi Yirmeyah must remain undecided.

And that’s it. They just leave it there. The text records no uneasi­ness that they have not been able to resolve this ques­tion, no frus­tra­tion at Rabbi Yirmeyah for pos­ing an unsolv­able prob­lem. They seem to be con­tent that the prob­lem has been artic­u­lated, and they move on to the next issue, which is a good deal more com­plex and has to do with what it means to say that some­one who has lost an object has given up hope of find­ing it — and remem­ber that we are talk­ing here about objects that have no iden­ti­fy­ing mark. The rab­bis want to know the pre­cise moment at which this loss of hope takes effect, free­ing the finder of any oblig­a­tion to locate the owner. Is it from the moment the loss occurs, whether or not the owner is aware of the loss? Or is it from the moment the owner becomes aware that he has lost some­thing? The ques­tion may seem silly, but there is an impor­tant under­ly­ing prin­ci­ple at stake: Is it pos­si­ble, or even desir­able, to con­sider as hav­ing already occurred events that have not yet taken place, but that will with­out a doubt occur in the future? Here’s another vari­a­tion of the same ques­tion: How does one dis­tin­guish legally between some­thing that hap­pens of its own accord (a storm, say, that knocks a tree from your yard onto your neighbor’s prop­erty and dam­ages your neighbor’s roof) and some­thing that hap­pens because of human action (the same tree dam­ages the same roof, but this time it’s because you were cut­ting the tree down and it fell in the wrong direc­tion)?5

The Jew takes noth­ing seri­ously. So imag­ine you’re a man walk­ing down the road at the time of The Malleus Malefi­carum. Not far ahead some­thing that looks like the largest worm you’ve ever seen is try­ing to crawl across the road. When you get closer, you real­ize it’s a penis, prob­a­bly just escaped from the cage it was kept in by the witch that stole it. Which por­tion of the law should apply? Is find­ing the penis the same thing as find­ing, say, a lost sheep? (Or in this case per­haps a horse, since the witches, you’ll remem­ber, feed their stolen penises bar­ley and oats?) Or is it like find­ing a piece of food that fell from the bag of the per­son who bought it? Or sup­pose instead of one penis, you hap­pen across an entire cage’s worth scat­tered along the road? Does it mat­ter pre­cisely how scat­tered they are? Do we assume that a man who has lost his penis will be able to iden­tify it and so, by def­i­n­i­tion, can­not be said to have given up hope of find­ing it? Or is it all moot because the penises were stolen? And since we’re talk­ing here about penises that have become unat­tached to the men whose bod­ies they used to adorn, we know, I mean, we really know, they had to have been stolen. Must you announce what you’ve found? How, assum­ing some­one comes to claim what you’ve found, will you iden­tify its right­ful owner? Under what cir­cum­stances, if any, can you keep a penis you have found for your­self? Why on earth would you want to?

Well, if you were an eigh­teenth or nine­teenth cen­tury man of med­i­cine or sci­ence, you’d want one in your spec­i­men col­lec­tion, specif­i­cally a Black one, because the study of com­par­a­tive anatomy pretty much demanded that you have one. Founded by Johan Friedrich Blu­men­bach, this new sci­en­tific field treated the body as a text even more reveal­ing of the dif­fer­ences between and among groups of peo­ple than their lan­guages or cul­tur­ally deter­mined behav­iors, espe­cially when the dif­fer­ences in ques­tion were racial. “Every pecu­liar­ity of the body has” — this is the nine­teenth cen­tury anatomist Edward Drinker Cope, quoted by David M. Fried­man in his book, A Mind Of Its Own—“…some cor­re­spond­ing sig­nif­i­cance in the mind, and the causes of the for­mer are the remoter causes of the lat­ter,” a prin­ci­ple under­stood in prac­tice to mean that larger phys­i­cal or phys­i­o­log­i­cal fea­tures con­ferred supe­ri­or­ity on the race that pos­sessed them. With one excep­tion. The larger penises that Black men were under­stood to have — the myth actu­ally dates at least as far back as the ancient Romans — con­ferred on them not sex­ual supe­ri­or­ity but the bes­tial­ity that white peo­ple believed defined Black infe­ri­or­ity. 6

Even in the early years of the twen­ti­eth cen­tury, the idea was wide­spread that the gen­i­tals of Black men pre­cluded any pos­si­bil­ity of equal­ity with whites. In “The Negro as a Dis­tinct Eth­nic Fac­tor in Civ­i­liza­tion,” pub­lished in 1903, Dr. William Lee Howard devel­oped this idea at some length, argu­ing that because “all intel­lec­tual devel­op­ment [in Black men] cease[d] with the advent of puberty,” and because Black men pos­sessed “enor­mously devel­oped” gen­i­tals that com­pelled them to devote their entire lives “to the wor­ship of Pri­a­pus,” result­ing in the cor­re­spond­ing enlarge­ment of the sex­ual cen­ters of their brains, the only way Blacks could be “ele­vated” by edu­ca­tion — the phras­ing that was com­mon at the time — was if that edu­ca­tion man­aged some­how to “reduce the large size of the African’s penis.”7

Through­out his­tory, in other words, peo­ple have believed that what they think they know about the nature of a man’s penis some­how bespeaks the true essence of his char­ac­ter.

  1. Gilman, Jew­ish Self-Hatred: Anti-Semitism and the Hid­den Lan­guage of the Jews 36. []
  2. ibid. 40 – 41 []
  3. Adapted from ibid. 29 – 31 []
  4. ibid. 90 []
  5. My sum­mary here is taken entirely from Rabbi Israel V. Berman, ed., Trac­tate Bava Met­zia, Part Ii, vol. 2, The Tal­mud: The Stein­saltz Edi­tion (New York: Ran­dom House, 1990) 3 – 10. []
  6. David M. Fried­man, A Mind of Its Own: A Cul­tural His­tory of the Penis (New York: Pen­guin Books, 2001) 106 – 07. []
  7. Quoted in Ibid. 120 – 21. []

Fragments of Evolving Manhood: When Witches Stole Penises 1

You won’t believe me. I know you won’t. I didn’t want to believe it myself, but I couldn’t deny what my eyes were telling me: My penis was gone! Really! Gone! I’d just come home from break­ing up with my girl­friend, and I was undress­ing to take a shower before din­ner when I reached down to touch myself and felt…nothing!

Do you understand?

Noth­ing!

My brain could not at first deci­pher what the tips of my fin­gers were telling me, but when I looked down I saw that between my legs where my penis should have been the skin was as smooth and as hair­less as the top of my head. I stood in front of the mir­ror in my bed­room cup­ping my crotch like a shy girl forced to strip naked in front of strangers, pray­ing that my eyes were play­ing tricks on me, that when I removed my hands and looked again my penis would be there.

I removed my hands and looked again. My penis was not there.

Not know­ing what else to do, and since I was not about to call on one of my friends and say, “Hey, let’s go out for a drink. I need to talk,” I put my clothes back on and went across town to a bar where I didn’t think any­one would know me. I ordered a beer and sat by myself in a cor­ner booth, mak­ing sure to avoid eye con­tact with any­one who hap­pened to look my way.

“Mind if I sit down?” The inquis­i­tive eyes of a pretty, red-haired woman were sud­denly too close for me to avoid.

Great, I thought, I have no penis and a woman is try­ing to pick me up. Just what I need.

There was an open­ness in the way she looked at me, though, a kind­ness in her eyes that per­suaded me not to refuse. I nod­ded my head.

“You look like you could use some­one to talk to.” She slid into the seat oppo­site me.

“I guess, but it’s some­thing I don’t think you’d understand.”

“What do you mean?”

Not know­ing what to say in response, I looked down at the table.

She tilted her head and leaned for­ward, try­ing to catch my eye, “You know, there’s not much I haven’t seen or heard, so I doubt that whatever’s both­er­ing you will shock or offend me.”

“Oh, this’ll shock you.”

“Try me.”

I don’t know why, but I sud­denly wanted des­per­ately to tell her. I just didn’t know how, and so we went back and forth a few times — her encour­ag­ing me to open up; me insist­ing it’d be point­less — while a list of all the dif­fer­ent things I could say ran through my head, each one sound­ing more absurd than the next. “My penis has dis­ap­peared” made it sound like the damned thing had sprouted legs and walked away; “I’ve lost my penis” was so ridicu­lous I actu­ally smiled just think­ing about it; and “my penis is gone” should’ve been the title of a very bad par­ody of a very bad love song.

“I don’t have a penis any­more,” I finally told her.

As I expected, she burst out laugh­ing. “No, seri­ously…” she said, but then I guess she read on my face how seri­ous I was. Her eyes dark­ened and her lips tight­ened into a thin col­or­less line. “You’d bet­ter show me.” She said this with such author­ity that with­out giv­ing it a sec­ond thought I nod­ded my head and fol­lowed her to an upstairs apart­ment she said she was rent­ing from the bar’s owner.

When I took my pants down, her face remained expres­sion­less for a few sec­onds. “Tell me every­thing you’ve done in the past three days or so,” she com­manded, and I did, and when I got to the part about break­ing up with my girl­friend, the woman stopped me and nod­ded her head. “Now I under­stand. The woman you were see­ing is a witch and she has taken your penis as revenge for break­ing up with her. The only way you can get your organ back is to per­suade her to return it to you.”

A witch! Now at least I knew what I was deal­ing with. I went to the church to talk to my priest. He didn’t want to believe me at first either — who could blame him? — but when I took my pants down and repeated what the woman in the bar had told me, he gave me his blessing.

The next day, I went back to the house of the woman I’d just bro­ken up with and knocked on the door. She came out onto the porch so she wouldn’t have to invite me in.

“I want you to give me my penis back.” I kept my voice low and steady so she would under­stand how seri­ous I was.

“What are you talk­ing about?” For her part, she was try­ing hard to sound innocent.

“You know very well what I’m talk­ing about!”

Before she could go back inside, I twisted a rope that I’d brought for this pur­pose around her neck, scream­ing over and over again into her ear, “Give it back! Give it back or I’ll kill you!”

She kept protest­ing that she had no idea what I was talk­ing about, but when her eyes started to bulge, she nod­ded her head and mouthed the word OK. After I loos­ened the rope enough for her to catch her breath, she reached between my legs and stroked me. It was truly mag­i­cal! I knew with­out hav­ing to look or touch that my organ had been restored to me.

I walked away with­out look­ing back, leav­ing the rope around the woman’s neck as a reminder of what I would do to her if she tried to harm me in any way again.

Imag­ine that some­one has told you this story and asked you to believe it.

Now imag­ine actu­ally believ­ing it, not only because you believe in witches, but because you hear the story from the priest who was the narrator’s con­fes­sor, and you can­not imag­ine a priest lying about such seri­ous mat­ters. After all, he knows that if you ever learn her name and find out where she lives, the woman in ques­tion could be, no, would be — you make a note to your­self to see if you can locate her — hunted down like an ani­mal and burned at the stake. You’re at war with Satan him­self, and you need to be as mer­ci­less as he is. It may not be women’s fault that they are frail crea­tures, eas­ily swayed by the promises of power and plea­sure the Devil uses to seduce them, but they are still respon­si­ble for their choices: A woman who becomes a witch ded­i­cates her life to the destruc­tion of Christ’s king­dom, for­feit­ing the soul that God in His infi­nite wis­dom and mercy gave her when she was con­ceived. Such a woman deserves to die.

You believe this, are com­mit­ted to it, would give your own life in defense of it, and this is why you want to leave no room for doubt in the minds of the peo­ple for whom you are now writ­ing that a witch can indeed remove a man’s penis from his body. Well, not exactly remove it, but you’ll get into the fine points of that dis­tinc­tion later, for an image of the Witches’ Sab­bat dis­tracts you momen­tar­ily from your work. The writhing bod­ies. The moans of car­nal plea­sure. The Devil in all his var­i­ous incar­na­tions mov­ing from woman to woman, tak­ing each one in a dif­fer­ent posi­tion, and they kiss his erec­tion, and they kneel between each other’s legs.… You take a deep breath. Satan is devi­ous, knows your weak­nesses too, and it’s only because your will is strong that you’re able to wrench your atten­tion back to the world-saving impor­tance of what you’re writing.

And what, then, is to be thought of those witches who…collect male organs in great num­bers, as many as twenty or thirty mem­bers together, and put them in a bird’s nest, or shut them up in a box, where they move them­selves like liv­ing mem­bers, and eat oats and corn, as has been seen by many and is a mat­ter of com­mon report? [A] cer­tain man tells that, when he had lost his mem­ber, he approached a known witch to ask her to restore it to him. She told the afflicted man to climb a cer­tain tree, and that he might take which he liked out of a nest in which there were sev­eral mem­bers. And when he tried to take a big one, the witch said: You must not take that one; adding, because it belonged to a parish priest.1

Of course witches don’t really remove men’s penises. That would mean the Devil had the power to alter per­ma­nently the struc­ture of God’s world, and there’s no way God would allow His neme­sis to become that strong. Rather, men who believe their penises have been taken from them have fallen under the influ­ence of a glam­our, or spell, that makes it appear their gen­i­tals are gone. For the Devil’s strength is ulti­mately noth­ing more than the power to deceive, which is why Satan can in no way enter the mind or body of any man, nor has the power to pen­e­trate into the thoughts of any­body, unless such a per­son has first become des­ti­tute of all holy thoughts, and is quite bereft and denuded of spir­i­tual con­tem­pla­tion.2 The men who fall prey to penis-removing glam­ours, in other words—most commonly…adulterers and for­ni­ca­tors3—deserve their unman­ning, though you sup­pose their con­di­tion is to be pitied rather than reviled, for only the very few among us are truly with­out sin.

You don’t know, there is no way you can know, that the book you’re writ­ing — what will become, when it is first pub­lished in 1486, The Malleus Malefi­carum—is des­tined to be for nearly three cen­turies the Inquisition’s author­i­ta­tive text on the the­ory, iden­ti­fi­ca­tion, inter­ro­ga­tion, tor­ture and exe­cu­tion of witches. Nor are you aware that what you’re writ­ing will change irrev­o­ca­bly the way witches are seen and hunted, trans­form­ing witch­craft from a crime against your god com­mit­ted more or less equally by men and women, and by rel­a­tively few peo­ple at that, into an almost exclu­sively female trans­gres­sion.4 Nearly 100,000 women will be burned at the stake as witches by the time the influ­ence of your text has waned in the mid-1700s, and at least twice as many more will have had their lives ruined by the accu­sa­tion.5 There’s no way you can know this, but you’d be proud of it. Women, no, witches, no, women, witches — what’s the difference? — those treach­er­ous, devi­ous, evil, seduc­tive, nearly irre­sistible crea­tures deserve every moment of agony they suf­fer, whether on the rack or burn­ing at the stake. Each moment of pain, each lick of each flame on their sin­ful skin brings closer the ful­fill­ment of God’s divine plan, and so the more of them you can burn off the face of the earth the bet­ter off the earth will be.

You put down your pen and look out the win­dow, your thoughts hav­ing turned for the moment to the Jews, espe­cially the Jew­ish doc­tors whose black arts are not so dif­fer­ent from witches’ glam­ours,6 and you won­der again if exclud­ing the Jews from The Malleus was a good idea. Granted, as Sprenger pointed out when you first argued about this, the Jews are not witches, but they are in league with Satan, and Satan uses them, and they share — you’ve read recently the work of Thomas de Cantim­pré, and it is pure and noble and blessed, and he has it on the author­ity of St. Augus­tine that the Jews share with women, with witches, the curse vis­ited upon Eve for her dis­obe­di­ence in the par­adise of Eden that would have been ours if not for her. Just like Eve and her daugh­ters, Jew­ish men bleed monthly, for they too rejected Christ. Augus­tine calls it a mark of Cain, and it is why, this mark, it is why the Jews drink the blood of Chris­t­ian chil­dren. They think it will cure them. They are wrong, though, as the Jews are always wrong, mis­tak­ing Chris­tiano san­guine, the blood of a Chris­t­ian, for the one thing that would truly end their suf­fer­ing, Christi san­guine, the blood of Christ, taken in Holy Com­mu­nion.7

Ah, well, Sprenger is right. The Jews are not witches, and so even though this con­nec­tion between witches and Jews intrigues you, you decide you must leave it for some­one else to tackle. Over the cen­turies, many try, but it will be five hun­dred years before some­one reveals the fem­i­nine cor­rup­tion of the Jews as com­pre­hen­sively as you have done for witches:

The true con­cep­tion of the State is for­eign to the Jew, because he, like the woman, is want­ing in per­son­al­ity; his fail­ure to grasp the idea of true soci­ety is due to his lack of free intel­li­gi­ble ego. Like women, Jews tend to adhere together, but they do not asso­ciate as free inde­pen­dent indi­vid­u­als mutu­ally respect­ing each other’s individuality.

As there is no real dig­nity in women, so what is meant by the word “gen­tle­man” does not exist amongst the Jews. The gen­uine Jew fails in this innate good breed­ing by which alone indi­vid­u­als hon­our [sic] their own indi­vid­u­al­ity and respect that of oth­ers. There is no Jew­ish nobil­ity, and this is the more sur­pris­ing as Jew­ish pedi­grees can be traced back for thou­sands of years.8

In the Jew and the woman, good and evil are not dis­tinct from one another.9

It would be easy to under­stand why the fam­ily (in its bio­log­i­cal not its legal sense) plays a larger role amongst the Jews than amongst any other people.…The fam­ily, in this bio­log­i­cal sense, is fem­i­nine and mater­nal in its ori­gin, and has no rela­tion to the State or to soci­ety.10

The fact that no woman in the world rep­re­sents the idea of the wife so com­pletely as the Jew­ish woman (and not only in the eyes of the Jews) still fur­ther sup­ports the com­par­i­son between Jews and women. In the case of the Aryans, the meta­phys­i­cal qual­i­ties of the male are part of his sex­ual attrac­tion for the woman, and so, in a fash­ion, she puts on an appear­ance of these. The Jew, on the other hand, has no tran­scen­den­tal qual­ity, and in the shap­ing and mould­ing of the wife leaves the nat­ural ten­den­cies of the female nature a more unham­pered sphere; and the Jew­ish woman, accord­ingly, plays the part required of her, as house-mother or odal­isque, as Cybele or Cyprian, in the fullest way.

The con­gruity between Jews and women fur­ther reveals itself in the extreme adapt­abil­ity of the Jews, in their great tal­ent for jour­nal­ism, the “nobil­ity” of their minds, their lack of deeply-rooted and orig­i­nal ideas, in fact the mode in which, like women, because they are noth­ing in them­selves, they can become every­thing. The Jew is an indi­vid­ual, not an indi­vid­u­al­ity; he is in con­stant close rela­tion with the lower life, and has no share in the higher meta­phys­i­cal life.11

And so on and so on, until the fun­da­men­tal dif­fer­ence between the Jew and the woman. Nei­ther believe in them­selves; but the woman believes in oth­ers, in her hus­band, her lover, or her chil­dren, or in love itself; she has a cen­ter of grav­ity, although it is out­side her own being. The Jew believes in noth­ing, within him or with­out him.…The woman believes in the man, in the man out­side her, or in the man from whom she takes her inspi­ra­tion [Jesus], and in this fash­ion can take her­self in earnest. The Jew takes noth­ing seri­ously; he is friv­o­lous and jests about any­thing, about the Christian’s Chris­tian­ity, the Jew’s bap­tism.12

The Jew, in other words, is an even more debased woman than a woman is.

Notes

  1. Hein­rich Kramer and James Sprenger, The Malleus Malefi­carum, trans. Mon­tague Sum­mers (New York: Dover, 1971) 121. The story with which I began this sec­tion is my own blend­ing of two other penis-stealing nar­ra­tives in The Malleus. []
  2. ibid. 120 []
  3. ibid. 60 []
  4. Anne Llewellyn Barstow, Witch­craze: A New His­tory of the Euro­pean Witch Hunts (San Fran­cisco: Harper­San­Fran­cisco, 1994) 172. []
  5. ibid. 23 []
  6. Sander Gilman, Jew­ish Self-Hatred: Anti-Semitism and the Hid­den Lan­guage of the Jews (Bal­ti­more: The Johns Hop­kins Uni­ver­sity Press, 1986) 37. []
  7. ibid. 74 – 75 []
  8. Otto Weininger, Sex and Char­ac­ter, trans. Autho­rized Trans­la­tion (New York: G.P. Putnam’s Sons, 1906) 188. []
  9. ibid. 189 []
  10. ibid. []
  11. ibid. 195 []
  12. ibid. 196 []

Fragments of Evolving Manhood: Thinking About Pornography 3

In the het­ero­sex­ual porno­graphic video Secrets, there is a woman-on-woman scene — both the women are white — in which one of the per­form­ers, wear­ing a suit and tie, uses a large pur­ple dildo to play the role of a man. This “male” woman han­dles her false organ pre­cisely the way a phys­i­o­log­i­cally male per­former would han­dle his real one. She holds the syn­thetic appendage so it emerges from the unzipped fly of her pants, strokes it while she per­forms oral sex on her part­ner and even has her part­ner fel­late it. All of this activ­ity is cap­tured by the cam­era in a way that high­lights the women’s self-awareness that they are play­ing with gen­der, or at least with the gen­der of the “male” woman. All signs of play­ful­ness dis­ap­pear, how­ever, in the seri­ous­ness with which the cam­era takes the sim­u­lated cum shot. There is — just as there would be if a man were involved — a close up of the dildo being aimed at the vagina of the “female” woman. Then the “male” woman’s hand “mas­tur­bates” the rub­ber organ until it “ejac­u­lates,” appear­ing to emit a white, semen-like fluid, which in real­ity is released from the “male” woman’s palm. The “male” woman rubs the tip of the dildo gen­tly against the “female” woman’s besmeared gen­i­tals, just the way a man would if he were play­ing in the scene; there are some brief moments of kiss­ing and cud­dling after­ward, with the “female” woman on top; and then the film moves on.

Con­sider now, if you will, a very dif­fer­ent woman-on-woman scene. Imag­ine the women use a dildo that squirts and that, rather than giv­ing us a sim­u­lated cum shot, the cam­era shows the “male” woman tak­ing the dildo out of the har­ness she is wear­ing and squirt­ing the fake semen all over her part­ner. In this scene, though, what comes out of the dildo is fruit juice, or maybe wine, and when the part­ner wres­tles the fake penis from the first woman’s hands and squirts it back, the women fall on each other, laugh­ing out loud and lick­ing the fluid from each other’s skin. Then the cam­era cuts to the next scene in which they pass the dildo back and forth between them, like the toy it really is, gig­gling at the air that wheezes out when they squeeze its fully-drained tes­ti­cles, and then putting it aside as they set­tle into bed to watch television.

A scene like this, in which two women treat a sur­ro­gate penis with such pro­found lack of respect for the power and con­trol a penis is sup­posed to rep­re­sent would never make it into a video like Secrets. After all, a penis that can be tossed aside, even one that has clearly been made to be tossed aside, can­not help but sug­gest what has to be one of the most threat­en­ing ideas within the con­text of male dom­i­nant het­ero­sex­u­al­ity and, there­fore, main­stream het­ero­sex­ual porn, i.e., that men can be tossed aside just as eas­ily. Yet there is no escap­ing the fact that the fake cum shot in Secrets can be read as mak­ing pre­cisely that point. For just under­neath the more tra­di­tional read­ing of the scene as demon­strat­ing that the dildo can­not mea­sure up to the “real thing,” is the absence of irony in how the cum shot was filmed, sug­gest­ing that per­haps the woman with the pur­ple dildo can indeed stand in for a man, that maybe a flesh-and-blood dildo is all a man’s body really is.

Fragments of Evolving Manhood: Thinking About Pornography 2

A white woman’s mouth in the act of swal­low­ing a white man’s penis fills the screen of my TV. Almost directly in the cen­ter of the pic­ture, the shape of his organ glides back and forth against the inside of her left cheek. Pan­ning back, the cam­era shows her kneel­ing on all fours in front of him, her lips engulf­ing and expelling his gen­i­tals as if she were the only mov­able part of a well-oiled machine. She looks up at him and asks, with a lust-filled and mis­chie­vous grin, “Does that feel good?”

“You suck a mean cock, Cherry,” he answers, his tone flat, as if he were read­ing her name out of the phone book.

In response, she gazes wor­ship­fully at his erec­tion, sucks air hun­grily through her teeth, and moans with the plea­sure of plea­sur­ing him, with the joy of being able to take him in her mouth; and then the scene changes to a pic­ture of the same woman doing the same thing to a sec­ond man. Then the scene changes again, and again, and again, and each time the woman is with a dif­fer­ent man, and each time the man shows about as much pas­sion as he would if he were lift­ing heavy boxes. His erec­tion sig­ni­fies both his desire and his arousal, but he rarely moves his hips, he makes almost no sound that could be mis­taken for an expres­sion of plea­sure, and, through­out the oral sex she per­forms on him, his face remains more or less emotionless.

From the way the cam­era is aimed at the point of oral-genital con­tact, I know that I am sup­posed to imag­ine the penis on the screen and the per­spec­tive of the lens as mine. I know that my hand is sup­posed to acquire the shape of the woman’s lips, that the orgasm to which this movie — a com­pi­la­tion called “Inside Christy Canyon” — is intended to help me bring myself is sup­posed to become the orgasm to which she has brought me. Yet nei­ther my plea­sure nor the plea­sure of the men who stand in with Christy Canyon for me seems to be at the cen­ter of what the movie is about. Instead, the film focuses on her, minutely tran­scrib­ing each of her responses to the sex she is hav­ing. She moans, she screams, she gyrates her hips. Her arms and legs flail with plea­sure, and when she is fuck­ing, she grabs at her part­ner to pull him fur­ther inside her­self. Even when he orgasms, at the moment when his body and his plea­sure should log­i­cally occupy the movie’s fore­ground, Christy Canyon almost always dom­i­nates the pic­ture, grind­ing, pant­ing, moan­ing beneath the ejac­u­lat­ing penis as if it and the plea­sure it is sup­posed to rep­re­sent were her own. I’m reminded of the stereo­typ­i­cal scenes of idol wor­ship­pers work­ing them­selves into an ecstasy, hop­ing vainly to elicit some sign of life from the stone or wooden fig­ure that is their god. In Christy Canyon’s case, how­ever, the wor­ship works. God speaks. The phal­lus ejaculates.

Yet if the “cum-shot” is sup­posed to rep­re­sent the pin­na­cle and proof of male plea­sure, I find — except for my prior knowl­edge of the phys­i­cal fact — lit­tle male plea­sure in it, and even less plea­sure in watch­ing it. A man thrusts into a woman, or a woman takes a man into her body. He exhibits lit­tle or no sign of the sex­ual plea­sure, the ten­sion towards orgasm, that must be build­ing in his body, but then, when the “magic moment” arrives and he pulls out of his partner’s body so we can see that his orgasm is real, he allows him­self the fur­ther release of a scream or a grunt. Yet I know that I am sup­posed to iden­tify less with what this man feels phys­i­cally than with what he does, or with what is done to him. This is the homo­pho­bia at the core of most main­stream het­ero­sex­ual pornog­ra­phy. When he enters Christy Canyon, I am not sup­posed to imag­ine his inte­rior expe­ri­ence of that fact; rather, I am sup­posed to imag­ine that I have entered her. When she takes him in her mouth, it is not his plea­sure that is sup­posed to arouse me, but rather the fact that she has, metaphor­i­cally, done the same to me. Every­thing sex­ual this movie wants me to feel, in other words, is directed not towards an iden­ti­fi­ca­tion with the body that is like mine, but into the expe­ri­ence of pos­sess­ing the filmed image of her body. Our roles, in other words, have reversed. I have become the wor­ship­per who, with the sym­pa­thetic magic of my desire, desires to breathe life into the inan­i­mate body of the film that is all I have of her flesh, while she has become the inscrutable object before which I must finally know that I am alone, hold­ing in my hand the proof and the residue of my own mun­dane human­ity.

Fragments of Evolving Manhood: Thinking About Pornography 1

Male dom­i­nance instructs men that our bod­ies are tools. By turn­ing male orgasm into the “cum shot,” het­ero­sex­ual pornog­ra­phy reflects and per­pet­u­ates this image of the male body. Yet it does not have to be that way. Erec­tion, for exam­ple, the grad­ual hard­en­ing of a man’s penis – in the hand or mouth or inside or against or at the sight, sound or smell of the body of his lover, or in his own hand – is the phys­i­cal corol­lary of, a con­crete metaphor for, that man’s capac­ity for trust, some­thing Sharon Olds explores in her poem “The Con­nois­seuse of Slugs:”

When I was a con­nois­seuse of slugs
I would part the ivy leaves, and look for the
naked jelly of those gold bod­ies,
translu­cent strangers glis­ten­ing along the
stones, slowly, their gelati­nous bod­ies
at my mercy.  Made mostly of water, they would shrivel
to noth­ing if they were sprin­kled with salt,
but I was not inter­ested in that.  What I liked
was to draw aside the ivy, breathe the
odor of the wall, and stand there in silence
until the slug for­got I was there
and sent its anten­nae up out of its
head, the glim­mer­ing umber horns
ris­ing like tele­scopes, until finally the
sen­si­tive knobs would pop out the
ends, del­i­cate and inti­mate.  Years later,
when I first saw a naked man,
I gasped with plea­sure to see that quiet
mys­tery reen­acted, the slow
ele­gant being com­ing out of hid­ing and
gleam­ing in the dark air, eager and so
trust­ing you could weep.

That trust as a nec­es­sary con­di­tion for sex, as that with­out which sex becomes exploita­tion by def­i­n­i­tion, is what is miss­ing from the male per­for­mances in movies like Inside Christy Canyon.

I want a main­stream het­ero­sex­ual pornog­ra­phy in which this male trust is eroti­cized, in which the places we have not been, I have not been touched, the places it is in the inter­est of male dom­i­nance to keep hid­den, are lifted into the light and brought into knowl­edge. I want a het­ero­sex­ual pornog­ra­phy in which the sen­sa­tions of the penis are not lim­ited by the in and out and up and down that leads to ejac­u­la­tion; in which our avail­abil­ity, my avail­abil­ity to the eyes and hands and mouths of my lover(s) teaches me what it means to be known and desired entirely, only and wholly for myself; in which the touch of sex – because at the level of the body touch is all sex is – cre­ates a space where the embod­ied life of one human being opens to the embod­ied life of another; in which what is made from that open­ing is under­stood to be what the love in mak­ing love is all about.